#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – The teenage DJ is observing his neighbor Nebbercracker on the other side of their street in the suburb that destroys tricycles of children that trespass his lawn. When DJ’s parents travel on the eve of Halloween and the abusive nanny Zee stays with him, he calls his clumsy best friend Chowder to play basketball. But when the ball falls in Nebbercracker’s lawn, the old man has a siege, and soon they find that the house is a monster. Later the boys rescue the smart Jenny from the house and the trio unsuccessfully tries to convince the babysitter, her boyfriend Bones and two police officers that the haunted house is a monster, but nobody believes them. The teenagers ask their video-game addicted acquaintance Skull how to destroy the house, and they disclose its secret on the Halloween night.
Plot: Monsters under the bed are scary enough, but what happens when an entire house is out to get you? Three teens aim to find out when they go up against a decrepit neighboring home and unlock its frightening secrets.
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|6.6/10 Votes: 102,485|
|6.6 Votes: 2806 Popularity: 42.882|
Monster House has now become a traditional watch among casual viewers.
Interestingly this received a mixed reception upon release, but as time has gone on it slowly garnered a following. I can see why, especially for younger audiences. Halloween films designed for the whole family are rare these days and I do think this was released way ahead of its time. A couple of kids believe their neighbour’s house is actually alive after the owner is rushed to hospital. Conducting their own little investigation, the kids are involved in a story that is slightly more personal and evokes sympathy. This is an unusual film, considering it’s produced by Zemeckis and Spielberg. It’s got the 80’s adventure vibe that Spielberg is famous for and a similar style animation that Zemeckis used for “The Polar Express”. This is one of those rare films where my score flips constantly, this time between a six and seven. There are many great elements. The inclusion of subtle horror and terror blends well with the witty script. Not enough to scare everyone but an adequate amount to frighten children. The characters were memorable and full of life, each hosting a differing personality so that the dialogue bounces back and forth consistently between them. The narrative moves along at a rapid pace, in fact rather impeccably well. The most important thing, and the major thing I’m sure you all took away from this, is that it teaches you what a uvula is. Literally. Whenever I think about this film, instantly the uvula pops into my mind. The biggest problem however is the third act. It’s completely preposterous to a point where I’m thinking “…surely someone is going to see the giant house walking down the street attacking children?”. The animation is slightly polygonal occasionally which does take you out of the film. However, it’s a good Halloween film that captures the magic of older similar films. It only gets better with age, just prepare yourself for a stupid ending.
The story is the key to the movie, and it’s very good.
Looking out his window, DJ (Mitchel Musso) sees a creepy-looking house (Kathleen Turner). It’s owned by Mr Nebbercracker (Steve Buscemi), who really doesn’t want people on his lawn. Toys that end up there disappear, taken by Nebbercracker to discourage trespassing. DJ catalogs the lost items, but his parents (Catherine O’Hara and Fred Willard) aren’t interested in his observations of the house. Just before Halloween, his parents leave him home, in the care of babysitter Elizabeth (Maggie Gyllenhaal), who prefers the nickname “Z”. His friend “Chowder” (Sam Lerner) visits, and joins his observation of the house. They spot Jenny (Spencer Locke, who is a girl whose parents stuck her with a boy’s name) about to try to sell Halloween candy to Nebbercracker, and hurry to talk her out of approaching the house. Before long, they discover that Nebbercracker isn’t the only thing that’s creepy about the house. The house, it seems, has a life of its own.
This movie started as a script that sat unproduced for years, for want of technology and the right people to make it. The technology that went into it turned out to be the same sort of animation as _The Polar Express_, digital animation based on motion capture. Like _Polar_, it has a stylized look rather than attempting photorealism, but instead of taking the look of paintings in a book, it took the look of extremely detailed dolls and doll accessories. But with motion capture driving the movements of the characters, they end up with a lot of personality, which overrides their stylized look. The animation is least effective in the climax scene at the end, where it exaggerates the action just a bit too far for my tastes, but even there it’s pretty good. Most of the time the animation is excellent, with just the right degree of exaggeration to fit the stylized look. The sets are very good, particularly a construction site near the house. I’d rate the animation very good.
