#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – A faded television actor and his stunt double strive to achieve fame and success in the final years of Hollywood’s Golden Age in 1969 Los Angeles.
Plot: Los Angeles, 1969. TV star Rick Dalton, a struggling actor specializing in westerns, and stuntman Cliff Booth, his best friend, try to survive in a constantly changing movie industry. Dalton is the neighbor of the young and promising actress and model Sharon Tate, who has just married the prestigious Polish director Roman Polanski…
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|7.5 Votes: 8385 Popularity: 43.2|
The movie isn’t for everyone, of course, but it’s a fun ride back to the past with fantastic performances, hilarious comedy and beautiful aesthetics. Tarantino is the one director in 2019 that can get huge names without people referring to his films as “that Leo film“, and I think that’s worth something whether you’re a fan or not. It’s rare for a film like this to be a mainstream release, and in the lacklustre year of 2019 I think it’s about time we got something in cinemas that’s original.
– Chris dos Santos
Read Chris’ full article…
“When you come to the end of the line, with a buddy who is more than a brother and a little less than a wife, getting blind drunk together is really the only way to say farewell.”
‘Once Upon a Time In Hollywood’ is a chilled blast from the past told like a fairy tale. It’s both aimless and yet meaningful with the commentary on the new era in Hollywood. The movie pays tribute to old Hollywood, film making, Sharon Tate, stunt work, and actors. This is perhaps Tarantino’s most personal and mature movie his made, until the last 10 minutes (which I love) goes complete ape sh*t.
I can’t think of any other director where the passion and love for movies is so transparent through Tarantino’s craft. He’s such an old school film maker that he and Martin Scorsese are the last golden age directors, as every new release feels like an event. In this movie, Quentin presents 69’ Hollywood at its peak, as he remembers it from his childhood. He manages to rebuild classy LA thanks to the crew and creative team.
Bright neon lights, fashionable clothes, and late 60’s automobiles. There’s a couple of scenes where Cliff Booth (Brad Pitt), drives around LA and there are long shots that shows off the environment and it’s amazing the amount of detail and effort went into the setting – with Robert Richardson brilliant Cinematography bringing it all alive.
Leonardo DiCaprio was absolutely excellent as the fading Western star, Rick F**king Dalton. Dalton, a self-centered, yet vulnerable actor that you both laugh and pity. I will often forget about DiCaprio comedic chops, something similar to Ryan Gosling. I also like the subtle stutter that’s sprinkled through out, which is sad when given some thought that it’s something he’s got to deal with. There’s a heartfelt scene where Dalton tells his young co-star about a book his reading and mid way through explaining the story he realises it mirrors his life, and breaks down in tears with me crying with him. Yep, I teared up in a Tarantino movie. Leo was the pulse of the movie.
Brad Pitt was amazing as the deadpan and cool Cliff Booth. This is probably my favorite performance from him. Cliff’s main character trait is his strength and he demonstrates it multiple times, but leaves the scene before anything can escalate. The chemistry between Leo and Brad was electric. Pitt was the meat of the movie.
Margot Robbie was an absolute delight portraying the late Sharon Tate. Despite her slim screen time, but whenever she has screen time, I couldn’t help but smile. I instantly fell in love with her and it’s painfully to think something so sweet and pure could be taken away from us by brainwashed zombies who don’t deserve a life, just a jail cell. I thought her portrayal in the movie was a beautiful tribute and how they handle her gives new life into her legacy.
There’s a great scene where Sharon Tate watches a movie in cinemas that’s she’s in, but instead of Margot Robbie re-creating those scenes, they just show the real Sharon Tate in the movie. Now people were left a bit confused over this decision, although it’s clear to me that erasing the real Tate out of the movie would be more disrespectful to her memory, so leaving her in is a touching tribute to her career and her work. Robbie was the heart of the movie.
The other supporting cast all did terrific with the little screen time most of them had. Kurt Russell makes a welcoming return as a character that I assume is Stuntman Mike from ‘Death Proof’ – either way still a welcoming presence. He’s also the narrator and I find it hilarious whenever he tries to pronounce Italian movie titles. Al Pacino was a blast to watch as the tight and yet colorful producer. Mike Moh portrayal of Bruce Lee may have sparked some controversy recently, but I thought he was entertaining regardless and I don’t really think it mocks his legacy at all. I mean, this is the same director who made a four hour movie honoring the legend. Margaret Qualley was crazy good as the hippie girl who’s brain washed into a cult family. It’s crazy to know that Damon Herriman has played Charles Manson twice in the same year and month for this movie and the TV show ‘Mindhunter’, which you should totally check out by the way.
