#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – A drama centered on three people who are haunted by mortality in different ways. George (Matt Damon) is a blue-collar American who has a special connection to the afterlife. On the other side of the world, Marie (Cécile De France), a French journalist, has a near-death experience that shakes her reality. And when Marcus (identical twins Frankie McLaren and George McLaren), a London schoolboy, loses the person closest to him, he desperately needs answers. Each on a path in search of the truth, their lives will intersect, forever changed by what they believe might-or must-exist in the hereafter.
Plot: Three people — a blue-collar American, a French journalist and a London school boy — are touched by death in different ways.
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|6.4/10 Votes: 90,572|
|6 Votes: 1185 Popularity: 12.604|
Clint Eastwood has once again proved himself to be a formidable director. The style and structure of storytelling used in Hereafter will not appeal to a large audience, but something tells me he knew this all too well but honestly, didn’t care and rightfully so. Because let’s face it, he can afford it and it’s certainly a privilege he has earned. And with Hereafter, it seems that all Mr. Eastwood wants to do is share a story. A very beautiful one at that.
Hereafter is divided into three story lines, spread over three different countries. We have Matt Damon as a reluctant psychic in the United States, Cécile De France who plays a journalist in France and a young pair of twin brothers (Frankie and George McLaren) in England. All of these peoples’ lives are in one way or another affected by different aspects of death, whether that be a near-death experience or the passing of someone very dear. Or, in Damons case, the ability to establish a certain connection with those who are no longer with us. Eastwood has decided on a particularly art house-like approach, which, like I mentioned earlier, will certainly back off a large amount of potential viewers. However, I personally very much appreciate his decision. He has obviously chosen not to make this some big, hyped-up monster movie about all things paranormal. Instead, Hereafter deals with its subject with great integrity and subtlety. Although, despite said subtlety, it features a few moments which are, by contrast, incredibly intense and shocking (in a non-scary way). In fact, I would even go so far as to say it is not for the faint of heart, but I mean that mostly in an emotional sense, rather than a spectacular one. On a side note, I would actually not recommend this film to anyone who has, in any way, shape or form been confronted with the 2004 tsunami, or even the London terrorist attacks. It might be really confronting, so be advised.
I personally think the film’s user rating is a bit low, but on the other hand I do somewhat understand why this film has not received the appreciation it deserves. Simply put, not everyone (actually, many people) will not understand it. It is a small story, for a small audience. Also, anyone watching this because they think it’s all about Matt Damon will be somewhat deceived. I fully understand why they put his name and picture on the poster, since he is the only big name on the payroll. But this is really not ‘his’ film, he just plays a part in it. And he does it well, but the rest of the cast actually deserves a great deal of credit, because they are quite simply phenomenal. And I mean *all* of them. Cécile de France is really impressive, she plays her part with great dignity and empathy. She truly carries every scene she’s in, and she will definitely do her country proud. Personally, I was most affected (both story- and acting wise) by the ‘London segment’ of the film. The story of the two young brothers is absolutely heartbreaking, and the McLaren boys do a superb job at translating this onto the screen. Anyone who doesn’t at least feel a shudder of emotion when watching their story unfold, well… honestly doesn’t have a lot of heart. I refuse to give away any plot points at all, other than what I already have. This is really the kind of story you just need to surrender to in order to really appreciate it. The pacing demands some patience, but if this is your kind of film it really won’t be too much trouble and you will be greatly rewarded.
The way the story unfolds (the three-way structure, which doesn’t come together until the very end), inevitably evokes comparison to ‘Babel’, but honestly, that one cost me a far greater deal of effort to sit through than Hereafter. But that is entirely personal of course, and the structure is really the only similarity between the two; the stories are completely different. And I also think Hereafter is actually far more accessible than Babel, despite its subject matter. The stories are told with such tenderness that it didn’t actually bother me at all that they were three separate stories which, until the end, had nothing to do with each other. They all intrigued me in their own personal way.
Actually, I could go on and on…
It’s been a long time since a film has really touched my heart, but this one has. I’ve been thinking about what rating I should give it, but honestly, I can’t think of a single reason why I wouldn’t give this film a 10. Hereafter is a film of true beauty, a real gem. Which, unfortunately, won’t be understood by many people, but who knows… Perhaps someday, its time will come.
