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How the West Was Won 1962 123movies

How the West Was Won 1962 123movies

It's here! The mightiest adventure ever filmed!Oct. 01, 1962162 Min.
Your rating: 0
7 1 vote

Synopsis

#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Setting off on a journey to the west in the 1830s, the Prescott family run into a man named Linus, who helps them fight off a pack of thieves. Linus then marries daughter Eve Prescott (Carroll Baker), and 30 years later goes off to fight in the Civil War with their son, with bloody results. Eve’s sister, Lily, heads farther west and has adventures with a professional gambler, stretching all the way to San Francisco and into the 1880s.
Plot: The epic tale of the development of the American West from the 1830s through the Civil War to the end of the century, as seen through the eyes of one pioneer family.
Smart Tags: #lebensraum #expansionism #imperialism #manifest_destiny #ulysses_s._grant_character #abraham_lincoln_character #national_film_registry #arizona_territory #arizona_desert #territory #reference_to_arizona #reference_to_doc_holliday #reference_to_ike_clanton #reference_to_tombstone_arizona #kingman_arizona #arapaho_indian #cheyenne_indian #william_tecumseh_sherman_character #old_age_makeup #whitewater_rafting #generation


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Ratings:

How the West Was Won 1962 123movies 1 How the West Was Won 1962 123movies 27.1/10 Votes: 18,893
How the West Was Won 1962 123movies 3 How the West Was Won 1962 123movies 286%
How the West Was Won 1962 123movies 5 How the West Was Won 1962 123movies 256/100
How the West Was Won 1962 123movies 7 How the West Was Won 1962 123movies 27.1 Votes: 265 Popularity: 15.176

Reviews:

Bound for the promised land, indeed.

One of the last great epic movies to come out of MGM that was a roaring success, How the West Was Won still has enough quality about it to warrant high praise. The story that drives the film on was suggested by the series of the same name that featured in “Life” magazine 1959. Narrative is formed around one family, the Prescott’s, who set out on a journey West in 1839. They and their offspring fill out five segments of film that are directed by three different men, “The Rivers”, “The Plains” & “The Outlaws” is under the guidance of Henry Hathaway, and “The Civil War” by John Ford and “The Railroad” by George Marshall.

Filmed in the unique Cinerama format, which in a nutshell is three cameras filming at once to project a fully formed experience for the human eye, the production has an all star cast and four supreme cinematographers aiding the story. To name all the cast would take forever, but in the main all of the major parts were filled by stars who had already headlined a movie previously. The cinematographers are naturally key since such a sprawling story inevitably has sprawling vistas, they come up trumps with some truly special work: William H. Daniels, Milton Krasner, Charles Lang Jr. & Joseph LaShelle, four great names who help to make the film a poetic beauty.

As a whole it’s undeniably far from flawless, complaints such as it running out of steam towards the end (the irony of it since a steam train features prominently), and the plot contrivances, are fair enough. However, when the film is good, it’s real good: raft in the rapids, Cheyene attack, buffalo stampede and train robbery, each of them are good enough to be a highlight in separate movies. Even the songs are pleasant, particularly when they revolve around the effervescent Debbie Reynolds, while home format transfers are now finally up to a standard worthy of investment, time and cash wise.

Hard to dislike for a Western fan, and carrying enough about it to lure in the casual viewer, How the West Was Won really is a case of they don’t make them like they used to. 8/10

Review By: John Chard Rating: 9 Date: 2017-05-04
_**Unique, entertaining all-star Western epic comprised of vignettes is a mixed bag**_

Released in 1962-63 and written by James Webb, “How the West was Won” is an epic Hollywood Western covering fifty years between 1839-1889 focusing on the Prescott family’s move West and narrated by Spencer Tracy. This is a history lesson amped up with melodrama, romance, adventure, violence and song & dance.

The film was done in Cinerama, which was a short-lived cinematic experiment involving three synchronized projectors and a huge curved screen. Only one other film with a traditional story line utilized this process, “The Wonderful World of the Brothers Grimm,” released the same year. Cinerama was invented so film could keep ahead of its growing rival, television, but it proved too expensive and cumbersome. Despite this, “How the West was Won” was a huge success at the box office.

