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La Haine 1995 123movies

La Haine 1995 123movies

How far you fall doesn't matter, it's how you land…May. 31, 199598 Min.
Your rating: 0
9 1 vote

Synopsis

Watch: La Haine 1995 123movies, Full Movie Online – The film follows three young men and their time spent in the French suburban “ghetto,” over a span of twenty-four hours. Vinz, a Jew, Saïd, an Arab, and Hubert, a black boxer, have grown up in these French suburbs where high levels of diversity coupled with the racist and oppressive police force have raised tensions to a critical breaking point. During the riots that took place a night before, a police officer lost his handgun in the ensuing madness, only to leave it for Vinz to find. Now, with a newfound means to gain the respect he deserves, Vinz vows to kill a cop if his friend Abdel dies in the hospital, due the beating he received while in police custody..
Plot: After a chaotic night of rioting in a marginal suburb of Paris, three young friends, Vinz, Hubert and Saïd, wander around unoccupied waiting for news about the state of health of a mutual friend who has been seriously injured when confronting the police.
Smart Tags: #gun #ghetto #riot #riot_police #24_hour_time_span #paris_france #police_brutality #hate #police_violence #trio #street_life #gun_violence #firearm #class_differences #beaten_up #peer_group #shot_to_death #juvenile_delinquency #social_problem #demolition #trying_to_steal_a_car


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Ratings:

8.1/10 Votes: 174,475
100% | RottenTomatoes
N/A | MetaCritic
N/A Votes: 3227 Popularity: 19.216 | TMDB

Reviews:

great movie about social problems and how they’re being dealt with
When the riots broke out last autumn in Paris..the first thing I thought about was this movie. I put on the TV and all the scenes reminded me off the best movie ever made in Europe, and the best on the subject…La Haine The first time I saw the movie in 2003, we was gonna watch it for school. At first I thought it was gonna be another french movie about a young french girl that got pregnant(we watched a lot of those in French lessons)…but what followed was probably the most defining 90 minutes in my life.

When the movie started with the images of riots (real riots, old news footage) combined with Bob Marley’s “Burning and Looting” I was getting fascinated about this movie, this had to be good. A lot of things were very recognizable, everyone knows a “Said”, everyone knows a “Hubert” and at the time I was feeling like “Vinz”. All the scenes influenced me and were very recognizable, the hanging around with friends, the way of talking, the arguments they used for their deeds…everything. The end shocked me and I couldn’t really think anything else then “I got to watch this movie again”, and the day after I bought a DVD of it.

The movie tells the story of a black, Arab and Jewish guy who live in a housing project near Paris, the kind of neighborhood where most of the people don’t have a job, where the youth bores itself and flirts with criminal behavior, where drugs are being sold and where an occasional riot starts (this happened from the 80’s until recently from time to time). The movie follows them 24 hours after their friend Adbel got beat up by the police during the riots, where a cop lost his gun. Vinz (the Jewish guy) found the gun and swears that when Abdel dies he’s gonna take vengeance by killing a police. With Vinz – not being the most stable nor the most smart and relaxed person – having a gun on him the three come in some hard situations, but also without the police gun they have enough problems during the 24 hours….I ain’t gonna spoil anything, but this should be enough to make you wanting to watch this movie.

After watching it a couple of times I realized that this was a story, I always thought it was a documentary, which is a big compliment to the whole crew I think. But still that didn’t made the movie less strong, the greatest thing about it is that it isn’t easy made, no clichés…when you watch an American movie on the subject there always is some form of exit for the main character or he dies in a way that makes you think he deserves it. So either way a character is portrayed as a nice guy or a total bad guy, who both have girl who want to get them out of troubles. This is where La Haine sets itself apart from other movies, it doesn’t try to portray the characters as nice people, although you do feel sympathies for them. The best thing is the end, which sets the movie mostly apart and makes it more recognizable for the European crowd (I’m not gonna spoil it, but if it ended differently the movie wouldn’t been so great) The way it is shot in black and white makes it look realer, makes it grimier, it portrays the banlieues as a place without an exit. That’s what maybe sets the movie also apart, the black and white makes it look arty and grimy at the same time. Maybe the best is that it still doesn’t look dated because of that.

Another great thing is the soundtrack, all the songs that are used in the movie have a great effect on the images and visa versa. Bob Marley perfectly fits the riots, Isaac Hayes fits the hashish packing and smoking scenes, Zapp and Roger fits the break dance song perfectly and the Expression Direct fits the haunted car scene in inner city Paris perfect (if you can understand the lyrics). But what really sets this movie apart is the Cutkiller scene, this scene only made me wanted to get a set of SL1200’s…

The way the tension is build in the movie is great, most of the time the characters don’t do anything, but you still feel the tension building, the hate growing, and when you maybe bored watching some scenes the first time (the “candit-camera” scene for instance and the “eiffeltower” scene), but afterwards they’re like pieces of a puzzle falling into it’s place. Some shots are brilliantly, the Taxi Driver imitation of Vinz at the beginning (when you already see that Vinz is losing it), the police interview shot with Said and Hubert, the discussion at the toilets, the way the characters are introduced, the subway shot…it’s all eye candy.

