#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Set on a colorful Greek island, the plot serves as a background for a wealth of ABBA songs. A young woman about to be married discovers that any one of three men could be her father. She invites all three to the wedding without telling her mother, Donna, who was once the lead singer of Donna and the Dynamos. In the meantime, Donna has invited her backup singers, Rosie and Tanya.
Plot: An independent, single mother who owns a small hotel on a Greek island is about to marry off the spirited young daughter she’s raised alone. But, the daughter has secretly invited three of her mother’s ex-lovers in the hopes of finding her biological father.
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_Mamma Mia!_ is an American-British romantic comedy musical directed by Phyllida Lloyd. The movie is loosely based on the original London musical also directed by Lloyd, and was the brain child of Judy Craymer who was convinced ABBA songs could be used in a theatrical production, especially after hearing the love ballad _The Winner Takes It All_. Craymer along with British playwright Catherine Johnson also worked on this film. Johnson being the original musical’s scriptwriter wrote the movie’s script, Craymer was an executive producer alongside Gary Goetzman as well as Tom Hanks and Rita Wilson.
The film stars Meryl Streep, Pierce Brosnan, Colin Firth, Stellan Skarsgård, Julie Walters, Dominic Cooper, Amanda Seyfried, and Christine Baranski.
Set on the idyllic Greek island of Kalokairi it tells the story of Donna Sheridan (Streep) an independent manageress and owner of her own hotel. Donna has a 20 year-old daughter by the name of Sophie (Seyfried) who is getting married to Sky (Cooper). Upon finding Donna’s old diary Sophie discovers that there were three men: Sam Carmichael (Brosnan), Harry Bright (Firth) and Bill Anderson (Skarsgård) and learns that one of them could be her father. She decides to invite all three of them to her wedding.
Sophie later reveals this to her friends Ali (Rachel MacDowall) and Lisa (Ashley Lilley) who have agreed to be her bridesmaids. Donna has invited her old friends/bandmates Rosie (Walters) and Tanya (Baranski) to the wedding to help her out. She is however completely unaware of what Sophie has done and is taken by surprise when Sam, Harry and Bill arrive on the island. This causes Donna to have a mid-life crisis, and it is up to Rosie and Tanya to lift her spirits. While at the same time Sophie bonds with the three men, and discovers she has a trait from each of them. Things get complicated when all three men agree to give Sophie away, and realizing the mess she created she faints at her own bachelorette party.
The next day Sophie runs into Donna who is convinced that she wants the wedding called off. This causes Sophie to yell at Donna, and openly states she wants to avoid all the mistakes Donna has made in her life. At the same time Donna is pursued by Sam, the two realize they still love each other but are too busy for each other. Meanwhile, Tanya is courted by Sky’s friend and best man Pepper (Philip Michael) despite the fact that he is old enough to be her son. Sophie then runs to Sky and admits what she did, angry and hurt Sky runs off. At the same time Sam tells Sophie that marriage is not always a happy thing.
Sophie then runs back to her mother and asks her to help her dress for the wedding, Donna is delighted and they mend their relationship. Sophie then learns that Donna was disowned by her mother when she got pregnant, she then proceeds to ask Donna to give her away. Donna happily agrees and as the two prepare to go to the chapel she finds herself accosted by Sam. Sam demands to know why Donna will not explain why she won’t talk about their relationship. Donna then says she still loves him despite her better judgement and the fact that he broke her heart by being engaged.
Donna then proceeds to run into the chapel where the wedding finally begins. As the ceremony begins Donna realizes that she can’t hide the fact that the men are there. She then introduces Sophie’s dad, but then learns that Sophie invited all three of them. They then all decide to be a third of her father, Sophie surprised decides to call off the wedding. Prompting Sky to run away with her and sail the world. Sam meanwhile decides that the wedding should not go to waste, despite Donna’s protest at bigamy. After revealing his divorce Sam pops the question, hesitant Donna accepts it. At the wedding reception Rosie falls in love with Bill, who at first rejects her advances but then ends up loving her too.
