#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Aspiring emcee DJay works the angles to get his first record made with help from assorted people in his Memphis ‘hood. And when he hears that hip-hop superstar Skinny Black is heading to his area, he throws together a supreme hustle to grab Skinny’s attention.
Plot: With help from his friends, a Memphis pimp in a mid-life crisis attempts to become a successful hip-hop emcee.
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|7.3/10 Votes: 38,677|
|7 Votes: 229 Popularity: 11.085|
The subject matter and lyrics are a little rough, but the movie is a good one to see
(Synopsis) DJay (Terrence Howard) is a streetwise hustler and Memphis pimp with a stable of 3 girls, Shug (Taraji Henson) who is pregnant and not working, Lexus (Paula Jai Parker) who works in a strip club, and Nola (Taryn Manning) who works out of DJay’s old beat-up car in a back alley. Even with two girls working and DJay selling dirt-weed on the side, it is hard for them to make ends meet. The utility company is about to shut off their utilities, if they don’t pay the bill. DJay feels that he has hit rock bottom, and he needs a change in his life. A bum trades him a Casio keyboard for some weed, and DJay takes it home. While playing the keys, DJay gets an inspiration to write rap music. He begins to write down his pimping style raps, his flow, in a little notebook while Nola is turning tricks. DJay runs into Key (Anthony Anderson), an old friend and sound engineer, who takes him to a church choir performance that reaches DJay’s soul. DJay looks inside his soul and decides to get out of the business, and now he has a dream of becoming a rapper. DJay teams up with Key to make a demo song. Skinny Black (Ludacris) is a platinum selling rapper about to return to Memphis for the 4th of July. DJay believes he can hustle Skinny to hear his tape, and his dream will come true.
(Comment) The movie was filmed all around Memphis during 2004. Memphian Craig Brewer wrote and directed ‘Hustle and Flow,’ and I went to the red carpet movie premiere in Memphis on 6 July. Craig Brewer told the audience about his father’s watch that was used in the movie, and he was wearing it for good luck that night. He was also wearing a 3-carat diamond ring that belonged to Sam Phillips. As for the movie, Terrence Howard’s role as DJay is a remarkable one in that he becomes immersed in the character of DJay. Howard comes off as a real pimp with all the anger, conflicts, and frustrations, which he encounters in life. There is no such thing as a good pimp, but the character of DJay realizes that his women have dreams too, and that he wants to change everything around him and them for the better. The subject matter and the lyrics to the rap music are a little rough, but the movie is a good one to see. (Paramount Classics, Run time 1:54, Rated R) (8/10)
Terrence Howard plays a Memphis pimp who decides to give hardcore rapping a shot in this arresting, gritty drama. Howard plays DJay, who pimps girls out of his beat-up Chevy Nova. When he comes into the possession of an electronic keyboard, DJay plays around with it and finds he has a talent for writing and performing hard, violent lyrics.
On its face, this seems like a typical “man rises from the ashes of his hardscrabble life to experience success and then watches it all crash down around him” kind of movie. It’s not a movie about suffering, success, and redemption, in other words. But it’s not as predictable as it may seem at first blush, and Howard is not your typical actor, by any shot.
DJay lives with his small stable of prostitutes in a tumble-down shack in the Memphis ghetto. As pimps go, he’s not exactly Donald Trump. Some dance for an exotic club during the day and hook at night; some hook all day. But the money’s not rolling in for DJay, who remains somewhat confident that he’ll someday come out ahead. When he obtains the keyboard, inspiration strikes, and a chance encounter with an old classmate (Anthony Anderson) who’s now a producer (of sorts) gives DJay the opportunity to jump out of the rotten life he’s carved for himself.
This never feels like a typical rise-and-fall story, and that’s thanks in no small part to the powerful performance by Howard, who’s much better here than in the critically lauded (by some) Crash. Appearing with Howard in Crash was Ludicrous, who also has a big role in Hustle and Flow – hey, some rappers are very good actors, it turns out. Howard, aided by a crisp script from Craig Brewer, who also directed, never portrays DJay as simply a nice guy with some flaws, someone who’s been handed a bad hand and is making the best of it. It’s clear that DJay’s made all of his own choices, and the situation he finds himself in – depending on hookers for his livelihood – is of his own doing.
But neither does the script show DJay as being entirely bad, either, as evidenced by some surprisingly tender, moving scenes between DJay and Key (Anderson) and DJay and Shug, his pregnant woman. These scenes don’t come off as stilted or insincere, and that’s thanks especially to Howard’s strong performance. True, too, are the scenes in which DJay lays down a rap track in his home; you can feel the rage seeping through your television.
This movie might be a difficult sell to those who have trouble relating to the environment and atmosphere in which DJay operates. Undoubtedly those who grew up on the wrong side of the tracks will recognize aspects of their own lives, identifying strongly with one or more of the characters. But even those of us who have never lived in squalor, who’ve generally had advantages that others do not, can appreciate the intense, gray world in which DJay and his associates live. Had this been a simple, typical biography of a musician from the mean streets, it wouldn’t have had near the effectiveness, the passion of Hustle and Flow. The movie intrigues you, makes you want to know what happens to DJay, even when it’s obvious he’s a bit of a jerk. But because he’s not a stupid man, his actions cannot be painted as simply good or simply bad. Howard, in particular, is well deserving of his critical accolades here.
Original Language en
Runtime 1 hr 56 min (116 min)
Genre Crime, Drama, Music
Director Craig Brewer
Writer Craig Brewer
Actors Terrence Howard, Anthony Anderson, Taryn Manning, Taraji P. Henson
Awards Won 1 Oscar. Another 25 wins & 46 nominations.
Production Company New Deal Productions, Crunk Pictures, Homegrown Pictures
Sound Mix DTS, Dolby Digital
Aspect Ratio 1.85 : 1
Camera Aaton A-Minima, Zeiss Ultra Prime and Century S2000 Lenses, Arriflex 16 SR3, Zeiss Ultra Prime and Century S2000 Lenses
Laboratory FotoKem Laboratory, Burbank (CA), USA
Film Length (7 reels)
Negative Format 16 mm (Kodak Vision2 100T 7212, Vision2 500T 7218)
Cinematographic Process Digital Intermediate (2K) (master format), Super 16 (source format)
Printed Film Format 35 mm (blow-up) (Kodak Vision 2383)