#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Lee Chandler is a brooding, irritable loner who works as a handyman for a Boston apartment block. One damp winter day he gets a call summoning him to his hometown, north of the city. His brother’s heart has given out suddenly, and he’s been named guardian to his 16-year-old nephew. As if losing his only sibling and doubts about raising a teenager weren’t enough, his return to the past re-opens an unspeakable tragedy.
Plot: After his older brother passes away, Lee Chandler is forced to return home to care for his 16-year-old nephew. There he is compelled to deal with a tragic past that separated him from his family and the community where he was born and raised.
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|7.8/10 Votes: 250,090|
|7.5 Votes: 4362 Popularity: 26.421|
Great characters movie. There is little to say about this movie that has not been told yet.
The story is simple but interesting and well told. The photography and the location of Manchester-by-the-sea is a very well chosen and the directing is very good.
And on top of everything else is its cast. A very well chosen cast that performs at a fantastic level with Casey Affleck delivering one of the most breathtaking performances of the last years. You can feel his pain with every attitude and gesture.
The encounter in the street with Michelle Williams is just astonishingly well done while the one at his brother’s room after having picked up his things from Boston is a summit on the movie.
A very good movie and a very well deserved Oscar.
I watched this movie based on its high score, I found the movie to be too long and maybe should have been edited down to 90 minutes or less. I usually go for exteneded versions of movies as I like to really get into the characters and don’t normally like it to be over to quickly.
This was one of those occasions where instead of entertainment it was a chore to watch, I didn’t find the actors performances anything special or the context of the story.
Overall very boring and if I am going to score this it would be a 1 out of 10. I did stick with it to the end and gave it its best shot, but not for me.
A real experience of life fully lived
Dealing with the aftermath of a tragedy turns a once warm and ebullient family man into a solemn, withdrawn, and angry loner in Kenneth Lonergan’s (“Margaret”) bittersweet drama Manchester by the Sea, one of the best films of 2016. Set in the picturesque city of Manchester on Massachusetts’ north shore, cinematographer Jody Lee Lipes (“Martha Marcy May Marlene”) captures the rugged beauty of the New England town with its bays filled with trawlers and its winter streets and municipal buildings covered in a shimmering white. It is a town that looks as if it has not changed in decades, or even centuries.
Lee Chandler, in a haunting performance by Casey Affleck (“Interstellar”), is a janitor/handyman who spends his days painting, doing minor plumbing work, repairing leaks, and so on or just giving advice while making sure to avoid any social interaction with the people he is working for. His nights are spent drinking alone in bars where he is quick to start fights or at home watching TV in his small apartment. There is no hint during the film’s first half hour about what has brought him to his present state of disequilibrium, but in his mumbling inability to express his thoughts, we know that something unspoken is driving his need for isolation.
Lee has been living in nearby Quincy but, when his older brother, Joe (Kyle Chandler, “Carol”) succumbs to a heart attack, he has to return to Manchester to make funeral arrangements and attend the reading of the will and to confront the people that he has turned away from. His grief over his brother’s death turns to shock, however, when he discovers that he has been named the legal guardian of Joe’s 16-year-old son Patrick (Lucas Hedges, “The Grand Budapest Hotel”), a popular high school student. Since Patrick’s mom Elise (Gretchen Mol, “Anesthesia”) is an alcoholic who left town long ago, Lee is the only person who can assume the task.
It is one, however, that he does not feel ready for. Eventually, the seminal event that changed Lee’s life forever is revealed, depicted in a straightforward manner without histrionics or pandering, even if the overused baroque music tends to amplify the drama beyond what is required. In flashback, we see that Lee was once a happy family man with a loving wife Randi (Michelle Williams, “Suite Française”) and three young children and we see him joking around with his young nephew Patrick (Ben O’Brien) on their fishing boat. Assuming the responsibility of being a father-figure to Patrick, we glimpse the man that Lee used to be.
The dialogue between the abrasive Lee and the feisty, sharp-tongued Patrick feels real and without guile but channeling the chemistry they have together into rebuilding his life is a challenge. Manchester by the Sea is a serious film but is balanced by humor. In one such scene, Patrick awkwardly attempts to hide the obvious from his mom about studying in his room with his girlfriend. Another funny incident takes place when Lee is used as a cover for Patrick’s surreptitious juggling of his two girlfriends. The issues between them take a more serious tone, however, when Lee is convinced that he and Patrick should move to Boston, a suggestion that Patrick rebels at, citing his high school girlfriends, his being on the soccer team, and his playing in the school band.
