#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Val Waxman is a film director who was once big in the 1970’s and 1980’s, but has now has been reduced to directing TV commercials. Finally, he gets an offer to make a big film. But, disaster strikes, when Val goes temporarily blind, due to paranoia. So, he and a few friends, try to cover up his disability, without the studio executives or the producers knowing that he is directing the film blind.
Plot: Woody Allen stars as Val Waxman, a two-time Oscar winner turned washed-up, neurotic director in desperate need of a comeback. When it comes, Waxman finds himself backed into a corner: Work for his ex-wife Ellie or forfeit his last shot. Is Val blinded by love when he opts for the reconnect? Is love blind when it comes to Ellie’s staunch support? Literally and figuratively, the proof is the picture.
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|6.6/10 Votes: 25,952|
|6.6 Votes: 336 Popularity: 12.934|
time-marking comedy from a master filmmaker
Did your mother ever tell you that it wasn’t polite to make fun of blind people? Well, apparently, Woody Allen’s mother didn’t, since this is exactly what he does for a good hour or more in his latest film, `Hollywood Ending.’ (Or, perhaps, he just doesn’t WANT to be polite). Whatever the case, Allen himself stars as Val Waxman, a once brilliant film director who has fallen on hard times, partly due to his own temperamental nature and partly to his own tendency for obsessive/compulsive behavior and chronic hypochondria, all of which have made him anathema to Hollywood’s major producers. Tea Leoni plays Val’s ex-wife, Ellie, who convinces her current fiancé, studio boss Hal (played by Treat Williams), to take a chance on Val and turn a multimillion dollar film project over to the iconoclastic director. All is going well until, right on the eve of production, Val develops a case of psychosomatic blindness, a condition he and a few close allies try to keep a secret during the making of the film. The majority of `Hollywood Ending’ revolves around Val’s attempts to keep people from finding out the truth and delivering a creditable motion picture to the studio heads at the same time.
In many ways, this pallid comedy combines the slapstick elements of Allen’s early works (`Bananas’ and `Sleeper’) with the cynicism of his later, more mature explorations of modern urban romantic life (`Annie Hall,’ `Manhattan’). Unfortunately, `Hollywood Ending’ winds up as an uneasy hybrid of the two forms, mixing lowbrow comic mugging and pratfalls with the customary angst-ridden dithering that Allen has been indulging in (often quite effectively) for well nigh a quarter of a century now. Well, the bloom is definitely off the rose here. Part of the problem is that Allen’s neurotic tics are amusing only when he has some serious points to make under all the humor. In this film, however, he is providing no insights to go along with the chatter so that he comes across as whiney and self-absorbed rather than witty and ironical. Val always seems to be blathering a mile a minute, so much so that we finally just want him to shut up and give us a moment’s silence. To make matters worse, the scenes of broad physical comedy Allen bumping into furniture, Allen breaking glasses, Allen falling off platforms are not particularly well executed, lacking the kind of adept, split second timing essential to make such scenes comically effective. Thus, the film fails on two levels: both as a work of slapstick and as a verbal comedy of ideas. The film could, potentially, have scored as an acerbic satire on the ludicrous commercial values that define the American film industry, yet even most of these `inside’ jokes seem strangely unoriginal and old hat, especially coming from a man as attuned to the industry as Woody Allen.
Although Allen, in his old age, has degenerated into little more than a wan parody of himself, Tea Leoni sparkles as Ellie, creating a character who is simultaneously strong, sensible, insecure and vulnerable. Leoni’s performance is, literally, the anchor that keeps this otherwise lighter-than-air trifle from floating away completely. Barney Cheng does a nice job playing a Chinese translator whom Val uses to help him carry off this impossible charade; Mark Rydell provides some memorable moments as Val’s helpful agent; and Debra Messing glows as Val’s beautiful but bubble headed `significant other,’ who is far more concerned about losing her part in the movie than losing her role as bedmate to the neurotic director.
It would be unfair, as well as untruthful, to say that `Hollywood Ending’ did not afford a couple of pretty impressive laughs along the way. This IS a Woody Allen film, after all. And even Woody on a bad day is better than many of our Hollywood humorists on a good day. But with so many great films in his oeuvre, one naturally goes into this film with high expectations. When a final assessment is made of all of Allen’s prodigious cinematic output, `Hollywood Ending’ will wind up somewhere very near the bottom of the list.
Possibly the WORST movie ever made
How can I say that? Surely, there are other movies that more suit the title? Well, NO. Most bad movies are bad because there are so many people in the control of the production. No matter what you think, the Director is usually powerless if executives want to add or rearrange movies the way they seem fit. It’s these EXECUTIVE types who normally ruin the movies you think are so bad. But WOODY ALLEN has COMPLETE artistic freedom to whatever he wants. He is one of the ONLY directors in the US who have this power. And that’s what makes this movie so HORRIBLE. This is a making movies-by-habit and it is a total slap in the face to anyone who buys a movie ticket. Woody Allen, who so often has demeaned other directors and writers for making movies that seem unworthy of the medium has just made a movie for no other reason than he was given the money to do it. I cannot believe Woody Allen put this thing together and thought it was good. He couldn’t. IT’S AWFUL. It’s UNWATCHABLE.
It’s thrown together like three eggs about to be scrambled. I don’t want to harp on age differences, but when Woody comes in to meet his girlfriend Debra Messing, she couldn’t even pass for his DAUGHTER! She looks like his GRANDDAUGHTER. But that disturbing casting does not ruin the movie. It’s the WRITING. Woody Allen is making comedies when he is no longer funny. And he throws lines out there just to see if they stick to the wall. These are non-stick walls, folks. I’ll give you an example. In one scene, someone mentions he should buy a mercedes and he says, “I can’t be driving around in a 29 Mercedes, people will mistake me for Himmler.” Now, that is about the STUPIDEST thing I ever heard. HIMMLER? Just because it’s slightly obscure, Woody thinks it will cause a laugh. No, Goering is too well-known, he goes for Himmler. And it’s a TERRIBLE decision. He also has many jokes later in the movie about a guy whose act is biting the head off of rats, and then we get several rathead-biting comments in the film. It’s a TERRIBLE MISCALCULATION. The FIRST rat-joke wasn’t funny, it was STUPID. None of these jokes have any wit.
Two times in the movie, Woody tries to evoke his past genius. One is a cocktail scene early on when some literary names are banted about, and some sex jokes with it, ala Manhattan. Also, there is a scene where Lea Teoni and Treat Williams talk for an extended time the camera stays still while they go in and out of the room talking. It’s very “Hannah-Crimes-Husband” and it would have worked, but the dialogue is so bad, you don’t even care.
A worst movie ever would be one in which someone takes TERRIBLE advantage of you as a fan and a movie-goer, and then insults you in the process. A movie that wants you to walk out of it in the first ten minutes and lose your money. This is the one. I think every year, I am going to just send Woody my seven bucks and save myself the torture.
Original Language en
Runtime 1 hr 52 min (112 min)
Genre Comedy, Romance
Director Woody Allen
Writer Woody Allen
Actors Téa Leoni, Bob Dorian, Ivan Martin, Gregg Edelman
Awards 1 nomination.
Production Company DreamWorks SKG, Gravier Productions, Perido Productions
Sound Mix DTS (Mono), Dolby Digital (Mono), SDDS (Mono)
Aspect Ratio 1.85 : 1
Camera Panavision Cameras and Lenses
Laboratory Technicolor (color), Technicolor, New York (NY), USA (dailies), Technicolor, Hollywood (CA), USA (prints)
Film Length 3,090 m (Finland)
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm