Watch: Interiors 1978 123movies, Full Movie Online – The story of a very dysfunctional family and what happens when the parents divorce. Eve (Geraldine Page) and Arthur (EG Marshall) are a 60-something couple, recently separated. They have three adult daughters – Renata (Diane Keaton), Joey (Mary Beth Hurt) and Flyn (Kristin Griffith). Renata is a poet and is married to Frederick (Richard Jordan). Joey is (reluctantly) in advertising and is married to Mike (Sam Waterston). Flyn is a film and TV actress. Eve is an incredibly negative woman and this has had a toxic effect on her children. This results in stifling, unsupportive relationships and joyless lives..
Plot: When Eve, an interior designer, is deserted by her husband of many years, Arthur, the emotionally glacial relationships of the three grown-up daughters are laid bare. Twisted by jealousy, insecurity and resentment, Renata, a successful writer; Joey, a woman crippled by indecision; and Flyn, a budding actress; struggle to communicate for the sake of their shattered mother. But when their father unexpectedly falls for another woman, his decision to remarry sets in motion a terrible twist of fate…
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|7.3/10 Votes: 19,904|
|81% | RottenTomatoes|
|67/100 | MetaCritic|
|N/A Votes: 278 Popularity: 9.404 | TMDB|
One of Woody Allen’s most underrated films
Interiors is one of the most divisive films of one of the most love-it-hate-it directors. For me Interiors is not one of Allen’s best films(Annie Hall, Crimes and Misdemeanours, Manhatten, Hannah and Her Sisters, Husbands and Wives) with some dialogue monologues that ramble on a bit too much, but when it comes to his most underrated films Interiors is very high on the list. It is very easy to see why people wouldn’t like it with how bleak it is and how it’s different from much of what Allen has done, but those are hardly reasons to dismiss Interiors because apart from the occasional rambling it is a great film. It is very stylishly shot with good use of locations, probably Allen’s second most visually striking 70s film after Manhattan. Like Annie Hall, there’s no music score and that’s not a bad thing at all, Interiors is a very intimate and intricate film and having no music added to that quality. Much of the dialogue is full of insight and pathos, to me it did have dramatic weight and it is one of Allen’s most honest films along with Husbands and Wives. The screenplay is not “funny” as such and is not as quotable as Annie Hall, but it wasn’t ever meant to be. The story is paced deliberately but how Interiors was written and performed ensures that it isn’t dull, it was very moving(personally it didn’t topple into melodrama) and layered storytelling- didn’t notice any convolutions- deftly handled. Allen directs assuredly in one of his more restrained directing jobs. The characters are neurotic and not the most likable, but are written and performed with such compelling realism that in the end there is some sympathy felt for them. The cast was a talented one in the first place, and none of them disappoint. Especially good are Geraldine Page, in one of her best performances, in very frightening and heart-breakingly tormented form and Mary Beth Hurt, the centrepiece of the story and is very affecting. Maureen Stapleton is a breath of fresh air as the most lively character- an anti thesis to the rest of the characters but not an out of place one- and E.G. Marshall brings a great deal of quiet dignity. Diane Keaton when it comes to Woody Allen films is better in Annie Hall and Manhattan but plays a purposefully shrill character with gusto. Richard Jordan and Sam Waterson are fine. Kristin Griffith is good too but her part seemed underwritten. All in all, won’t be for everybody but a great film from personal perspective and one of Woody Allen’s most underrated. 9/10 Bethany Cox
A large ensemble cast, written, filmed, and directed with quiet force….
This is one of those dark, serious, realistic personal dramas that critics shook their heads at in 1978. It wasn’t because it wasn’t good–it’s frankly a brilliant combination of the big three: acting, writing, photography. It was because it was directed (and written) by Woody Allen. And Woody Allen is funny, right? Critics at the time, however, to their credit, gave the film a fair reading, and for three brilliant excerpt of period reviews, I recommend the Wikipedia entry on the movie.
So watch this film thinking it’s by someone else, if you have to. take it in on its own subtle terms as three sisters watch their own deficiencies bloom when their parents abruptly separate. There is some familiar territory here, actors Allen has turned to many times (including Diane Keaton, of course, who he was once, in 1970, involved with). The world is one that might actually be parallel to his own, not Jewish New York but rather a highly educated literary set with money and ambitions, but deeply steeped in the arts.
In short, “Interiors” was and is appreciated but always with a feeling that it isn’t quite complete, that it isn’t what it could have been. It’s easy to see that it is unremittingly dour, almost to perversion. And you might say that it plays the Bergman card too hard without overt appropriation (which makes it merely derivative, that worst of echoes). It is fair, I suppose, to say that Allen really has succeeded, but not in the remarkable ways he had succeeded so clearly in his earlier films, including his previous nugget, “Annie Hall,” which is in my view his first true drama, but which has the benefit of also being funny.
Or you can just sit back and take it in for what it does do so well, letting the interior lives of these people seem as shattered and pathetic as they really seem. The photography by Gordon Willis is admirable for being beautiful and inventive without being distracting. Allen and Willis make clear this intention with opening shots, a series of fixed camera views of rooms, and then views out windows, all framed with classic proportions, but sequenced to pull you in. But look how often the camera follows two people as they walk and talk, either up close in front of them, or along the beach through an irregular snow fence. Its pace and “tastefulness” of the photography almost seems designed by one of the main characters, the troubled interior decorator mother played with uncanny effectiveness by Geraldine Page.
Expect nothing in particular here except a tour-de-force that works on its own depressing terms.
Original Language en
Runtime 1 hr 32 min (92 min)
Director Woody Allen
Writer Woody Allen
Actors Diane Keaton, Geraldine Page, Kristin Griffith
Country United States
Awards Nominated for 5 Oscars. 9 wins & 17 nominations total
Production Company N/A
Sound Mix Mono
Aspect Ratio 1.85 : 1
Camera Camera and Lenses by Panavision
Laboratory Technicolor, Hollywood (CA), USA (prints)
Film Length N/A
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm