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Plot: An exploration of the life and music of Miles Davis.
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|6.4/10 Votes: 9,415|
|6.5 Votes: 166 Popularity: 10.903|
Ingenious film reflects Miles Music and Art
Absolutely stunning! Attended the world premiere at the NewYork film festival this past weekend. As the film ended, my mind felt entranced. The film’s rapid clip style and dramatic ending made me film as if I had viewed one of Mile’s mind blowing paintings. Somehow, it all seemed to come together as one mental image at the end. An ingenious portrayal of both Miles music and painting style. Along with the fabulous music throughout, the movie even included a clip of miles working on one of his paintings, as if the cue us in on the films approach.
The music of Miles Davis provides the background for many of the scenes and it is performed in many scenes. As Miles was also an accomplished abstract painter, he is also featured creating some of his artwork. His challenges, triumphs and failures in love, the music industry, music composition, health, etc. compose a collage that comes together like one of his abstract paintings. At the end, a stunning scene brings it all together and emphasizes the phenomenal impact of the Miles music through today, for all time, and across many genres.
In Miles Ahead… The Muisc of Miles is as sacred as a Monet
On Miles Ahead
Miles Ahead is not a documentary. Neither would I call this film a biopic. It doesn’t describe Bee Bop, nor does it exhibit the thrills of live vintage performances once showcased at one of the world’s most famous Jazz venues, The Village Vanguard. It’s not about Mile’s many addictions and never explores his International acclaim. Miles Ahead is a moment in Jazz History. It details a passionate protest, an objection to or disapproval of something, either formally or publicly. In this case, Don Cheadle’s Miles Ahead is about both. Throughout the film, Miles’s only mission is to reclaim a master copy of his Music of which Columbia Records subsequently owns. Columbia’s mission, on the other hand, is to have complete ownership of Mile’s music and that included ‘Someday My Prince will Come’, the album which features a picture of Frances, the love of his life (or so we think) on the cover. Knowing this, Davis quickly demonstrates his objection by reminding Columbia’s executives that ‘HIS MUSIC’ was truly his and for this reason, Don Cheadle as Miles Davis stops at nothing in order to take back and control what he believed was rightfully his own.
If you come out of the theater knowing one thing about Miles Davis, Let it be that Mile’s music was sacred to him, more important than his marriage, his reputation or his many addictions.
Original Language en
Runtime 1 hr 40 min (100 min)
Genre Biography, Drama, Music, Romance
Director Don Cheadle
Writer Steven Baigelman (screenplay), Don Cheadle (screenplay), Steven Baigelman (story), Don Cheadle (story), Stephen J. Rivele (story), Christopher Wilkinson (story)
Actors Don Cheadle, Ewan McGregor, Emayatzy Corinealdi, LaKeith Stanfield
Awards 1 win & 13 nominations.
Production Company N/A
Sound Mix N/A
Aspect Ratio 2.35 : 1
Camera Arri Alexa XT, Arriflex 416, Zeiss Super Speed and Canon Lenses, Canon EOS C500
Laboratory Company 3 (digital intermediate)
Film Length N/A
Negative Format 16 mm (Kodak), Codex, Odyssey 7Q+
Cinematographic Process ARRIRAW (2.8K) (source format), Canon Cinema RAW (4K) (source format), Digital Intermediate (2K) (master format), Super 16 (source format)
Printed Film Format D-Cinema