More important than the technology is the story. What really makes the images on the screen interesting is the way they serve the story. Comparing with _The Polar Express_ again highlights the point — this movie had a solid story, compared with _Polar_, which expanded a very thin children’s book into a feature-length story. This movie’s story isn’t in a class with the best of Pixar, but the film-makers are clearly aware of the fact that the strength of the story is very important. I’d rate the story very good.
The voice and motion capture performances, shot in only 34 days, are almost all excellent. My favorite was Maggie Gyllenhaal, who was wonderful in her supporting part as babysitter “Z”. The least satisfying, I thought, was Jon Heder (as video-game master “Skull”), and he was good, just not great. Even Kathleen Turner, as the house, performed in the motion capture space, moving around in a neighborhood constructed of foam. I really hope that the director wasn’t joking when he said he might include her motion capture video as a DVD extra. Nick Cannon, as a rookie police officer, was probably the funniest character, relative to his screen time.
Kathleen Turner’s presence in the cast is a bit of a nod to executive producer Robert Zemeckis, who cast her as Jessica Rabbit in _Who Framed Roger Rabbit_. She was thrilled by the part, which gave her a grotesque role to mirror her glamorous role as Jessica Rabbit. Other Zemeckis references are more obvious. Most obvious one is in the opening, featuring a leaf. Another deals with a basketball — originally an accident during production. Others may exist, but it’s not packed with pop culture references like the _Shrek_ movies.
Directing an animated film is different in a lot of ways from directing live action, which makes it more complicated to rate. Directing this movie involved directing both the motion capture performances and the camera positioning. The director took the script, and made complete storyboards from it. From those, he made an animatic, which guided the way he directed the motion capture shoot. Because of the way character interactions affected the results, he said that he ended up throwing out all the storyboarding, but I’d guess he meant that figuratively. The character interaction looked really good, better than almost any animated movie I’ve seen. I’d rate the directing excellent, in a class with Pixar.
Overall, I’d rate the movie very good, mostly on the strength of the story. Kids are usually easy to please, and they’ll probably find the movie excellent. Adults are harder to please. Where _Shrek_ emphasizes pop culture references for adult appeal, this movie targets adults’ memories of childhood, effectively drawing adults into enjoying it like the kids in the audience.
Credits: There are a few additional scenes after the credits begin. Don’t run out right away. Stick around at least until the fine-print credits roll.
Personal appearances: The director, Gil Kenan, and a couple of the producers (I don’t know which ones, but not Spielberg or Zemeckis) were there. The director took questions from the audience, and answered very enthusiastically — he seemed like he was thrilled to see his film in front of a real audience, and not burned out from hearing the same questions over and over. He was really nice to the kids in the audience, and behaved like he was new to the experience of being the center of attention. He signed lots of autographs (including one for me), and seemed genuinely pleased that people cared enough to ask. That’s a reaction that one might expect for the director of something obscure, but uncommonly nice for the director of a big-budget summer movie.
The US rating is “PG”, for some scary scenes and (supposedly) “crude humor and brief language”. The crude humor is minimal, compared to typical movies aimed at kids. I can’t think of any inappropriate language.
Original Language en
Runtime 1 hr 31 min (91 min)
Genre Animation, Comedy, Family, Fantasy, Mystery
Director Gil Kenan
Writer Dan Harmon (screenplay), Rob Schrab (screenplay), Pamela Pettler (screenplay), Dan Harmon (story), Rob Schrab (story)
Actors Ryan Whitney, Steve Buscemi, Mitchel Musso, Catherine O’Hara
Awards Nominated for 1 Oscar. Another 4 wins & 22 nominations.
Production Company ImageMovers
Sound Mix Dolby Digital, SDDS, DTS
Aspect Ratio 1.78 : 1 (TV version), 2.35 : 1, 2.39 : 1
Laboratory Technicolor Digital Intermediates, Los Angeles (CA), USA (digital intermediate), Technicolor, Hollywood (CA), USA (prints)
Film Length 2,400 m (Portugal, 35 mm)
Negative Format Digital
Cinematographic Process Digital 3-D (source format), Digital Intermediate (2K) (master format)
Printed Film Format 35 mm (anamorphic) (Kodak Vision 2383), D-Cinema (also 3-D version)