Manhattan Night 2016 123movies

Watch: Manhattan Night 2016 123movies, Full Movie Online – Based on Colin Harrison’s acclaimed novel Manhattan Nocturne (a New York Times Notable Book of the Year), MANHATTAN NIGHT tells the story of Porter Wren (Adrien Brody), a New York City tabloid writer with an appetite for scandal. On the beat he sells murder, tragedy and anything that passes for the truth. At home he is a model family man, devoted to his loving wife (Jennifer Beals). But when a seductive stranger (Yvonne Strahovski) asks him to dig into the unsolved murder of her filmmaker husband Simon (Campbell Scott), he can’t resist. In this modern version of a classic film noir, we follow Porter as he is drawn into a very nasty case of sexual obsession and blackmail – one that threatens his job, his marriage, and his life. MANHATTAN NIGHT will be released by Lionsgate Premiere in theaters and On Demand May 20, 2016. Lionsgate Premiere, Grindstone Entertainment Group and 13 Films present in association with Sparkle Roll Media Corporation and Big Indie Pictures a production of Fable House, Untravelled Worlds and DeCubellis Films..
Plot: Porter Wren is a Manhattan tabloid writer with an appetite for scandal. On the beat he sells murder, tragedy, and anything that passes for the truth. At home, he is a dedicated husband and father. But when Caroline, a seductive stranger asks him to dig into the unsolved murder of her filmmaker husband Simon, he is drawn into a very nasty case of sexual obsession and blackmail–one that threatens his job, his marriage, and his life.
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Ratings:

	6.2/10 Votes: 13,104
	35% | RottenTomatoes
	44/100 | MetaCritic
	N/A Votes: 333 Popularity: 13.901 | TMDB

Reviews:

“I’m always running to the place where something bad just happened,” narrates Porter Wren (Adrien Brody) at the beginning of Manhattan Night, which explains his presence in this faux noir. Porter is a columnist for a New York periodical; “I used to think that my stories could make a difference. Now I just hope they are enough to feed my family.”

Unless they actually eat the newspaper after reading it, I highly doubt that a meager column could support a family of four — or, for that matter, a single person (unless that person is J.J. Hunsecker, and Porter most certainly isn’t). Thus, when Porter calls his Manhattan home a “miracle,” the only miraculous thing about it is that he can afford it on a columnist’s salary.

Although his surgeon wife Lisa (Jennifer Beals) is presumably the one paying the bills so he can play journalist, Porter has no problem cheating on her with socialite Caroline Crowley (Yvonne Strahovski), widow of Simon Crowley (Campbell Scott), a famous film director/enfant terrible whose corpse, or what was left of it, is found in the ruins of a demolished building.

Caroline asks Porter to investigate Simon’s death, which is pretty stupid considering that a) she was there when it happened and not just as an innocent bystander, which of course means that b) any information Porter digs up can be used to incriminate her, something he actually threatens her with at the end.

The only possible motive for Caroline’s behavior is that she wanted an opportunity to seduce Porter, but he is so dazzled by her and her lifestyle — “I just went up in the elevator with Leonardo DiCaprio,” she tells Caroline in one of his visits to her apartment; unfortunately Leo got off at another floor (where a much better movie was presumably being filmed) —, that Caroline only had to ask ‘voulez-vous coucher avec moi?’ to get in his pants. In fact, Porter’s infatuation is such that needs no more motivation to call her than a Bazooka joke comic — though God knows he wasn’t going to find it in the script.

Tell me the horse story!

Manhattan Night is directed by Brian DeCubellis and DeCubellis adapts the screenplay from the novel Manhattan Nocturn written by Colin Harrison. It stars Adrien Brody, Yvonne Strahovski, Jennifer Beals, Campbell Scott, Linda Lavin and Steven Berkoff. Music is by Joel Douek and cinematography is by David Tumblety.

A New York journalist finds himself in a web of intrigue and passion when a woman asks him to investigate the mysterious death of her film director husband.

How wonderful to find that in this day and age there are still film makers willing to push film noir in its neo form up front and central. Of course the trick is knowing your staple requirements of what would be termed “pure noir”, and of course noir in colour form is never going to be accepted in some quarters (understandably so). So approaching Manhattan Night to hopefully view a simple murder mystery thriller is likely to end in disappointment, for this beats a true noir heart and an understanding of that film making style and its narrative barbs should, hopefully, aid the viewing experience.

Instantly we are served a classic era slice of noirvana as Brody’s journalist Porter Wren starts narrating where he is at for story origin. Soon enough a sultry babe in the form of Strahovski’s femme fatale enters the fray. Tumblety establishes that under wise direction we are in the realm of neo-noir photographic compliance, the pronounced primaries will continue to be a feature as the NYC locales bristling with beauty and lurking danger. All while Douek lays out a jazzy blues musical score that’s knowingly complicit as a seamy character.

DeCubellis has filled out his play with stock noir characters. The happily married man – a good father, giving in to temptation, the femme with a painful back story – which is compounded by a husband who is into psychotic love. The rich wealthy man damaged physically to the point of crushing his masculinity,
and his hired goons who like their work way too much. Into the mix is the murder mystery, incriminating video footage, some family peril and a whole lot of eroticism. Welcome to Noirville!

It’s not all dandy film making though. DeCubellis is guilty of letting Berkoff way overact in the first half of his character’s story, but this is off set later in the film as Berkoff reins it in and gives us something more subtle and touching. The director/writer also gives us an ending that doesn’t have the courage to really beat a black heart, which is annoying since the pic has been set up previously as such. Yet there’s so much to admire here, so much so it would be nice to see DeCubellis stay in this zone and take Tumblety with him. 8/10

An atmospheric neo-noir with Brody looking gloomy again.
“I’m always running to the place where the bad thing just happened, arriving just after the danger has passed, watching from a safe distance, searching for an angle, that little wrinkle, the kick to the heart that makes you want to put down the dollar and pick up the paper.”

After seeing two not so good films with Adrien Brody (“Backtrack” and “American Heist”) I noticed that sad look of him on the cover of “Manhattan Night”. It might sound weird, but every time I see Brody’s facial expression on a cover, at once a sense of gloom and sadness overtakes me. Examine once again the cover from “Backtrack” and that of, lets say, “Wrecked”. Every time you see a person filled with melancholy. With those sad puppy eyes and a grim facial expression. He stares at you with a helpless and beseeching look. The man exudes melancholy.

Despite his distinctive physical traits, he reminded me of Jake Gyllenhaal hunting for sensational news in “Nightcrawler”. The same profession, the same eagerness and the same melancholy look. The only major difference is that Porter Wren already had his victory moment in the past when a young girl was found after his journalistic work. Hence, he still takes care of a daily column in the New York Daily News. Even though the new owner of this newspaper isn’t very enthusiastic about it. At first you might say that Porter is a boring and rational person. But then again, he hasn’t taken Caroline Crowley (Yvonne Strahovski) into account. The moment he sees her at a party, he’s lost and he becomes entangled in the seductive web of this blond vamp. Caroline’s interest in Porter is also of a practical nature. She wants to use Porter’s “Sherlock Holmes” skills to investigate the suspicious death of her husband Simon Crowley (Campbell Scott).

You’ll experience something similar like “Basic Instinct” with Brody acting as a sort of Poirot who’s persistent in solving a case. In addition, he has to deal with a case of extortion, so the whole thing gets even more complicated. A story full of intrigue and erotically charged scenes. Brody’s daily column is about other people’s misery. It looks like he’s becoming the main character in such a column. Although all my attention should be drawn to the stormy affair between Porter and Caroline and the complicated developments gripping Porter, my attention went to the rather extravagant personality of Crowley. A slightly deranged movie producer with some absurd traits. A real weirdo with a weird sense of humor. Such a person who pretends to having commit suicide after swallowing a large number of pills. And then he gets up calmly and says it was just a joke. And a highly attractive, breathtaking erotic blonde falls in love with such an eccentric who looks like a bum? Women are unfathomable and inapprehensible. But the acting of Campbell Scott was beyond dispute extremely brilliant.

All in all not a bad movie. Not bad at all. But not a high flyer either. Turn it into a black and white film and you can place it between other Hollywood classics which are shown on a pay-per-view television-channel. It won’t be noticed. You can call this film stylish though. “Manhattan Night” pretends to be a neo-noir film with a mystery build into. But in the end it isn’t really mysterious.

More reviews here : http://bit.ly/1KIdQMT

Loved it…
Well, very good, surprisingly good, engaging, almost hypnotic, excellent chemistry between Adrien and Yvonne (very beautiful), the plot is very tidy, extremely captivating and intelligent, lovely Porter’s house, great performance by Campbell Scott, all very convincing and contagious… Loved it…

Other Information:

Original Language en
Runtime 1 hr 53 min (113 min)
Budget 0
Revenue 0
Status Released
Rated R
Genre Crime, Drama, Mystery
Director Brian DeCubellis
Writer Brian DeCubellis, Colin Harrison
Actors Adrien Brody, Yvonne Strahovski, Campbell Scott
Country United States
Awards N/A
Production Company N/A
Website N/A

Technical Information:

Sound Mix N/A
Aspect Ratio 2.35 : 1
Camera N/A
Laboratory N/A
Film Length N/A
Negative Format N/A
Cinematographic Process N/A
Printed Film Format Digital (Digital Cinema Package DCP)