#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – This movie tells the intersecting stories of various people connected to the music business in Nashville. Barbara Jean is the reigning queen of Nashville but is near collapse. Linnea and Delbert Reese have a shaky marriage and 2 deaf children. Opal is a British journalist touring the area. These and other stories come together in a dramatic climax.
Plot: The intersecting stories of twenty-four characters—from country star to wannabe to reporter to waitress— connect to the music business in Nashville, Tennessee.
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|7.7/10 Votes: 23,877|
|7.3 Votes: 222 Popularity: 9.859|
Robert Altman is a maverick master filmmaker and Nashville is often considered his magnus opus. Nashville has two backdrops. The first is the city, with its rich musical heritage. The second is one of America’s dirtiest and most favorite games – politics. The film takes place in the days preceding the Tennessee presidential primary. In this cauldron of music and politics, Altman mixes a stew that contains two-dozen significant characters. Nashville isn’t one long story; it’s an interweaving of many shorter ones. And, though there are many minor intersection points, it isn’t until the finale, which takes place at a Hal Phillip Walker rally, when all of the principals come together. Until then, they are living out their lives in close proximity to each other, but without impacting anyone except those in their immediate circles. Altman proves that it is possible to develop sympathy for a diverse group of individuals in only a short time. Most of the characters have less than 20 minutes of screen time, yet, after only a scene or two with each of them, we develop an emotional investment in their future.
This isn’t Nashville…it’s an insane asylum!
“Nashville” is supposed to be Robert Altman’s best movie. But I have to say, I just didn’t get it! The movie is like some kind of surreal satire on the city of Nashville, and the state of America in the 1970’s. It’s Nashville…but it’s like an alternate universe Nashville where the people talk endlessly, on and on, about nothing! It’s like “Seinfeld” without the jokes or character development.
This Nashville is filled with people who are completely clueless about how superficial their lives are, who seem to have no idea how stupid they are. A key scene early on involves a multi-car pile-up on the interstate. But instead of running around from car to car asking “Is everyone all right? Is anyone hurt?”, the people in the pile-up (who are all, by strange coincidence, characters in the movie) seem more annoyed that this accident will make them late for dinner, or to whatever they have to go to. They talk with each other, exchange phone numbers, buy and sell goods, eat popsicles bought from an ice cream. Nobody seems phased that they’ve just been through a massive near-death experience. These are not “people,” they are “characters in a social commentary.”
Altman’s take on the country music industry is very strange. In this version of Nashville, there are a lot of country music singers who can’t sing! I don’t just mean the “wannabe singers” like Suleen Gay (Gwen Welles) who is too stupid to realize she doesn’t have any talent. I mean established country stars like Tommy Brown (Timmy Brown), Haven Hamilton (Henry Gibson), and Connie White (Karen Black), who are singing onstage at the Grand Ole Opry, but who have limited pitch ranges, and slide their notes up and down the scale as they sing. These “country stars” wouldn’t last 30 seconds at an “American Idol” audition. Simon Cowell would eat them alive and spit them out!
Most of the songs in the movie seem to be country song pastiches. (One song includes the lyrics, “The pilot light of our love has gone out” and “If makin’ love is margarine, then you’re a slippery spread.”) Only occasionally do we get a sincere, well-sung country song, like Keith Carradine’s “I’m Easy.” Ronnie Blakely has a good role as a Loretta Lynn-style country singer who has an onstage meltdown at Opryland. But even her onstage meltdown seems phony — it is a caricature of an onstage meltdown written by a Hollywood screenwriter. (Did she really need to make chicken sounds onstage to make the point that she was cracking up?)
The city of Nashville seems to have gone insane, but nobody seems to notice. A sound truck drives around, blaring political arguments for a populist presidential candidate. A man (Jeff Goldblum) rides around on a three-wheel motorcycle, stopping occasionally to do magic tricks. An annoying British journalist (Geraldine Chapman) keeps showing up at parties and bars and sticking her microphone in people’s faces, asking them questions and ignoring their answers.
And of course, people talk, non-stop, about nothing in particular, in Altman’s trademark overlapping dialogue, for two hours and forty minutes. This form of movie dialogue may be considered realistic, but in this case, I found it very boring.
Yes, I know, Altman was making a comment on the times, and the 1970’s were a very surreal and superficial time. But the fact that Altman captured the surreal, superficial qualities of the 70’s doesn’t necessarily mean it’s an interesting movie. I found the characters dull, the dialogue boring, and the plot fairly nonsensical. If I ever pass through this Nashville, remind me to stay on the bus to Memphis.
Original Language en
Runtime 2 hr 40 min (160 min)
Genre Comedy, Drama, Music
Director Robert Altman
Writer Joan Tewkesbury
Actors David Arkin, Barbara Baxley, Ned Beatty, Karen Black
Awards Won 1 Oscar. Another 23 wins & 26 nominations.
Production Company Paramount Pictures, American Broadcasting Company (ABC)
Sound Mix 4-Track Stereo (magnetic prints)
Aspect Ratio 2.35 : 1
Laboratory MGM Film Laboratories (color), Metrocolor, Culver City (CA), USA (color), TVC Laboratories, New York (NY), USA (processing: Chemtone)
Film Length 4,410 m (Sweden), 4,415 m (1975) (Finland)
Negative Format 35 mm
Cinematographic Process Panavision (anamorphic)
Printed Film Format 35 mm