To make a conclusion, if you love hip hop and don’t think the police as necessarily the representation of the good in society. of course when you love cinema it is also a good movie, but it really is a movie which has it own public: the youth. If your Dutch try to get hold of the 7 euro Freerecord shop version, but I can recommend the English 10 year anniversary more…the directors commentary, trailers and bonus material make this a really nice DVD. But I can understand why a lot of people don’t like it, it doesn’t offer solutions, it doesn’t give an opinion on anything except the police, and of course you have to have a certain frame of mind to like the movie.

Review By: Christov013
this concerns everyone
Moviemakers when filming French based films have traditionally tended to sentimentalise the ‘people’ through the celebration of les petits gens, the little people of Pagnol and Clair as well as more recently the fantastical Parisian wonderland environments of Amelie and Moulin Rouge. With La Haine, young director Mathieu Kassovitz took the flipside of this and gave an illustration of the awfulness of life in the depressed blue-collar areas of Paris

La Haine (‘Hate’) begins after a night of rioting on a dismal housing estate on the northern outskirts of Paris and focuses on 24 hours in the lives of three close friends aged around 20. They are Vince (Vincent Cassel), an explosive working-class Jew, Hubert (Hubert Kounde), a handsome, soft-spoken black, and Said (Said Taghmaoui), a mercurial streetwise Arab. With little hopes or prospect of regular employment due to where they come from, the trio drift aimlessly, engaging in petty theft, and seething with aggressive resentment against an uncaring world. L’Avenir c’est nous (We Are the Future) is the ironic slogan on the estate’s playground, but this is a film about people who believe they have no future.

The quality of the performances from the 3 main actors, their conviction, the way they interact with one another and the vigour and fluency of Kassovitz’s script and direction make this a very special movie indeed. Its full of action, detail, unexpected incidents and quirky humour. For instance, the boys have a bizarre encounter in a public lavatory in central Paris with a diminutive survivor of the Gulag that is as puzzling to them as it is to us. Does the story the Gulag survivor tells them have a deeper meaning than on the surface? Of course it does, and importantly this film makes you think as to what the metaphor means. Throughout violence is always on the point of erupting. There are constant confrontations with a brutal, racist police force, and Vince has a 44 Magnum revolver that a plainclothes cop lost during the riots, which we know will eventually be used on someone. However none of this ever descends into mere gratuitous violence like so many Hollywood films

La Haine presents a state of affairs of the alienation faced by many young people in the ‘projects’ in France, and all over the world. It doesn’t offer any solutions, though the point is forcibly made that in France, as elsewhere, parts of the police force are part of the problem rather than the solution. Of course, much of what we are shown is familiar to us from British and American films .

The strength of the film is that it neither glamorises nor patronises its characters. They hate their life because it’s boring, and they despise the society that’s created it for them, together with parks, football fields and a few mod cons with which to comfort them. In particular, they hate the police, who hate them right back. The film’s other major achievement is to show in a tangible and very expressive way how a cycle of distrust and anger is created on both sides of this awful divide, so that there is very little anyone can do about it. In other words violence and hate breeds more violence and hate.

A criticism that could be levelled is that in the US / UK versions the sub-titles don’t help, pushing what is very authentic dialogue into something more like cliché, as well as pointless miss-translations that occur. However this is just a minor thing, and does not and should not reflect at all on the film itself.

This certainly is one of the greatest films of the 1990s. Its one of those rare films that you will think about for the days and weeks after – not solely about the film itself, but on wider issues such as society, poverty and racism.

Review By: hard2xplain

Other Information:

Original Title La Haine
Release Date 1995-05-31
Release Year 1995

Original Language fr
Runtime 1 hr 38 min (98 min)
Budget 2600000
Revenue 15300000
Status Released
Rated Not Rated
Genre Crime, Drama
Director Mathieu Kassovitz
Writer Mathieu Kassovitz
Actors Vincent Cassel, Hubert Koundé, Saïd Taghmaoui
Country France, United States
Awards 8 wins & 15 nominations
Production Company N/A
Website N/A


Technical Information:

Sound Mix Dolby Digital
Aspect Ratio 1.85 : 1
Camera Arriflex Cameras and Lenses
Laboratory Laboratoires Franay Tirages Cinematographiques (LTC), Paris, France
Film Length 2,637 m, 2,731 m
Negative Format 35 mm (Kodak)
Cinematographic Process Spherical
Printed Film Format 35 mm

La Haine 1995 123movies
La Haine 1995 123movies
La Haine 1995 123movies
La Haine 1995 123movies
La Haine 1995 123movies
La Haine 1995 123movies
La Haine 1995 123movies
La Haine 1995 123movies
Original title La Haine
TMDb Rating 8.084 3,227 votes

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