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Phantom Thread 2017 123movies

Phantom Thread 2017 123movies

Dec. 25, 2017130 Min.
Your rating: 0
5 1 vote

Synopsis

Watch: Phantom Thread 2017 123movies, Full Movie Online – Set in the glamour of 1950s post-war London, renowned dressmaker Reynolds Woodcock (Daniel Day-Lewis) and his sister Cyril (Lesley Manville) are at the center of British fashion, dressing royalty, movie stars, heiresses, socialites, debutants, and dames with the distinct style of The House of Woodcock. Women come and go through Woodcock’s life, providing the confirmed bachelor with inspiration and companionship, until he comes across a young, strong-willed woman, Alma (Vicky Krieps), who soon becomes a fixture in his life as his muse and lover. Once controlled and planned, he finds his carefully tailored life disrupted by love..
Plot: In 1950s London, renowned British dressmaker Reynolds Woodcock comes across Alma, a young, strong-willed woman, who soon becomes ever present in his life as his muse and lover.
Smart Tags: #dressmaker #fashion_designer #1950s #dysfunctional_relationship #fashion_house #wedding_dress #brother_sister_relationship #controlling_husband #waitress #couturier #haute_couture #wedding #london_england #poisoning #marriage #doctor #husband_wife_relationship #class_differences #female_poisoner #dress #fashion


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Ratings:

7.4/10 Votes: 133,512
91% | RottenTomatoes
90/100 | MetaCritic
N/A Votes: 3014 Popularity: 16.692 | TMDB

Reviews:


Probably the best, least biased documentary criticism of Jordan Peterson made thus far
Review By: tmdb47633491

Should you decide to visit your local cinema to take in a showing of Phantom Thread, Paul Thomas Anderson’s latest offbeat character study, you might want to make a bit more effort with your wardrobe than you’re accustomed to for such outings. After spending 130 minutes totally immersed in the world of 1950s high fashion, I felt like an utter rube walking out of the cinema in my jeans and hoody combo.

Phantom Thread is as immersive as cinema gets. From its opening sequence, which takes us inside the House of Woodcock, a London fashion house run in quietly tyrannical fashion by renowned dressmaker Reynolds Woodcock (Daniel Day Lewis), Anderson’s film dismisses any thoughts we might have of our own world of 2018. As we witness Reynolds go about his daily grooming routine it becomes clear we’re watching a movie about a perfectionist, one made by a perfectionist, and starring a perfectionist in what is reputedly his final acting role.

Set in his ways like a tree set in concrete, Reynolds knows what he likes, and he likes what he knows. As such, his relationships with the many admiring members of the opposite sex (the film is set at a time when no man was more attractive than one who made things; and if those things happened to make women feel beautiful, like Reynolds’ gowns, all the better) rarely get past the following morning’s breakfast, where idle chit chat and toast buttering irritate him to a laughably over the top degree.

It’s during breakfast away from home, in a small country café, that Reynolds meets Alma (Vicky Krieps), a pretty Eastern European waitress who is won over by his flirtatious charm and accepts his invitation for a dinner date. The relationship blooms quickly and Reynolds invites her into his home, teaching her the ways of his trade.

It doesn’t take long for Alma’s ways to begin annoying the fiercely independent and somewhat narcissistic Reynolds, and her presence begins to disrupt his work – she’s become an anti-muse! Reynolds’ assumption that she will follow the other women in his past and leave quietly once exposed to his spoilt brat boorishness couldn’t be more wrong however. Alma is determined to make the relationship work, even if she has to take extreme measures.

Read the rest of Eric Hillis’s review at http://www.themoviewaffler.com/2018/01/new-release-review-phantom-thread.html

Review By: The Movie Waffler
“There’s an air of quiet death in this house”.
The alleged acting swan-song of Daniel Day-Lewis (“Lincoln”) sees him deliver a brilliantly intense portrayal of a maestro in his craft with all the quirks and egotistical faults that come with that position.

Reynolds Woodcock is the craftsman behind a world-renowned 1950’s fashion house, in demand from the elite classes and even royalty. He has a magnetic personality, is overtly self-confident, obsessive, a cruel bully and treats his girlfriends as chattels that he can tire of and dismiss from his life without a backward glance. Trying to keep the business and Reynolds on track, with ruthless efficiency, is his sister Cyril (Leslie Manville, “Maleficent”).

Looking for his next conquest during a trip to his seaside residence, he reels in blushing young waitress Alma (Vicky Krieps, “The Colony”). But he gets more than he bargains for.

