Watch: My Policeman 2022 123movies, Full Movie Online – The arrival of Patrick into Marion and Tom’s home triggers the exploration of seismic events from 40 years previously..
Plot: In the late 1990s, the arrival of elderly invalid Patrick into Marion and Tom’s home triggers the exploration of seismic events from 40 years previous: the passionate relationship between Tom and Patrick at a time when homosexuality was illegal.
Smart Tags: #love_triangle #younger_version_of_character #jealousy #husband_wife_relationship #gay_romance #policeman #forbidden_love #male_rear_nudity #gay_kiss #extramarital_affair #male_nudity #period_drama #e.m._forster_character #1950s #1990s #honeymoon #novelist #lgbtq #love #seaside_village #dog
|6.5/10 Votes: 8,804|
|44% | RottenTomatoes|
|50/100 | MetaCritic|
|N/A Votes: 346 Popularity: 52.642 | TMDB|
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“My Policeman lacks everything: energy, surprises, good performances, and an interesting story.
A hollow, dull, instantly forgettable movie that fails to deliver anything of merit. Harry Styles reveals many problems when a scene needs to be carried by him, even turning dramatic moments into laughable line deliveries. The older cast saves this from a total disaster by trying to sail the whole film to safe harbor.
Not only is it by far the worst movie of the festival, but it’s also difficult to find similar competition in 2022.”
I was rather nervous about seeing this film. After his lacklustre “debut” in “Don’t Worry Darling” I feared that Harry Styles was just going to turn up, smile, get naked, and that would be that. Well, to be fair, we have quite a bit more here in this engaging drama. David Dawson is also quite effective as art gallery curator “Patrick” who takes a bit of a shine to policeman “Tom” (Styles) after a cycle incident. The latter shows some interest in art and agrees to be drawn (in full constable’s uniform). Nervous, “Patrick” gives his visitor some Scotch and well, you can imagine the rest. The thing is, of course, the UK in the 1950s was still pretty homophobic, and their behaviour must be clandestine to say the least. Simultaneously, “Tom” is trying to conform with a relationship with, and marriage to, “Marion” (Emma Corrin) but gradually she becomes aware that Princess Diana wasn’t the only person to have three people in her marriage. Reported, somehow, to the authorities, “Patrick” faces ruin and violent imprisonment. This historical story is set within a rather less interesting template of modern day life, with the recently stroke-affected “Patrick” (a strong, if largely dialogue-free, effort from Rupert Everett) coming to live with the now going-through-the-motions “Marion” (Gina McKee) – whose reading of the invalid man’s diaries provides us with the basis for the retrospective – and “Tom” (Linus Roache) and this rather downbeat scenario rather robs the film of any jeopardy and also drags the pace down into something akin to the soporific. Styles is not yet a very good actor. His frequent kissing scenes are quite clumsy to watch and he speaks in a sort of clipped manner suggesting the elocution people have got at him, but there is still something natural about his performance here. He gels well with the accomplished theatre actor Dawson, and the increasingly disaffected “Marion” is well portrayed by Corrin – all delivering a script that does enough to set the scene. It’s a stylish production. Amazon have clearly thrown some money at it and combined with a pleasing score from Steven Price this presents us with a better than expected love story with just enough political sense to alert us to the difficulties faced by gay men as recently as 1957. Styles’ participation in this movie is bound to raise the profile of the persecution culture that existed then, and still exists in many nations around the world now – and for that he also ought to be commended. It’s a solid film, not a great one – but it is certainly worth a gander.
Styles Not in the Same League in a British Variation on “Brokeback Mountain”
Harry Styles is out of his depth playing a closeted policeman conflicted about his sexual orientation in a period film that felt like a stiff-upper-lip cross between “Brokeback Mountain” and “Maurice”. The latter film was based on a novel by E. M. Forster whose fictionalized life is the basis of this story. Directed by Michael Grandage, this 2022 film goes back and forth between the 1950’s and the 1990’s with two trios of actors playing the same characters in the inevitable love triangle. The drabness of the reflective later scenes is offset by fine work from Gina McKee whose younger self is played affectingly by Emma Corrin (Princess Di in Sesson 4 of “The Crown”). In an underused role, Linus Roache plays Styles’ older self, an ironic choice given Roache’s more accomplished performance of a similar character to Styles’ thirty years earlier in “Priest”. David Dawson gives the best performance as the younger Patrick, the Forster doppelgänger, while Rupert Everett is hemmed in by the physical limitations of Patrick’s older self. The ending is poignant, but it felt like a very long time to get there.
A delicate but not immersive narrative.
When we tell a love story, we need to show the delicate, and sometimes brutal, transformations that a passion causes in life. In My Policeman, we have a prelude, but not an immersion in this narrative.
A sensitive film, which investigates the meaning of love and navigates the scenarios of intolerance in the 1950s, but finds problems in taking the audience to the deepest layers of history.
This may be due to a difficulty in disconnecting the image of who Harry Styles is from the character, or because at times the differences between the young cast and the adult cast are excessive.
Unfortunately, for Ron Nyswaner it won’t be the script that will take him into the spotlight of awards seasons, but he hits the tone of invitation for those who (like me) haven’t read the book yet.
Original Language en
Runtime 1 hr 53 min (113 min)
Genre Drama, Romance
Director Michael Grandage
Writer Ron Nyswaner, Bethan Roberts
Actors Harry Styles, Emma Corrin, Gina McKee
Country United Kingdom, United States
Production Company N/A
Sound Mix Stereo, Dolby Digital
Aspect Ratio 1.85 : 1
Camera Arriflex Cameras and Lenses
Film Length N/A
Negative Format Digital
Cinematographic Process Digital Intermediate
Printed Film Format Digital