#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Yashvardhan Raichand lives a very wealthy lifestyle along with his wife, Nandini, and two sons, Rahul and Rohan. While Rahul has been adopted, Yashvardhan and Nandini treat him as their own. When their sons mature, they start to look for suitable brides for Rahul, and decide to get him married to a young woman named Naina. When Rahul is told about this, he tells them that he loves another woman by the name of Anjali Sharma. Yashvardhan decides to meet with the Sharma family, and finds out that they are middle-classed, unsophisticated, and will not be able to it into his family circle, as a result he refuses to permit Rahul to marry Anjali. A defiant Rahul decides to leave, gets married to Anjali, without his foster parents blessings, and re-locates to London, England, where Anjali’s unmarried sister, Pooja, also lives. Rohan, who was studying in a hostel, returns home to find that Rahul is no longer living with them, and he also discovers that while outwardly his dad is not interested in seeing Rahul get back, Nandini wants the family back all together for all happy and sad moments. Rohan also misses Rahul a lot, and decides to travel to London in order to try and get Rahul to return home. Yashvardhan, is unable to prevent this, and as a result Rohan does travel to London, meets with Rahul, Anjali, and Pooja. The question remains will the hurt and sorrow that Rahul experienced with his foster parents be erased and enable the family to be reunited, or will Rahul forget about the past, and continue to live his life without getting back to his roots and the family who brought him up, leaving Rohan to return alone?
Plot: Rahul, the adoptive son of business magnate Yash Raichand, feels eternal gratitude to his father for rescuing him from a life of poverty. Yet, when Yash forbids his love of poor Anjali, Rahul marries her and moves to London with new wife and sister-in-law, breaking the heart of his mother. Ten years later, Rahul’s younger brother comes to London intent on brokering peace between father and son.
Smart Tags: #love #melodrama #marriage #funeral #wealth #family_tradition #affection #mother_son_relationship #father_son_relationship #adopted_son #forgiveness #separation_from_family #foster_mother_foster_son_relationship #separation_of_brothers #brother_brother_relationship #diwali #sports_car #cricket_the_sport #latex #pvc #leather
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A grand, musical and emotional Bollywood extravaganza!
Karan Johar’s Kabhi Khushi Kabhie Gham is one of the most ravishing, grandiose and melodramatic Hindi films ever made. It is incredibly unrestrained and stormy in its emotional quotient, and yet so watchable, enjoyable and at times even pleasurable, that you can’t but applaud to this spectacular show. It is one of the few films where overacting seems superb acting and overly melodramatic proceedings, despite being very cheesy and occasionally clichéd, become quite bearable. It combines realism and surrealism, comedy and heavy melodrama in a very unique style, which makes for an altogether colourful picture which is fun to watch.
The film is about relationships in family, about loving your parents and your family, about pride, values and regret. The well defined and written characters are used to create and present all these qualities. Even the least emotional scenes are accompanied by orchestrated violins, heavy piano and strikingly sad pictures on-screen. The film shows both the bright and dark sides of happy families, and while it never breaks new ground, never looks totally authentic, it is always entertaining in spite of its flaws. It depicts both the Indian traditional world and the western modern world and tries to bring them together in many instances.
Some of the film’s too emotional scenes could have been better edited and partly cut. The cinematography is good, the sets are extremely lavish, and the narrative is effectively laden with numerous songs and many memorable moments of comedy and drama. The comedy provides great relief and lightens the otherwise more-than-enough drama, and the music is extraordinary. My favourite song is “Suraj Hua Maddham”, a greatly melodious number wonderfully performed by Sonu Nigam and Alka Yagnik and extremely beautifully shot across some breathtaking locations. Needless to say, the chemistry between the two leads, Shahrukh Khan and Kajol, is as electrifying as ever.
