Pather Panchali 1955 123movies

Watch: পথের পাঁচালী 1955 123movies, Full Movie Online – The story of a young boy, Apu, and life in his small Indian village. His parents are quite poor – his father Harihar, a writer and poet, gave away the family’s fruit orchard to settle his brother’s debts. His sister Durga and an old aunt also still lives with them. His mother Sarbojaya bears the brunt of the family’s situation. She scrapes by and sells her personal possessions to put food on the table and has to bear the taunts of her neighbors as Durga is always stealing fruit from their orchard. Things get worse when Harihar disappears for five months and Durga falls ill. Even after Harihar returns, the family is left with few alternatives..
Plot: Impoverished priest Harihar Ray, dreaming of a better life for himself and his family, leaves his rural Bengal village in search of work.
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Ratings:

	8.3/10 Votes: 33,358
	98% | RottenTomatoes
	N/A | MetaCritic
	N/A Votes: 297 Popularity: 9.593 | TMDB

Reviews:

A film of Quiet Perspective and Natural Beauty.
“Pather Panchali”, Satyajit Ray’s debut film about life in a Bengali village, was the first movie from India to gain wide recognition and acclaim in the west. It is an affecting story of a rural family struggling to deal with poverty and tragedy in their ancestral home. Ray adapted the script from Bibhuti Bihushaw Banerjee’s semi-autobiographical novel of the same title and retells it with natural beauty and a quiet perspective. The filmmaker, who came from a literary and artistic background(He was a product of the Indian Renaissance) was interested in the contemporary problems of his country-and he shared with the Neorealist films from Italy- a simple and direct approach to making movies. Ray created ordinary scenes that were incredibly life-like. His films contained very few strains of artifice. He believed that the raw material of cinema was life itself. Ray generally concentrated on small subjects and ordinary people. He favored using non-actors and shooting on location to heighten the realism. He made films in his own style; dignified and subtle; sincere and with a conscience. In “Pather Panchali” (Song of the Little Road”) Ray makes superb use of his milieu. The viewer immediately feels the cramped conditions of the families’ decaying house and the open-air confines of the surrounding forest. When Ray sends his camera beyond the village, the observer can sense the allure and freedom of the vast fields that spring immodestly from a thin, winding trail. Rays’ was a cinema of thought and feeling, in which emotion was deliberately restrained because it is so strong. This restraint adds to the psychological intensity in his work. Nearly all of his films are marked by this remarkable depth of feeling. “Pather Panchali”, the first installment of the Apu Trilogy(“Aparajito” and “The World of Apu” would follow) depicts a young boy (Apu) exploring his ever-expanding universe with a growing sense of wonder. Ray excelled at showing how children and adolescents confront mystery and joy; sadness and death. The director shows Apu’s burgeoning awareness with a masterful use of the long shot. High-angled, distant shots track Apu and his older sister Durga, as they run spiritedly through white-kashed fields. This sense of discovery gives the film it’s emotional power. The director’s main subject was India-it’s customs and culture. It’s conflicts between the traditional way of life and the impact and influence of the West. He tried arduously to capture this synthesis between western ideas and traditional Hindu values. His concern for human problems and not issues of national politics gave his films universal appeal. “Pather Panchali” delineates the small joys and acute sorrows of a poor Indian family. It is an endearing testament that poverty does not nullify love and that even the most afflicted person can find some modest pleasures in their world. The film’s indigenous sound track is vital to Ray’s story of ancestral limitations. Twanging ektaras, wailing tarshehnais and six-stringed sitars resound liberally throughout the movie. It would be difficult to imagine “Pather Panchali” without it’s memorable score. Satyajit Ray was an unpretentious filmmaker. He was genuinely uninterested in commercial considerations. His films were life-affirming, authentic and honest; gentle and poetic- truthful observations on human behavior that employed simple but strong themes. Ray’s unadorned style of film-making was intimate, probing, and revealing. (Possible spoiler) The final scene shows the grieving family leaving their home in an ox-driven carriage to begin a new life. A trailing camera in medium close-up captures a compelling mixture of emotions on their faces. Expressions of pain and resolution; hope and despair; the future and the past. A seemingly simple yet unmistakably powerful scene that typifies Satyajit Ray’s profound cinema. A cinema of gentle but deep observation, understanding and unabashed love of the human race.

One of the most accomplished narrative films ever made.
Pather Panchali is simply one of the most perfectly executed narrative films ever made. It is an extraordinary experience that really should be witnessed to be appreciated. The evocation of a specific place and time balanced with a profoundly “universal” humanism draws viewers into this film in intensely personal ways. This is one of the few films that has elicted some kind of respectful response from every person that I have talked to about it. Simply a masterpiece.

Other Information:

Original Language bn
Runtime 2 hr 5 min (125 min), 1 hr 59 min (119 min) (Argentina), 2 hr 2 min (122 min) (within Bengal) (India)
Budget 0
Revenue 536364
Status Released
Rated Not Rated
Genre Drama
Director Satyajit Ray
Writer Bibhutibhushan Bandyopadhyay, Satyajit Ray
Actors Kanu Bannerjee, Karuna Bannerjee, Subir Banerjee
Country India
Awards Nominated for 1 BAFTA Award11 wins & 2 nominations total
Production Company N/A
Website N/A

Technical Information:

Sound Mix Mono (RCA)
Aspect Ratio 1.37 : 1
Camera Mitchell Camera
Laboratory Bengal Film Laboratories, Kolkata, India
Film Length 3,577.48 m (12 reels)
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm