Mandy 2018 123movies

Watch: Mandy 2018 123movies, Full Movie Online – Taking place in 1983, Red is a lumberjack who lives in a secluded cabin in the woods. His artist girlfriend Mandy spends her days reading fantasy paperbacks. Then one day, she catches the eye of a crazed cult leader, who conjures a group of motorcycle-riding demons to kidnap her. Red, armed with a crossbow and custom Axe, stops at nothing to get her back, leaving a bloody, brutal pile of bodies in his wake..
Plot: The Shadow Mountains, 1983. Red and Mandy lead a loving and peaceful existence; but when their pine-scented haven is savagely destroyed, Red is catapulted into a phantasmagoric journey filled with bloody vengeance and laced with fire.
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Ratings:

	6.5/10 Votes: 80,026
	90% | RottenTomatoes
	81/100 | MetaCritic
	N/A Votes: 1577 Popularity: 15.714 | TMDB

Reviews:

Definitely not for everyone, this is a niche-of-a-niche type of film: psychedelic-art-horror with a dash of comedy. And I loved it. Some incredible shots and scenes with tons of mind bending crap. So much going on. After a first watch, I think a few of the scenes could probably have been cut a little shorter but I don’t know… I need to watch again. And I *want* to watch it again.

I felt Nic Cage’s particular brand of acting fit perfectly…

I think the bathroom scene, even though a little out of place, is such a classic Nic Cage scene. Jarring, the acting in that scenes was… not good, but so Nic Cage.

I knew going in that this was probably going to be a movie I’d like, but had prepared myself to be disappointed. I wasn’t disappointed at all. I think this is destined to be a cult classic.

_By JD Phillips, geekr.org_

I think this is the strangest review I might ever write. Mostly because the film in question is a strange experience, unlike most others. It’s simultaneously a brilliant piece of 80’s horror art and an overindulgent mess that never figures itself out outside its influences. Basically, it’s a film where it makes perfect sense for Nicolas Cage to scream, cry, laugh menacingly, and chug a whole bottle of vodka while on the toilet, wearing a tiger t-shirt and his tighty whities.

If that sounds horrible to you or if it sounds brilliant to you, you’re right.

You can tell within seconds that this movie is going to be a trippy arthouse ride like you’ve never seen before. Anyone familiar with director Panos Cosmatos knows his films are basically like falling through a portal on the side of a heavy metal album cover. It’s a dark 80’s grindhouse fantasy horror fest that is powerfully immersive in ways that most films don’t come close to.

Whether you are watching scenes that take place within the Charles Mansonesque Jesus Freak cult, the animated tripfests, or Nicolas Cage chainsaw fighting (yes, you read that right) with a Mad Max style BDSM demon, you will find it nearly impossible to take your eyes off the screen.

That’s not to say that what you are watching will entirely be worth that attention. In the end, the film definitely feels like it’s more style over substance. It never feels like it ever reaches the heights that it sets up. It relies too much on cliches from the genre it loves to ever truly be more than a beautiful homage. If you don’t have a special place in your heart for heavy metal music and grindhouse action, there just won’t be much here for you.

That’s not to say that the cast doesn’t give their all to prove themselves. Nicolas Cage gives his most insane performance to date. Fans of his from films like “Raising Arizona” or “Adaptation” won’t find that actor here. Fans who love to watch clips of him being a mad-eyed psycho in “The Wicker Man” or “Face/Off” will want to watch this film immediately. The man forges a battle axe and takes on the forces of evil with bloody rage as you’ve never seen before.

The film drives into the actor’s wackiness and this time it really works. This is definitely a film that needed Nicolas Cage. Maybe if “Ghost Rider” would’ve embraced the B-movie potential of its star, that film would be more memorable.

The rest of the cast is pretty excellent too. Andrea Riseborough shines as the titular Mandy. She brings a unique but grounded style to the character that makes you understand why these men fall in love with her so heavily. Speaking of, Linus Roache’s cult leader Jeremiah Sand might be the best part of the whole movie.

Fans of “Vikings” will be pleased to hear that Roache once again throws himself into a creepily sexual role with both feet. It’s hard to match the level of weird Nicolas Cage can bring, but Roache gives him a run for his money. It doesn’t hurt that Jeremiah Sand is the best-written character of the bunch.

The rest of the cult members are pitch perfect in their roles. They all look like the director went to a bunch of real-life cults and picked his favorites. Each one brings a different kind of creep factor that really elevates the film.

In the end, “Mandy” is a wonderfully made love letter to its genre even if it fails to redefine said genre as much as it potentially could have. Its particular brand of artful bloody wackiness may not be for everyone, but those that love that sort of thing will have one hell of a good ride.

**6.0 OR 9.0**
_(DEPENDING ON WHICH WAY YOUR BREAD IS BUTTERED)_

Very Metal
I really enjoyed this film. Honestly, I’m really close to saying that I loved it. This movie is wonderfully inventive, beautifully shot, and totally unlike anything else I’ve ever seen before. Plus, you get to see Nick Cage fight with chainsaws. What’s not to like?

uniquely Panos
It’s 1983. Red Miller (Nicolas Cage) and his beloved Mandy Bloom live in a remote house in the woods. She’s generally a recluse due to a facial disfigurement. They are taken prisoner by a cult led by Jeremiah Sand. When she laughs at his naked body, they burn her alive. Red manages to survive and seeks bloody revenge.

The start is generally slow artistry. Anyone familiar with Panos Cosmatos would know his style. It’s visual, it’s experimental, and it’s usually slow. The tension is ratcheted up after the couple is taken by the cult. I like the psychedelics and I love her laughter. The revenge second half is fine but lacks intensity. It’s a series of stylized face-offs. There is no investigating or searching. There is a metal pouring of a ridiculous axe. It’s all very nightmarish and over-the-top. It’s fascinating and unique. It’s very much Panos.

Other Information:

Original Language en
Runtime 2 hr 1 min (121 min)
Budget 6000000
Revenue 1214525
Status Released
Rated Not Rated
Genre Action, Fantasy, Horror
Director Panos Cosmatos
Writer Panos Cosmatos, Aaron Stewart-Ahn, Casper Kelly
Actors Nicolas Cage, Andrea Riseborough, Linus Roache
Country United Kingdom, Belgium, United States
Awards 13 wins & 43 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix N/A
Aspect Ratio 2.35 : 1
Camera Arri Alexa Mini, Panavision Primo Anamorphic Lenses, Arri Alexa XT Studio, Panavision Primo, AWZ and Angenieux HR Lenses
Laboratory Dame Blanche, Genval, Belgium
Film Length N/A
Negative Format Codex ARRIRAW (2.8K)
Cinematographic Process ARRIRAW (2.8K) (source format), Digital Intermediate (2K) (master format), Panavision (anamorphic) (source format)
Printed Film Format Digital (Digital Cinema Package DCP)