Where acting goes, Amitabh Bachchan is restrained and displays well the hidden pain and the visible pride. Jaya Bachchan is superb as the subservient yet strong woman. Towards the end there is one very powerful scene in which she really stands out (you’ll know which one). Shahrukh Khan in a typical, cynical and likable character, is great as always. Kajol utterly steals the show and proves her prowess as a gifted comedienne. She is hilarious in her comic scenes and equally shines in moments of drama. Her strong, charismatic presence is perhaps the best thing about this film. Farida Jalal provides excellent support. Hrithik and Kareena are unimpressive and inconsistent. Hrithik is over-expressive and far more emotional than required, and Kareena, while attractive and quite funny at times, badly overacts.
All in all, Kabhi Khushi Kabhie Gham has bits of everything: drama, melodrama, romance and comedy, all presented wholeheartedly in true Hindi-film style with lots of tears and lots of fun. It is an example of Bollywood entertainment at its grandest, and works as such. This is a movie to be seen with one’s family. Go for it.
Trademark Karan Johar
I respect Karan Johar. He is an honest director. There are a lot of young directors out there today that are taking the Hollywood approach to film making and the end result is a mish mash of a desi product in a foreign packaging. Karan Johar, on the other hand, takes a desi story, puts it in a desi package but only refines it more than most others do. What you get is a very good Bollywood movie that has elements of emotion, melodrama, comedy, family values, romance and music in equal doses. Yes, I admit that the story does leave a lot of questions unanswered, but that’s OK considering the desired target market is one that is alright with that and sheds expectations of credibility before walking in to the cinema.
K3G is a beautiful example of what a good director can do. Agreed, the movie may not have been as great without the power star cast, but then, let us not forget that before those people are stars, they are very good actors. Well, except maybe Kareena and Hritik.
This is where the minus points are. Hritik did nothing but weep perpetually. Kareena played an overbearing slut. And to top it off, she and her friends all spoke American slang and also had that slight twang of an American accent. (PHAT: Pretty Hot And Tempting?? That’s ghetto lingo!) And I really didn’t like the national anthem thing. i felt it was a little pushed. I think KJ went a little overboard there in trying to make the NRI audience cry. The only time that trick has worked effectively was years ago in “naam” when Pankaj Udhas sang the “Chitthi Aayi Hai” song.
There are certain scenes that I found really well done in the movie. The last time Rahul meets Rohan before the latter goes off to boarding school, he has a talk with him about taking care of Mum, losing weight and joining he cricket team. They are sitting on a bench, side by side having this talk. Years later, in the second half of the movie, after Rahul realizes that his brother has been living with him all this while, the scene again cuts to them sitting on a bench, this time ten years later. It could’ve been shot anywhere, but the fact that the setting is so similar just makes it even more memorable.
The scene where Nandini (mom) meets Rahul after years at the shopping mall, she places her hand on his shoulder and he turns around. Wow.
And the finale of course. Amitabh breaking down with SRK.
One mustn’t expect great international cinema here. this is what great Bollywood is all about.
Original Language hi
Runtime 3 hr 30 min (210 min), 2 hr 2 min (122 min) (South Korea)
Rated Not Rated
Genre Drama, Musical, Romance
Director Karan Johar
Writer Karan Johar, Sheena Parikh (screenplay)
Actors Amitabh Bachchan, Jaya Bachchan, Shah Rukh Khan, Kajol
Awards 27 wins & 43 nominations.
Production Company Dharma Productions
Sound Mix Dolby Digital, DTS
Aspect Ratio 2.35 : 1
Camera Arriflex 435, Arriscope Lenses
Laboratory Adlabs Films Pvt. Ltd., Mumbai, India, Digitalfilm Lab, Technicolor, London, UK
Film Length 5,757.96 m (21 reels)
Negative Format 35 mm (Eastman EXR 50D 5245, Kodak Vision 250D 5246, Vision 200T 5274, Vision 320T 5277)
Cinematographic Process Arriscope (anamorphic)
Printed Film Format 35 mm