Julia Butters, Luke Perry, Timothy Olyphant, Dakota Fanning, Bruce Dern, and Damian Lewis – a stellar cast that did a stellar job.
After letting the film sit for awhile, there’s so many memorable lines that I would often catch myself recreating just from memory after seeing it twice. There’s so many great moments as well. The lights of LA coming to life at the dust of dawn, or the suspenseful scenes that actually got me feeling tense watching it. Without spoiling anything, but the Spahn Ranch scene where the Manson family stares down a defenseless Cliff Booth as he tries to speak to an old friend was terrifying – reminds me of the opening scene of ‘Inglorious Bastards’, in terms of building up tension that you wait in anticipation to explode.
Still, I think this is the best representation of the Manson family I’ve seen in any movie…by portraying them as absolute buffoons.
And of course with it being a Tarantino movie, the music is lost treasure revived for a modern generation. Always fantastic and incredibly catchy. I can’t think of anything better than Cliff driving around LA with the song ‘Bring a Little Lovin’ playing in the background.
Overall rating: I’ve seen this movie twice already and I still have a desire to watch it again. This is slowly creeping up to being my favorite Quentin Tarantino movie, but time will tell I guess.
Bruce Lee vs Brad Pitt
Not one of Tarantino’s best. But still a pretty damn good and smart movie with cool sequences, great acting and directing, music and scenes that will stay with you long after the movie and you would love to watch again. Loved the combo Pitt-DiCaprio but loved more seeing some famous characters in this film such as Steve Mcqueen and Bruce Lee, who are absolutely hilarious in the movie! 8/10
A love letter to a film industry that is no longer recognisable.
It took Quentin Tarantino a lifetime of living, 5 years to write and a 2 hours 41 minutes watch. This is a love letter to a film industry that is no longer recognisable. Hippies, short skirts, westerns….. all have disappeared from our movie world. But worry not, Quentin Tarantino is here to remind us of old school film making from a once beloved industry which has been described as being on life support.
The performances are flawless. I was apprehensive about how the events of August 8, 1969 would be handled. But that is handled tastefully and respectfully, yet with the classic Tarantino flair.
Will be quite a bit for those under 40 who have no recollection of this Hollywood. Some will categorise this as an over indulgent nostalgia trip for movie geeks. And they are likely to be correct. But for those of us who complain that Hollywood is reduced to remakes and comic book films, QT delivers a unique and creative viewing experience.
Original Language en
Runtime 2 hr 41 min (161 min)
Genre Comedy, Drama
Director Quentin Tarantino
Writer Quentin Tarantino
Actors Leonardo DiCaprio, Brad Pitt, Margot Robbie, Emile Hirsch
Country USA, UK, China
Awards Won 2 Oscars. Another 134 wins & 372 nominations.
Production Company Columbia Pictures, Bona Film Group, Heyday Films
Sound Mix Dolby Digital, Dolby Digital (Dolby 5.1), Dolby Atmos, Dolby Surround 7.1
Aspect Ratio 1.33 : 1 (Bounty Law, Interview Segment, Operazione Dyn-O-Mite! Behind the scenes footage, Sharon Tate’s Super 8 footage, & Red Apple Cigarettes Commercial), 1.85 : 1 (The 14 Fists of McCluskey), 2.39 : 1
Camera Aaton A-Minima, Arriflex 435, Panavision Primo, C-, E-, T-Series and Ultra Speed Golden Lenses, Bolex Camera, Panavision Panaflex Millennium XL2, Panavision Primo, C-, E-, T-Series, Ultra Speed Golden, Normal Speed MKII, Ultra Speed MKII, Cooke Varotal and Angenieux Lenses
Laboratory FotoKem Laboratory, Burbank (CA), USA (prints), Harbor Picture Company, Santa Monica (CA), USA (digital intermediate)
Film Length (9 reels)
Negative Format 16 mm (Kodak Ektachrome 100D 7285), 35 mm (Kodak Vision3 200T 5213, Vision3 500T 5219, Eastman Double-X 5222), 8 mm (Kodak Ektachrome 100D 7294)
Cinematographic Process Digital Intermediate (4K) (master format), Dolby Vision, Panavision (anamorphic) (source format), Spherical (source format) (some scenes), Super 35 (3-perf) (source format) (The 14 Fists of McCluskey), Super 8 (source format) (one scene)
Printed Film Format 35 mm (partial blow-up) (Kodak Vision 2383), 70 mm (blow-up) (Kodak Vision 2383), D-Cinema