The movie closes with Donna and Sam alongside Bill and Harry bidding Sophie and Sky farewell as they sail away from Kalokairi. Donna, Tanya and Rosie then reprise _Dancing Queen_ during the end credits, and then the rest of the cast appears and they all sing the song _Waterloo_. The movie then finally ends with Sophie singing _Thank You For the Music_ during the end credits.
Told using several popular ABBA songs including_ Honey, Honey, Honey_, _Dancing Queen_ and the iconic titular song _Mamma Mia_ this movie soundtrack is responsible for making ABBA’s music hit the charts again. Albeit some bad singing (cough)Pierce Brosnan(cough) the soundtrack is wonderful. The movie has some references to other films including _Dirty Dancing_ and _Grease._ Meryl Streep’s performance of Donna Sheridan is an amazing example of her versatility especially when she sings the love ballad “The Winner Takes It All.” “S.O.S” is an interesting scene Brosnan’s voice is flat but judging by his body language he is enjoying himself.
If you ignore the bad singing, you will be able to enjoy this film. I highly recommend it and the soundtrack. However, due to royalties and disagreements with UNICEF UMG and Decca Records could not secure the rights to the song _Chiquitita_ which explains why it is not on the CD.
If you have not seen this movie, then what are you waiting for?! Stream it or buy it and do it before July 20 because that is when it’s highly anticipated sequel hits theaters!
> It’s very Greek! – Rosie
To Mamma Mia! then, a movie easily slipping in past Coyote Ugly as the second-worst film I’ve ever seen (behind The Rocky Horror Picture Show). My eyes. I can’t unsee it.
From what I could gather (and that’s not because the plot is difficult – Christ, no – or because I wasn’t really paying attention, it’s because the film seemed to be not sinking in, not digesting in my brain. I think my brain was trying to reject it, like a foreign object) – an airy-fairy middle-aged bohemian tart (Meryl Streep, The Iron Lady) prances and dances around her primary-coloured villa on an unspecified Greek (I think) island. Her equally airy-fairy “Barbie Princess” daughter (Amanda Seyfried, Les Misérables) prances and dances around with her. That seems to be what they do. I mean, for a living, like. They’re not on holiday. This is the summation of their lives. Idyllic and unrealistic prancery and dancery, around a villa apparently coloured in by over-enthusiastic first-graders. They have two friends each who escort them everywhere – even to the sh!tter perhaps, I dunno – who exist exclusively to orbit like satellites around this main pair. In fact, everybody in this movie exist purely to serve the life stories of Streep and Seyfried. It’s that sort of film, where everybody on-screen is wondering, “Oh! Will Streep eat a tangerine next? Or a satsuma? Will Seyfried brush her hair with a soft brush, or a slightly-softer-than-that brush? Oh, the agony!” Anyway, the daughter’s getting wed – the next day, I think – to some impossibly perfect young lad (to suit her impossibly perfect everything else), but, oh noes! She never knew who her dad was, because her mum was a dirty old stropper back in the eighties, and they’ve both been too busy prancing and dancing for two straight decades to even have brought it up, ever! So, who will give her away tomorrow? Oh noes!
Well she prances and dances her way to her mum’s secret diary (with her two conjoined mates, obvs) and, equally “obvs”, it’s all in there. Ta-daa! Except, there are three possible “daddies” and of course, they are Colin Firth (The King’s Speech), Pierce Brosnan (Goldeneye) and Stellan Skarsgård (Pirates of the Caribbean: Dead Man’s Chest). So she invites all three to the wedding under the pretense of being her own mum and of course all three drop whatever they’ve been doing for twenty years and turbo their way, immediately, to this island, all arriving together, on the same boat, which also belongs to one of them. Hurrah. From there, much “hilarity” ensues as the airy-fairy daughter tries to suss which one’s her dad while her airy-fairy tart mother spends the rest of the film – with HER conjoined mates, obvs – wondering whether to let Brosnan “tap dat ass” one more time.