There were epic Westerns before and after, of course, like “The Big Country” (1958), “The Alamo” (1960), “Dances with Wolves” (1990) and “Wyatt Earp” (1994). What separates “How the West was Won” is that it’s split into five vignettes directed by three different directors, as follows:

THE RIVERS (1839), directed by Henry Hathaway. This opening segment may turn off viewers with its eye-rolling “Disney Goes West” vibe and the corresponding corny dialogue, particularly the lightning fast romance that starts between Linus Rawlings (James Stewart) and Eve Prescott (Carroll Baker). But, if you can endure past such cringe-worthy moments, there’s a sudden shift when the travelers run into a malevolent gang of river pirates (Walter Brennan, Lee Van Cleef and cutie Brigid Bazlen). The switch from quaint family-friendly material to nigh shocking violence is notable. One villain gets an ax wung into his back and another a knife into his chest (!). The episode ends with a thrilling fatal rafting sequence. Karl Malden plays the patriarch while Debbie Reynolds plays the less-romantic sister. I must say that the producers knocked it out of the ballpark by featuring Baker, Reynolds and Bazlen in the female department; all three are breathtaking.

THE PLAINS (1851), directed by Henry Hathaway. Lilith Prescott (Reynolds) ends up in St. Louis as a dance hall performer where she learns she’s inherited a gold mine in California. A handsome gambler (Gregory Peck) catches wind and tags along on the wagon train, led by a character played by the great Robert Preston. Both guys want the babe, but only the latter seems sincere, which curiously doesn’t interest Lilith. This segment is highlighted by Reynold’s beauty and her entertaining song & dance sequences and a thrilling Cheyanne attack on the wagon train.

THE CIVIL WAR (1861-1865), directed by John Ford. This segment starts at the Prescott homestead in Ohio where the son of Lilith, Zeb (George Peppard), decides to join the Civil War, after his dad did a couple of years earlier. This is the weakest of the vignettes because the scenes where Ulysses Grant (Harry Morgan) and General Sherman (John Wayne) hang out are obviously studio bound and, worse, the Shiloh battle sequence is almost non-existence. What a letdown!

THE RAILROAD (1868), directed by George Mashall. After the war Lieutenant Zeb gets a gig in the U.S. Cavalry, trying to maintain peace with the Indians while befriending grizzled buffalo hunter Jethro Stuart (Henry Fonda), but Zeb becomes disillusioned when an arrogant railroad mogul (Richard Widmark) violates treaties with the Arapaho by building in their territories. The Natives retaliate by stampeding bison through the railroad camp and killing many. It’s an impressive sequence.

THE OUTLAWS (1889) directed by Henry Hathaway. Widowed, Lilith moves from San Francisco to her remaining asset, an Arizona ranch, inviting Zeb (Peppard) and his wife (Carolyn Jones) & kids to oversee it. But Marshal Zeb is threatened by a vengeful outlaw (Eli Wallach). Instead of waiting for the thug to strike, Zeb goes on the offensive with the help of reluctant Marshal Lou Ramsey (Lee J. Cobb). They hide out on a train with an unusually large gold shipment to ambush the outlaw and his gang. The exciting climax is impressive for its time and obviously influential in action-oriented cinema.

As you can see, the movie is a series of thinly-connected stories with a few characters carrying over to other segments (Baker, Reynolds, Peck, Peppard). It’s a big film rather than a great one. But you have to respect its uniqueness and the fact that it pulls out all the stops to entertain on so many levels. The score by Alfred Newman, for instance, is one of the all-time best film compositions. While the movie sometimes disappoints — particularly the opening “Disney goes West” vibe and the truncated Civil War sequence — there’s just too much good here to give it a bad grade. You just have to be willing to acclimate to its quirks and uniqueness. Needless to say, don’t expect a conventional Western because “How the West was Won” is anything but.

The film runs 164 minutes and was shot in Kentucky & Illinois in the East; and South Dakota, Utah, Arizona, California and Oregon in the West .

GRADE: B

Review By: Wuchak Rating: 7 Date: 2021-04-14
How Hollywood Struck Back Against Television
In the early 1960s Hollywood found itself under attack by television so had to wheel out some big guns . THE LONGEST DAY and HOW THE WEST WAS WON were a couple of these howitzers . Film,s that lasted several hours full of episodic structure with big names playing the characters . Watching these type of movies years later you can see the thinking behind them but do seem overblown with hindsight and you can also see why film makers wanted to make more intense movies via New Hollywood in the 1970s

That said HTWWW is by no means a bad movie . If there’s a problem with it it’s the narrative problem of trying to squeeze 100 years of history in to three hours of cinema and to a large degree the film succeeds to a large extent . It also deserves some credit for using Debbie Reynolds and George Peppard – neither of whom were the biggest names in the movie – to play the main linking characters