Though Michelle Williams has a small role, she turns in one of her best performances. In a powerful confrontation with Lee, it is clear that she still loves him but has felt compelled to suppress it in order to bury the past and move on. Manchester by the Sea belongs to Casey Affleck, however, who turns in what is arguably the best performance of his career. The film does not have the sort of neat resolution that you may have come to expect but what it does have are real people whose lives you want to be a part of and you know that that world is not one that can only happen in the movies, but a real experience of life fully lived in all its pain and all its joy.
Lonergan’s beautifully understated writing, and Affleck’s stunning performance, create a powerhouse picture that will surely sweep awards
I was very pleased to snag a last minute returned, lone available ticket to the European premiere of this on Saturday as I’d heard a lot of great things about this film and it had been sold out.
The premise is simple: when his brother Joe dies, Lee Chandler (Casey Affleck) is forced to take care of his teenage nephew in his hometown, from which he moved away years earlier to escape his demons from a trauma years earlier.
It becomes clear early on that Lee had life figured out years earlier. The film jumps between the past and the present, revealing a time where Lee was married, spent a lot of time with his friends and family (especially his brother and his nephew) and was content with life. But while jumping between the two periods of time, the film travels along at a slow, tense pace, tentatively revealing facets of Lee’s past and present personalities (which are remarkably different) before hitting the audience with the full force of what exactly what made him run from his hometown.
Casey Affleck is astonishingly good and it’s no wonder that there is a strong early buzz around his performance. He essentially plays two different characters, a man before trauma and a man after. The ‘before’ in flashbacks is fairly simple, a relatively friendly and happy-go-lucky guy who spends a lot of time with his friends and family, has a close relationship with his nephew, etc. But where he excels is in the quiet desperation of the present-day Lee Chandler. With this character there are only rare moments of outward emotion – but Affleck plays it so that it is painfully clear just how much hurt Lee is keeping inside. Best Actor Oscar nomination, and highly possible win, incoming.
Despite the serious subject matter, there is a surprising warmth that permeates the film. This is a film primarily about a man forced to confront his demons, yes, but it is also a film about family and the ties that bind us to our hometown. There is a terrific chemistry between Affleck’s Lee and Lucas Hedges, who plays his nephew Patrick. Make no mistake, despite its subject matter this film is often hilarious, with the dialogue between Lee and his nephew providing most of the frequent outbursts of laughter in the cinema. Owing to his detachment and fear, Lee is fairly useless as a caregiver to Patrick, who in turn pushes his limits in being allowed to do whatever he wants (mostly chasing girls – there are particularly hilarious scenes when he is trying to get laid).
Affleck’s Lee is also forced to confront his demons in the form of his now ex-wife Randi, played by the ever-brilliant Michelle Williams. It’s actually a relatively small part, but a key one, with an especially important scene that is played beautifully by both Affleck and Williams. In the Q&A that took place before the film, Williams talked about how she had spent 15 years wanting to work with ‘Kenny’ Lonergan, the director, as he is such a beautiful writer, and so she jumped at the chance before she’d even really heard detail about the part.
And it’s clear to see why she would be so desperate to work with Kenneth Lonergan, whose writing and directing for this film is gentle, warm and heartbreaking in one package. It’s bleak, but hints at hope. It’s understated, but breaks out in small moments of agony without overdoing it (the middle of the film is particularly gut-wrenching). I would be very surprised not to see nominations in his direction also.
Beautiful writing and directing from Kenneth Lonergan, and a stunning performance from Casey Affleck in particular. It’s a beautiful, quiet picture encapsulating trauma, guilt, redemption and familial bonds.
Original Language en
Runtime 2 hr 17 min (137 min)
Director Kenneth Lonergan
Writer Kenneth Lonergan
Actors Casey Affleck, Ben O’Brien, Kyle Chandler, Richard Donelly
Awards Won 2 Oscars. Another 127 wins & 263 nominations.
Production Company Roadside Attractions, Big Indie Pictures
Sound Mix Dolby Digital
Aspect Ratio 1.85 : 1
Camera Arri Alexa XT, Canon K35 and Angenieux Optimo Lenses
Film Length N/A
Negative Format Codex
Cinematographic Process ARRIRAW (3.4K) (source format), Digital Intermediate (2K) (master format)
Printed Film Format D-Cinema