This is a really exquisite and gentle film. Aside from some dubious fungi-related practices, there is no violence, no sex and – aside from about half a dozen well-chosen F-words – limited swearing (of which more below). This is a study of the developing relationship between the two protagonists, with little in the way of plot. Sounds dull? Far from it. This is two hours that flew by.

What it also features is (yet) another example of extremely strong women asserting their power. A scene (well trailed in Manville’s award snippets) where Cyril firmly puts Reynolds back in his box is brilliant: a real turning of tables with Woodcock meekly falling into line. And Alma makes for an incredibly rich and complicated character, one of the most interesting female roles I’ve seen this year so far.

It’s a stellar acting performance from Day-Lewis, and while Oldman fully deserves all of his award kudos for “Darkest Hour”, Day-Lewis delivers the goods without any of the make-up. It feels like Day-Lewis is a long way down the betting odds this year because “he always gets one”. He certainly gets my vote ahead of all of the other three nominees.

Kreips – not an actress I know – also brilliantly holds her own, and if it wasn’t such a strong female field this year she could well have been nominated.

Also worthy of note is the pervasive piano score by (suprisingly) Radiohead’s Jonny Greenwood. It’s really lovely and counterpoints the rest of the classical score nicely. Its BAFTA and Oscar nominations are both well deserved (though I would expect the Oscar to follow the BAFTA steer with “The Shape of Water”).

All in all, this is a real tour de force by writer/director Paul Thomas Anderson (“Inherent Vice”, “There Will Be Blood”). How much I enjoyed this film was a surprise to me, since I have no interest in the “fashion industry” (as my family will no doubt be quick to point out!) and I went to see this more out of ‘duty’ based on its Oscar buzz than because I really wanted to see it.

The big curiosity is why exactly the BBFC decided that this film was worthy of a 15 certificate rather than a 12A. Their comments on the film say “There is strong language (‘f**k’), as well as milder terms including ‘bloody’ and ‘hell’. Other issues include mild sex references and scenes of emotional upset. In one scene, a woman’s nipples are visible through her slip while she is measured for a dress.” For a 12A, the board say “The use of strong language (for example, ‘f***’) must be infrequent”. I didn’t count the f-words… but as I said I don’t think it amounts to more than a half-dozen. Is that “frequent”? And – SHOCK, HORROR… visible covered nipples you say?! Lock up your teenagers! When you look at the gentleness of this film versus the violence within “Black Panther”, you have to question this disparity.

Review By: bob-the-movie-man

Other Information:

Original Title Phantom Thread
Release Date 2017-12-25
Release Year 2017

Original Language en
Runtime 2 hr 10 min (130 min)
Budget 35000000
Revenue 47756590
Status Released
Rated R
Genre Drama, Romance
Director Paul Thomas Anderson
Writer Paul Thomas Anderson
Actors Vicky Krieps, Daniel Day-Lewis, Lesley Manville
Country United States, United Kingdom, China
Awards Won 1 Oscar. 57 wins & 124 nominations total
Production Company N/A
Website N/A


Technical Information:

Sound Mix Dolby Digital, DTS (DTS: X)
Aspect Ratio 1.85 : 1
Camera Panavision Panaflex Millennium XL2, Panavision Ultra Speed Z-Series MKII Lenses
Laboratory Cinelab, London, UK (35 mm dailies lab processing) (as Cinelab London), FotoKem Laboratory, Burbank (CA), USA (laboratory services by) (as FotoKem), Roundabout Entertainment, Burbank (CA), USA (post services provided by) (as Roundabout Entertainment, Inc.), Technicolor, London, UK (dailies by) (as Technicolor Production Services London)
Film Length (7 reels)
Negative Format 35 mm (Kodak Vision3 200T 5213, Vision3 500T 5219)
Cinematographic Process Digital Intermediate (4K) (master format), Spherical (source format)
Printed Film Format 35 mm (Kodak Vision 2383), 70 mm (blow-up) (Kodak Vision 2383), D-Cinema

Phantom Thread 2017 123movies
Phantom Thread 2017 123movies
Phantom Thread 2017 123movies
Phantom Thread 2017 123movies
Phantom Thread 2017 123movies
Phantom Thread 2017 123movies
Phantom Thread 2017 123movies
Phantom Thread 2017 123movies
Phantom Thread 2017 123movies
Phantom Thread 2017 123movies
Original title Phantom Thread
TMDb Rating 7.295 3,014 votes

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