Watch: Naqoyqatsi 2002 123movies, Full Movie Online – In this cinematic concert, mesmerizing images are plucked from everyday reality, then visually altered with state-of-the-art digital techniques. The result is a chronicle of the shift from a world organized by the principles of nature to one dominated by technology, the synthetic and the virtual. Extremes of intimacy and spectacle, tragedy and hope fuse in a tidal wave of visuals and music, giving rise to a unique, artistic experience that reflects the vision of a brave new globalized world..
Plot: A visual montage portrait of our contemporary world dominated by globalized technology and violence.
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6.4/10 Votes: 5,934 | |
48% | RottenTomatoes | |
59/100 | MetaCritic | |
N/A Votes: 107 Popularity: 6.558 | TMDB |
A nice surprise
After reading different comments about this movie, I’ve decided to see it, and I’m really surprised because what I have found has little to do with what I thought it was.Naqoyqatsi is about the loss of our natural perception of reality and its substitute: the image itself as a product of technology, the image as a weapon in a globalized war. And here comes the apparent incoherence, because the film is a parade of these images, a product of the same technological violence it is reflecting and criticizing. That’s not hypocrisy; the contradiction is part of the film itself.
Although I do not completely support Reggio’s point of view, I admire the way he expresses it through his films without impositions of any kind, so that the viewer can find his own perspective. While watching Naqoyqatsi, I was asking for the “original” pictures that were below those distortions and filters, but soon I realized the real world wasn’t there. It was like “OK, so that’s all… Well, let’s see it”.
A few words about the inevitable comparison with it’s predecessors: if you are looking for something like Koyaanisqatsi, go see Koyaanisqatsi again. Naqoyqatsi is a different film. It does well as the third part of the Qatsi Trilogy, but like the other two, has its own “personality”. And I think it’s a great film. Maybe not a masterpiece like Koyaanisqatsi, but a great film.
Distraction and destruction — well-intentioned, but messy
NAQOYQATSI is the third installment in a trilogy by Godfrey Reggio and Philip Glass that began with KOYAANISQATSI. It is a documentary (loosely so) that examines globalization, technology, and violence in a rather oblique way that uses image juxtaposition to make its points. And, for the duration of the film, is accompanied by a Philip Glass score. I only recently saw KOYAANISQATSI, which I thought was OK. I didn’t completely “get” it, but the title’s meaning at the end did help a little bit, in retrospect. For me, the meaning of NAQOYQATSI was a little more clear from the outset, as the idea of technological advances alternately helping and harming humanity isn’t really anything new, having been addressed in a many a sci-fi film before and since. The film is divided into different segments, with each one going into a different aspect of technology or violence in human society. From all of the imagery, I gleaned that technological advances have created a passive, spectator society that, despite being able to move rapidly, still isn’t going anywhere. We have also cultivated a society in which we obsess over superficial things, as well as worship power, fame, and money; and the advent of mass media has only entrenched this further. There was also images relating to the destructive power of technology, and its contribution to/role in real-world violence (juxtaposed with video game violence). All things considered, there is a lot to digest here, which would seem to indicate that this film requires multiple viewings to take all of it in. Still, I feel like the film lacked a strong through-line and cohesive message. Granted, the segments work individually, but taken as a whole, it smacks of throwing everything at the wall and seeing what sticks. Overall, I would place this on a level a little below KOYAANISQATSI, from which it seemed to recycle a bit of thematic material. It is well-made and contains some good bits of message, but none of the observations are that original and it didn’t quite gel into a cohesive whole.
Original Language en
Runtime 1 hr 29 min (89 min)
Budget 3000000
Revenue 13308
Status Released
Rated PG
Genre Documentary, Music
Director Godfrey Reggio
Writer Godfrey Reggio
Actors Belladonna, Marlon Brando, Elton John
Country United States
Awards N/A
Production Company N/A
Website N/A
Sound Mix Dolby Digital
Aspect Ratio 1.78 : 1
Camera N/A
Laboratory Technicolor
Film Length N/A
Negative Format 35 mm, Video (HDTV), Video (NTSC) (some scenes)
Cinematographic Process HDV
Printed Film Format 35 mm