#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – A nurse from Ukraine searches for a better life in the West, while an unemployed security guard from Austria heads East for the same reason.
Plot: A nurse from the Ukraine searches for a better life in the West, while an unemployed security guard from Austria heads East for the same reason. Both are looking for work, a new beginning, an existence, struggling to believe in themselves, to find a meaning in life..
Smart Tags: #female_full_frontal_nudity #oral_sex #ukraine #nurse #scantily_clad_female #blow_job #sex #lust #erotica #voyeur #leg_spreading #bare_breasts #no_panties #panties #pubic_hair #labia #vulva #nudity #internet_pornography #slash_in_title #female_nudity
|7.1/10 Votes: 5,755|
|7 Votes: 70 Popularity: 9.58|
Life without home
Many film’s about sad, boring lives are themselves boring (and not truly sad). Not so Ulrich Siedl’s remarkable ‘Import/Export’, which tells a simple, and fundamentally depressing, story at great length, but with compelling naturalism. Not only that, but Siedl shows an uncanny ability to find interesting shots: the film has a haunting quality, and in every scene there’s something that draws the viewer’s attention and makes one think. The plot, such as it is, tells the story of two people, a Ukranian woman to emigrates to Austria in search of a better life, and an Austrian man who ends up in Ukraine; in Hollywood, their stories would inevitably be drawn together, but Siedl keeps them in parallel throughout. One link is that both are involved (at different ends) in the Ukranian sex industry, and Siedl’s uncompromising depiction of this attracted some notoriety for this movie; but it’s a long way from a titillating film.
The acting is excellent, and the way the characters evolve is fascinating. Ekatarina Rak’s Olga is allowed to inch slowly towards a better life in Austria, albeit at a high price. Paul Hofmann’s Pauli is even more interesting, a loner and misfit denied the chance by his environment to become a good person; disaffected from his present life, he can find no route map to another one. Not only do the two stories not converge, but one ends with a lengthy series of hospital scenes in which the origin of the central character is of decreasing importance; this could be a film about lonely people anywhere. Indeed, for all the film’s “naturalism”, it’s depiction of social reality might perhaps be questioned, I would have guessed this movie was set in 1997 rather than 10 years later (although my own estimate of reality is based on the newspapers, so it may well be this that is wrong). Certainly the film is not an explicit political indictment. But it is a sympathetic and original insight into existential loneliness and the harshness of life in the modern world.
Nothing new and not even disturbing
OK, people say this movie is disturbing. That might be because it is the only movie of this kind they have seen (so I think). I am already experienced with this genre of semi-reality no storytelling movies, as I call them. The reason I rated this movie just with two is because since the Cannes Film Festival exists we all have seen movies of this type. I mean a plain and more than simple direction that doesn’t tell any story but showing us true life in some sort. I, in my opinion, disagree with directors of this kind of movies, like Hanneke sometimes, because they try to get the most out of reality without understanding that a real thing is a plain documentary without any comments. Just by putting a camera somewhere you are already implying your point of view. There for subjective and not objective. Anyway, as I am to experienced with this type of movies I can’t understand why they keep having success. there’s nothing in a movie like this. You do it once or twice OK. But tell me a story now and then. Don’t just grab a whole team to film something that almost everybody can do. No credit from my side. I must say that bullshit movies like Die Hard 4.0 is almost better then this and I thought it was one of the worst movies ever.
Original Language de
Runtime 2 hr 21 min (141 min), 2 hr 3 min (123 min) (South Korea)
Rated Not Rated
Director Ulrich Seidl
Writer Veronika Franz, Ulrich Seidl
Actors Ekateryna Rak, Lidiya Oleksandrivna Savka, Oksana Ivanivna Sklyarenko
Country Austria, France, Germany
Awards 2 wins & 2 nominations
Production Company N/A
Sound Mix Dolby Digital
Aspect Ratio 1.66 : 1
Laboratory Probst Film, Bern, Switzerland, Schwarz Filmtechnik, Ostermundigen (BE), Switzerland, Synchro Film, Austria
Film Length 3,870 m (Sweden)
Negative Format 16 mm (Kodak Vision II)
Cinematographic Process Super 16
Printed Film Format 35 mm (blow-up)