SPOILER ALERT (LIKE ANYONE GIVES A DRY, UNYIELDING BUMPLOP): They don’t find out who the daddy is: the three pinhead blokes all agree that they now already love this silly airy-fairy daughter so much that they agree to be one-thirds daddy each. Then, out of the clear ****ing sky, the airy-fairy daughter tells her groom at the altar that the wedding’s off, and they should just prance and dance around the world instead. Fantastic! And not to waste a wedding full of perfect ****ing strangers anyway, but Brosnan decides to marry Streep while they’re there. Well of course. And Skarsgård hooks up with Julie “Isn’t she dead yet?” Walters – one of Streep’s conjoined mates – and Firth, who as it happens was a left-footer all along who was just experimenting with Streep back in the day, cops off with a waiter in traditional Greek island fashion. Hurrah for everything! Let’s have another ABBA song, eh?
Oh, the ABBA songs. I mean, there are musicals. Then, there are musical musicals. And then, way past any of that, there is Mamma Mia!. A quick Wiki-up shows me that, excluding reprises and a deleted scene, there are twenty songs performed in Mamma Mia!. So, say, four minutes per song, that’s eighty minutes. Wiki (again) tells me that the film is 109 minutes in length, so let’s knock off ten minutes-worth of credits, and you’re looking at eighty minutes of singing in a 99 minute film. That sounds about right. A 19-minute story – a p!ss-poor one, at that – stretched over an hour-and-a-half by the soothing tunes of Agnetha, Benny, Bjorn and Anni-Frid. Looking at those numbers I’m now somewhat impressed that whilst watching this pile of pooey bum-leavings I didn’t stand up, lose the plot, smash my house to rubble and wander off to live in the woods as a sasquatch. It was ceaseless. An ABBA song, three lines of dialogue (if you were lucky, which wasn’t often), another ABBA song. Over and over. And… well, the songs were all sung in-camera by the actors. And whilst I wouldn’t call any of them good singers, they could all at least hold a note (only just in Streep’s case, but she managed to stumble over that line).
All except Pierce Brosnan.
Oh, Pierce. Pierce! Why didn’t someone tell him? Did no one care enough? Is he THAT unlikeable? Why couldn’t he hear it himself? I don’t want to come across as either xenophobic or stereotypical when I suggest that he sounded like a drunken Irishman preparing to fight, but that IS what he sounded like. And who knows, maybe that’s what was really happening with him at that time. He IS an Irishman, perhaps he needed to get good and liquored up before the singing – I know I would – and perhaps he was wondering whether or not to attack the first person on the set who dared laugh. Sounds perfectly plausible.
Anyway, the whole thing’s a travesty, top-to-toe. Most closely resembled one of those straight-to-video Barbie movies, beloved of six-year-old girls and nobody else on the entire planet. If you ever have an opportunity to see it, DO NOT take that opportunity. SPURN that opportunity. Spurn as though your very life depended on it. That’s all the advice I can give. Don’t do what I did, and watch Mamma Mia!. Only madness lies that way.
Went to see Mamma Mia without particularly high expectations. Not being a big connoisseur (or even fan) of musicals, I didn’t really know what to expect. Though I adore ABBA, I never bothered to watch the stage production of Mamma Mia. But having a cinema membership, I didn’t have much to lose (no money, at least), so I went for it. And boy, am I glad that I did! I can safely say that I enjoyed every second of it. And I’m not even ashamed to admit it!
Give Meryl Streep another Oscar and get it over with already. If she could get a nod for the Devil Wears Prada, she definitely deserves one for this. She really let her hair down on this one. Mrs. Streep can obviously not pass for a trained singer, but somehow, it just doesn’t seem to matter. It just really worked in the movie (unlike -say- Helena Bonham Carter’s singing in Sweeney Todd). When I heard Meryl’s rendition of “The winner takes it all” in advance, it lowered my expectations considerably, but in its context, it totally made sense.
