Last Night 2010 123movies

Watch: Last Night 2010 123movies, Full Movie Online – Joanna accuses her husband, Michael, of being attracted to his co-worker. Wanting to make-up before he goes on a business trip, she assumes she over-reacted. But when they are both away from each other for one night, Michael ends up testing his loyalty to Joanna and his attraction to Laura. And Joanna tests her honesty to Michael when her ex-boyfriend Alex suddenly appears in New York for the day..
Plot: The story follows a married couple, apart for a night while the husband takes a business trip with a colleague to whom he’s attracted. While he’s resisting temptation, his wife encounters her past love.
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Ratings:

	6.5/10 Votes: 49,048
	53% | RottenTomatoes
	50/100 | MetaCritic
	N/A Votes: 660 Popularity: 11.456 | TMDB

Reviews:

Bonds and Commitment and Temptation
LAST NIGHT is a tightly woven tale that explores the psyches of four people in one fascinating evening. This is the initial directing outing for Iranian-American writer Massy Tadjedin (‘The Jacket’, ‘Leo’) who also created the story and the script: the film is so fine that we doubtless will be hearing more about her.

Joanna Reed (Keira Knightley) is a beautiful young writer married to commercial real estate developer Michael Reed (Sam Worthington) in what appears to be a happy marriage despite the struggle between two careers. Michael takes Joanna to a company party and there she observes the soft spoken Michael paying attention to one of his co-workers, the sensuous Laura (Eva Mendes), an act that Joanna feels indicates unfaithfulness or at least suspicious behavior on Michael’s part. The seed of doubt is planted, Michael is leaving for a business trip to Philadelphia the next morning with his coworkers Andy (Anson Mount) and Laura, and there is friction between Joanna and Michael that Michael’s reassurance cannot overcome. The next day as Joanna sops for coffee she encounters an old flame from her time spent writing in Paris – Alex Mann (Guillaume Cadet) – and they agree to meet that evening. Chemistry resurges and that evening as Alex and Joanna dine with Alex’s publisher Truman (Griffin Dunne), both are questioned by Truman about their past affair, Joanna admits she is now married, and Alex is in a relationship in Paris. The couple leaves and circumstances lead them to return to Joanna’s apartment where they face their feelings. At the same time as this evening is developing Michael and Laura enter a seduction dance: Michael is faithful to Joanna but the emotionally bruised Laura persists in her attempt to pull Michael into her web. The manner in which each of these temptations resolves and the aftermath is the brilliance of Massy’s writing and direction: this is a story written very much form a women’s vantage and that fact allows each of the characters to become very well defined and credible.

The quartet of actors is well matched: Knightley continues to mature as a fine actress, Sam Worthington breaks out of his stodgy shell to allow us to see a man driven by fidelity and tempted by lust, Eva Mendes takes Laura to a higher dimension of being, and Guillaume Cadet is undeniably an Alex who few women could resist: he has true star power. The method of pairing the development of the one night by flashing back and forth between the progress of the two couples in the dance of seduction vs fidelity is extremely successful. This is a thinking person’s movie and an introduction of a writer/director who already has shaped the beginnings of a successful career. Highly Recommended.

Grady Harp

Knightley and Canet worth the view – Spoilers!
This film provides an insightful look into infidelity and its causes. One type of infidelity is strictly sexual, the other is of the heart. The two main stories are of the husband, Worthington, and his affair with Mendes, and of Knightley meeting her lost love, Canet.

The Knightley/Canet storyline gets it right. With these two, there is an easy flow to their conversations, and you can feel that at one time they were and still are reluctantly in love. She is proving to be a maturing actress and he possesses such charm on screen. They both desperately want to be together but Knightley is the one who won’t allow it, from a sense of misguided loyalty to a man who, at the same moment, is cheating on her.

Mendes/Worthington are a bit of a let down. They lack chemistry and Mendes is the main issue. As an actress, she often comes off as wooden and monotone – her role needed anything but that. When she reveals her past, as an audience we are supposed to feel bad for her and therefore care a little less that she’s actively pursuing a married man; instead, her line delivery left me feeling unmoved.

Knightley/Canet are worth the view. In the end, when he boards the plane to leave and she’s left at home, crying and staring out the window, the montage of memories through his eyes moves me like nothing else in the movie, and this is because their storyline has proper background and pivotal construction. They are believable and they are the ones to be mourned.

I’m reading that some people believe she’s about to tell Worthington the truth at the end — unfortunately, I doubt it. She’s going to say something like, “Let me put shoes on” or another mundane thought. I wish instead she could leave him, but then the movie wouldn’t be called “Last Night.” It was only ever supposed to be one night.

Other Information:

Original Language en
Runtime 1 hr 33 min (93 min)
Budget 7000000
Revenue 7644937
Status Released
Rated R
Genre Drama, Romance
Director Massy Tadjedin
Writer Massy Tadjedin
Actors Keira Knightley, Sam Worthington, Eva Mendes
Country United States, France
Awards 4 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Digital
Aspect Ratio 2.39 : 1
Camera Panavision Panaflex Lightweight, Panavision C-Series Lenses, Panavision Panaflex Platinum, Panavision C-Series Lenses
Laboratory DeLuxe, New York (NY), USA (digital intermediate), Mega Playground, New York (NY), USA (video dailies)
Film Length 2,548 m (Portugal, 35 mm)
Negative Format 35 mm (Kodak)
Cinematographic Process Digital Intermediate (2K) (master format), Panavision (anamorphic) (source format)
Printed Film Format 35 mm, D-Cinema