And yet the problem of the narrative is impossible to overcome entirely successfully . The story remains episodic and has every cliché under the sun . Men are men and women are thankful . White men tend to be extremely good or extremely bad and the indigenous population are noble savages who become mere savages when white man speak with forked tongue . There’s also the annoying production value of people standing in front of back projection which jars with the numerous establishing shots taken on location. It’s also a conservative film with God frequently getting a name check

But for the most part it’s an entertaining Western even for those of us who don’t like the genre . Perhaps the reason it does work is because it’s so traditional where the world is portrayed in black and white , a world that has never existed in the first place

Review By: Theo Robertson Rating: 7 Date: 2011-10-26
Bound for the promised land, indeed.
One of the last great epic movies to come out of MGM that was a roaring success, How the West Was Won still has enough quality about it to warrant high praise. The story that drives the film on was suggested by the series of the same name that featured in “Life” magazine 1959. Narrative is formed around one family, the Prescott’s, who set out on a journey West in 1839. They and their offspring fill out five segments of film that are directed by three different men, “The Rivers”, “The Plains” & “The Outlaws” is under the guidance of Henry Hathaway, and “The Civil War” by John Ford and “The Railroad” by George Marshall.

Filmed in the unique Cinerama format, which in a nutshell is three cameras filming at once to project a fully formed experience for the human eye, the production has an all star cast and four supreme cinematographers aiding the story. To name all the cast would take forever, but in the main all of the major parts were filled by stars who had already headlined a movie previously. The cinematographers are naturally key since such a sprawling story inevitably has sprawling vistas, they come up trumps with some truly special work: William H. Daniels, Milton Krasner, Charles Lang Jr. & Joseph LaShelle, four great names who help to make the film a poetic beauty.

As a whole it’s undeniably far from flawless, complaints such as it running out of steam towards the end (the irony of it since a steam train features prominently), and the plot contrivances, are fair enough. However, when the film is good, it’s real good: raft in the rapids, Cheyene attack, buffalo stampede and train robbery, each of them are good enough to be a highlight in separate movies. Even the songs are pleasant, particularly when they revolve around the effervescent Debbie Reynolds, while home format transfers are now finally up to a standard worthy of investment, time and cash wise.

Hard to dislike for a Western fan, and carrying enough about it to lure in the casual viewer, How the West Was Won really is a case of they don’t make them like they used to. 8/10

Review By: hitchcockthelegend Rating: 8 Date: 2011-04-15

Other Information:

Original Title How the West Was Won
Release Date 1962-10-01
Release Year 1962

Original Language en
Runtime 2 hr 44 min (164 min)
Budget 15000000
Revenue 50000000
Status Released
Rated G
Genre Western
Director John Ford, Henry Hathaway, George Marshall, Richard Thorpe
Writer James R. Webb
Actors Carroll Baker, Lee J. Cobb, Henry Fonda, Carolyn Jones
Country USA
Awards Won 3 Oscars. Another 7 wins & 5 nominations.
Production Company Metro Goldwyn Mayer, Cinerama Productions Corp.
Website N/A


Technical Information:

Sound Mix 4-Track Stereo (35 mm prints), Cinerama 7-Track (Westrex Recording System)
Aspect Ratio 2.89 : 1, 2.20 : 1 (70 mm spherical prints) (cropped), 2.35 : 1 (35 mm anamorphic prints) (cropped), 2.75 : 1 (70 mm prints)
Camera Cinerama Camera, Kodak Ektar Lenses (uncredited), Panavision Lenses (uncredited)
Laboratory Technicolor, Hollywood (CA), USA (Cinerama prints) (as print by Technicolor®), Metrocolor, Culver City (CA), USA (uncredited) (70 mm and 35 mm prints)
Film Length 4,185 m (Sweden, 35 mm), 6,277 m (Sweden, 70 mm)
Negative Format 3 x 35 mm (6-perf) (Eastman 50T 5250)
Cinematographic Process Cinerama (uncredited), Ultra Panavision 70 (uncredited)
Printed Film Format 3 x 35 mm (6 perf. per frame), 35 mm (anamorphic), 70 mm (Ultra Panavision 70)

How the West Was Won 1962 123movies
How the West Was Won 1962 123movies
How the West Was Won 1962 123movies
Original title How the West Was Won
TMDb Rating 7.1 265 votes

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