#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Brash, loudmouthed and opportunistic, Kikujiro hardly seems the ideal companion for little Masao who is determined to travel long distances to see the mother he has never met. Their excursion to the cycle races is the first of a series of adventures for the unlikely pair which soon turns out to be a whimsical journey of laughter and tears with a wide array of surprises and odd ball characters to meet along the way.
Plot: Brash, loudmouthed and opportunistic, Kikujiro is the unlikely companion for Masao who is determined to see the mother he has never met. The two begin a series of adventures which soon turns out to be a whimsical journey of laughter and tears with a wide array of surprises and unique characters along the way.
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Demonstrates that Kitano is still a master without the violence
By 1999 Takeshi Kitano had quite rightly gained a lot of international recognition for his brilliantly constructed Yakuza/Cop stories, but was apparently dis-satisfied that everybody tended to focus on the violence in them. So he decided to make a movie without any violence to remind people that he was a much more rounded talent than that. “Are you sure about this?”, the world asked. “Yes”, he replied… and made Kikujiro.
Kikujiro is difficult to adequately describe, but the fact that it was allegedly inspired by the Wizard of Oz is a good starting point. The basic premise is a road trip, where Kitano is the unlikely chaperone for a little boy who wants to go and find his mother. After gambling away all the money his wife gives him to take the kid, they have to improvise their transport across the country. Along the way they meet a small but colourful cast of characters, and get to know each other a little bit too.
I’d hesitated about picking this up for ages, and eventually went for a rental rather than a purchase. Kitano minus violence just didn’t seem right! But that was definitely an injustice I was doing him, and Kikujiro is a good demonstration that his talents really are much broader. In fact, after watching it there is no doubt that he is one of the greatest director/actor/writer and editor working in the world today. A brilliantly painted story, full of subtly and quirkiness. Awesome cinematography and an incredible soundtrack… truly world class in every respect. Well, to be fair the child actor was a bit stiff, but it seems mean to hold that against the movie.
Definitely recommended if you haven’t already seen it!
The lighter side of Takeshi Kitano – childhood summer memories in abundance
Vignettes of childhood memories – possibly Kitano’s own childhood experiences and impressions, “Kikujiro” is not like the deep or layered deliveries Kitano has in “Fireworks” (Hana-bi) 1997, or “Sonatine” 1994. There are no cops or graphic depictions of violence. There are still some gangster-type characters, but the encounters are simple, requiring no synthesis. Kitano’s familiar elements and locales are present: drawings, vignettes, seaside, temple, and angels.
It’s really a loving portrayal of one little boy, Masao’s, summer, spent with this seemingly eccentric retired gangster “Mister” played by Kitano. We have a pair of comic bikers, a lone van traveler, an arguing truck driver, a fun juggling couple, prankish hitchhiking gags, and a rather extensive betting session at the (bicycle) races. There are occasions for sentimental tears, for instance, when “Mister” took a side trip to visit his own mother; but play is the key operative here. Even though the child appears to be a sulky non-smiling little boy most of the time, a boy will be a boy when it comes to play and open up to lightness of the heart.
If you’re the hurrying kind, this film may not be for you. The film is at its own flow and pace. It’s Masao’s summer vacation adventures, and he’s not in a hurry to go home. Joe Hisaishi’s theme music for “Kikujiro” certainly is catchy and the score gave Kitano’s film its rhythm and accents along this unlikely pair’s journey – a grown man, who’s become childlike once more while escorting Masao on his quest to fulfill the dream of seeing his mother. Does it matter whether Masao sees his mother or not? He gains a friend, Kikujiro.
Kudos to Sony Pictures Classics for their film distribution selections! At the recent Bravo cable channel’s IFC (Independent Film Channel) tenth Gotham Awards, Catherine Deneuve presented the Industry Lifetime Achievement Award to the trio: Tom Bernard, Marcie Bloom, Michael Barker. It was noted: “This award is being created specifically for this year’s ceremony to honor the trio for their 20 years of service as champions of independent filmmakers.” Besides the theme from Woody Allen’s “Sweet and Lowdown”, Joe Hisaishi’s music from “Kikujiro” was mostly used during the montage of the film clips. Films the trio has co-produced include the popular 1999 Tom Tykwer’s “Run Lola Run” (German), Pedro Almodovar’s 1999 triumph “All About My Mother” (Spanish), the Brazilian gem in 1998 “Central Station”, Hal Hartley’s 1997 saga “Henry Fool”, John Sayles’ 1996 hit “Lone Star”, the 1995 French surprise “The City of Lost Children”, and as far back as 1971 Vittorio De Sica’s “The Garden of the Finzi-Contini”.
Original Language ja
Runtime 2 hr 2 min (122 min)
Genre Drama, Comedy
Director Takeshi Kitano
Writer Takeshi Kitano
Actors Takeshi Kitano, Yusuke Sekiguchi, Kayoko Kishimoto
Awards 4 wins & 4 nominations
Production Company N/A
Sound Mix Dolby Digital
Aspect Ratio 1.85 : 1
Camera Arriflex 535B
Laboratory Tokyo Laboratory Ltd., Tokyo, Japan
Film Length 3,335 m (Sweden)
Negative Format 35 mm (Eastman EXR 100T 5248, EXR 500T 5298)
Cinematographic Process Spherical
Printed Film Format 35 mm