Clearly, no the best movie directed by Eastwood.
The performances are quite OK but the story is flat from the beginning to the end.
Slow Pace- with unfulfilling and ambiguous story
The pacing of this film did not bother me. Of course, I am over 50, so I can actually sit still through a slower paced storyline that includes a number of different characters, without something blowing up, or someone getting undressed to keep my attention.
What did bother me, perhaps comes from a unique view from others reviewing the film. As one who has experienced an NDE, I was disappointed with both the flimsy, and undeveloped view of the female lead’s experience, and the ambiguous way in which her story unfolded.
On one hand, we have a character whose NDE was so life-altering, as to divert her from her primary job as a political reporter, into someone who writes a book extolling the difficulty in revealing the truth in the modern media world about the validity of the NDE experience. The dust jacket on her book, as well as casual references to her research, talk about all of the expert testimony that support the overwhelming facts about NDE experiences, and the correlation between science and the afterlife. And then the movie tells us nothing.
The script (or perhaps what was left after Eastwood edited the script) simply glosses over anything substantial in the way of research, except to talk about a Nobel laureate who was ridiculed after revealing his research. One line…out of over two and a half hours of script.
The question to me, is why start the conversation, if you aren’t going to offer even a small slice of the answers? The research is voluminous. Those of us who have experienced an NDE know that it is far more than a chemical reaction to the body starting to shut down. Much more.
But, all we are left with in this movie, is a lead character who doesn’t want to acknowledge his gift, even in the face of those around him who believe in a “hereafter,” more than he does.
Anyone who has experienced an NDE will find this movie sadly unfulfilling. But perhaps, it will bring many more of us to admit to what happened, and start a much more meaningful dialogue about the facts.
As a few of the younger reviewers mentioned, a vast majority of the audience was over 50. No doubt many of those there were looking for answers about the “aferlife,” for one reason or another.
It would have been a great chance to tell the world something substantial. But in the end the movie was a nice idea, with slow execution…and painfully unfulfilling.
Original, Interesting, Intelligent…in a word…Excellent
This drama is about three lonely people each living in different countries whose lives become indelibly connected in an unforseeable, yet touching way. The story centers on Matt Damon, an American, who apparently has the psychic ability of contacting the recently departed, however, he believes that this “gift” is a “curse” because it renders him a social outcast. There is also a French woman who has a near death experience and a troubled British boy grieving over the loss of a loved one.
I am not a firm believer in a hereafter life or psychic abilities, and what is great about this movie is that it addresses these issues in an intelligent way without asking the audience to debate their existence. Instead, it focuses on the characters and how these issues affect their lives. There is nothing cheap or gimmicky about this movie. It simply tells a touching story without being overly sentimental. Clint Eastwood delivers a great picture and Matt Damon an excellent performance. The round-out cast deserves a big-hand as well. Keep in mind that this is a character drama and, like cooking a good sauce, takes its time to develop a richness. So if you’re the type of person who only responds to immediate sensory gratification, this movie might not be for you.
Original Language en
Runtime 2 hr 9 min (129 min)
Genre Drama, Fantasy, Romance
Director Clint Eastwood
Writer Peter Morgan
Actors Cécile de France, Thierry Neuvic, Cyndi Mayo, Lisa Griffiths
Awards Nominated for 1 Oscar. Another 4 wins & 14 nominations.
Production Company Malpaso Company, Kennedy/Marshall
Sound Mix Dolby Digital, DTS, SDDS
Aspect Ratio 2.39 : 1
Camera Panavision Panaflex Millennium XL2, Panavision C- and E-Series Lenses, Panavision Panaflex Platinum, Panavision C- and E-Series Lenses, Red One Camera (green screen plates)
Laboratory Technicolor Digital Intermediates, Los Angeles (CA), USA (digital intermediate), Technicolor, Hollywood (CA), USA (color) (prints)
Film Length 3,429 m (Sweden), 3,431 m (Portugal)
Negative Format 35 mm (Fuji Eterna Vivid 160T 8543, Eterna Vivid 500T 8547), Redcode RAW
Cinematographic Process Digital Intermediate (2K) (master format), Panavision (anamorphic) (source format), Redcode RAW (4K) (source format)
Printed Film Format 35 mm (Kodak Vision 2383), D-Cinema