Most of all though, this movie was just sheer fun. People were clapping, laughing…Rarely have I seen an audience as enthusiastic. The crowd especially responded well to Meryl and her two cronies (arguably the strongholds of the movie). Also, because I had never seen the musical before, I was amazed (and amused) at the inventive ways in which they managed to incorporate so many ABBA-songs. Equally brilliant was the way the extras (usually some Greek old women) were deployed throughout the movie…And then of course the setting (beautiful Greece) was mesmerizing…
Basically, Mamma Mia is a superb musical that doesn’t take itself too seriously. If you’re just a little bit crazy and want to have a good laugh, if you love ABBA, want to see Meryl Streep like you’ve never seen her before or if you simply have a secret crush on Colin Firth and/or Pierce Brosnan (his singing was nothing short of hilarious), you will LOVE this movie. Best summer flick so far. Warmly recommended.
I like, but don’t love, musicals – my DVD shelves contain a selection, but the stuff there is pretty obvious: Singing in the Rain, King and I, Wizard of Oz, Moulin Rouge etc.. I’m not a Meryl Streep fan – I admire her craft, but mostly haven’t liked the parts she’s played. Conversely, I’ve always liked Abba’s music. So that’s my starting point when considering this movie which I have just been to see with my 80-year old mother.
The story is a piece of fluff. Sophie, who lives with her mother in a dilapidated hotel on an idyllic Greek island, wants nothing more than for her father to be at her forthcoming wedding. The trouble is her father could be any one of three men with whom her mother dot dot dotted twenty years ago. So Sophie invites all three of them to her wedding and, as expected, complications ensue. The story, such as it is, is quite strong enough to enable the songs to be hooked onto it. And the songs, with one or two obvious exceptions (Money Money Money cued by the rundown state of the hotel) are very cannily worked into the story so that each one is relevant.
The film looks great. The Greek locations overflow with sun and primary colours. The script is mostly fairly deft, and there is a sprinkling of decent laughs.
But the film ultimately stands or falls – and it stands, believe me! – on two things: the music, and the cast.
The music – sitting through this film brings home the strength of the Abba catalogue. There isn’t a weak song among the two dozen which feature on the soundtrack. The music, produced by composer Benny Andersson, mostly wisely sticks very close to the original arrangements, and the occasional divergences (Greek bouzouki on I Had A Dream, for instance) are spot on.
And the cast – well, they deliver. Brosnan’s singing has been criticised, but he is always in tune, and he delivers a satisfactory vocal performance rather than dazzling with a polished singing technique (which he hasn’t got). The four leading women are all wonderful. Julie Walters and Christine Baranski as Meryl Streep’s two oldest friends are both very funny (Julie Walters has a particularly funny little bit of business in a rubber boat), and Baranski has her own knockout number. Amanda Seyfried as Sophie is simply delightful – she sings well, carries the plot and all the emotion which goes with it, and is very easy on the eye. And Meryl Streep is a revelation.
This film is an utterly joyous experience. My old Mum and I came out of the cinema buoyed up by the experience of watching it, and I cannot recommend it highly enough to anyone who enjoys musicals and/or Abba’s music.
Original Language en
Runtime 1 hr 48 min (108 min)
Genre Comedy, Musical, Romance
Director Phyllida Lloyd
Writer Catherine Johnson (screenplay), Catherine Johnson (musical book)
Actors Amanda Seyfried, Stellan Skarsgård, Pierce Brosnan, Nancy Baldwin
Country USA, UK, Germany
Awards Nominated for 2 Golden Globes. Another 15 wins & 23 nominations.
Production Company Playtone Productions, Littlestar
Sound Mix SDDS, Dolby Digital, DTS, DTS (DTS: X)
Aspect Ratio 2.39 : 1
Camera Panavision Panaflex Millennium XL, Panavision C- and E-Series Lenses
Laboratory Technicolor Digital Intermediates (digital intermediate)
Film Length 2,965 m (Sweden), 2,976 m (Germany), 3,007 m (Portugal, 35 mm)
Negative Format 35 mm (Kodak Vision2 50D 5201, Vision2 250D 5205, Vision2 200T 5217, Vision2 500T 5218)
Cinematographic Process Digital Intermediate (2K) (master format), Panavision (anamorphic) (source format)
Printed Film Format 35 mm (Kodak Vision 2383), D-Cinema