#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – PRIEST, a post-apocalyptic sci-fi thriller, is set in an alternate world — one ravaged by centuries of war between man and vampires. The story revolves around a legendary Warrior Priest from the last Vampire War who now lives in obscurity among the other downtrodden human inhabitants in walled-in dystopian cities ruled by the Church. When his niece is abducted by a murderous pack of vampires, Priest breaks his sacred vows to venture out on a quest to find her before they turn her into one of them. He is joined on his crusade by his niece’s boyfriend, a trigger-fingered young wasteland sheriff, and a former Warrior Priestess who possesses otherworldly fighting skills.
Plot: In an alternate world, humanity and vampires have warred for centuries. After the last Vampire War, the veteran Warrior Priest lives in obscurity with other humans inside one of the Church’s walled cities. When the Priest’s niece is kidnapped by vampires, the Priest breaks his vows to hunt them down. He is accompanied by the niece’s boyfriend, who is a wasteland sheriff, and a former Warrior Priestess.
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|5.7/10 Votes: 115,396|
|5.7 Votes: 1625 Popularity: 18.625|
Kick Ass Clergy, Holy Mediocrity!
Visual effects developer-turned-director, Scott Stewart, delivers his second supernatural action film that claims to be “adapted” from the comic book “Priest”. Supposedly based on a Korean comic or “manhwa” of same name, the movie “Priest” has NOTHING to do with the original, not even the name of the squinting “strong silent type” main protagonist played by Paul Bettany. Fallen angels, deal with a demon, multiple time frame story lines and all other interesting elements of the original be damned. And perhaps it was for the better since the manhwa’s multiple story lines taking place in the Crusades, the old west and the future would just confuse the heck out of everyone.
So they crafted a whole new premise to appeal to the superficial summer action lover. And the one thing they did right was to give us vampires that do not sparkle in the sunlight. These vampires are all teeth and claws who swarm across the world at night attacking from giant hives, a clear reference to the “Aliens” franchise. These savage beasts have been at constant war with mankind since the dawn of time. A beautifully bloody animated prologue sets the back-story of the film about how mankind’s salvation came in the form of the Priests, holy warriors who battled the vampire hordes to near extinction.
This story revolves around one of the veteran priests who lives among the other downtrodden human inhabitants of a walled dystopian city ruled by the now totalitarian church. When he receives word that his niece was abducted by a murderous pack of vampires, the priest breaks his sacred vows to venture out of the city and rescue her. He is joined on his crusade by his niece’s boyfriend, a young trigger-finger wasteland sheriff. But as the duo soon discover, reports of the vampires’ return have been greatly understated. With a powerful yet familiar threat is leading the newly reformed vampire hordes, the wayward Priest and his companion must fend off supernatural foes and contend with a group of fellow Priests sent to hunt down their rogue brother.
“Priest” is one cliché storm of a film that commits the cardinal sins of a paper thin plot and forgettable characters thanks to the inexperience of first time writer Cory Goodman. The characters are so forgettable that the writer never even bothered to give many of them names. Paul Bettany’s main character is just called “Priest” (It is not his name by the way). There is also “Black Hat” (because he wears a black hat) and “The Priestess” (because she is a female priest) just to name a few. They are less like actual characters and more like blank character archetypes thrown in for plot convenience. Archetypes like Cam Gigandet’s hot headed Sheriff Hicks (a second reference to Aliens perhaps?) and Lily Collin’s damsel in distress Lucy are just as forgettable even though they do have names.
Failing to provide interesting characters or a good story, the least the producers could do was to deliver a holy hell load of violence with a hard R or M18 rating. Sadly the animated prologue has more blood and guts than the entire film combined since most of the gorier battles take place in darkness or amid dust. The Fights are well choreographed but they tend to be more stylish than practical and sometimes border on illogical. For example, a duel on a high speed train is awesome but none of the combatants ever thought of kicking his opponent off the side? But despite these failings of the flesh, some salvation comes to “Priest” in the form of an excellent production design. From the dark cyberpunk inspired Church city to the post apocalyptic western towns dotting the hostile desert lands, great attention had been paid to make those places as believable as possible. Perhaps most memorable would be the tech on display in the film which includes futuristic motorcycles, tricked out shotguns and the Priests’ arsenal of deadly cross-themed blade weapons.
Beyond the props, flawless visual effects and startling CGI, the movie tries as well to inject its narrative with deeper subtexts. The Priests themselves call to mind stories of War veterans who were shunned by society and unable to re-integrate, a theme made most famous in “Rambo: First Blood”. The film also makes fun of how some churches twist their religion into a means of control, the hypocritical “holier-than-thou” attitude of modern Christians and their single minded belief that they remain “saved from evil” as long as they worship God. It is not intentionally “anti-Christian” or “anti-catholic”. It is more of a clever satire but there will always be the more conservative ones who would cry sacrilege.
At only 87 minutes long, Priest moves at a brisk pace and at the very least it is not boring. It would no doubt entertain action junkies and fans of post apocalyptic thrillers although more time could have been spent developing the characters or delving into the underlying themes that were addressed. Priest is spectacular but soulless, with a nice looking “body” but barely enough “blood” and “spirit” to satisfy the more sophisticated movie goer.
6.5/10 Rounded down to 6
A study in clichés
The movie Priest is based upon the graphic novels of Hyung Min-woo. As I have not read them, I can only hope that the source material was nowhere near as clichéd as the movie. I am pretty sure that the write, Cory Goodman, pulled out his Giant Book of Movie Clichés and check- marked each and every chapter as he added them to the movie.
In the movie, you will find:
The tortured protagonist: Tortured by his past. Pulled out of retirement to save his family and willing to break the rules to do so.
The love-struck side-kick: In love with the kidnapped girl and will do anything to save her. Including threaten the priest who kills vampires with his hands.
The ex-best friend turned villain: Not even close to a spoiler as it pretty obvious 30 seconds into the movie. The overly melodramatic villain: Is it in the rule manual that when you get turned into a supernatural villain, your acting abilities are thrown out the window?
The love-struck partner: Really? Really? We already have one love story in the movie and have been hit over the head repeatedly on how dedicated these guys are to their duty. Unrequited love just makes it sad.
The victim: Left alive and untouched by the villain. Why? So she can be saved. Not even a good throw-away line that she is alive only to be killed dramatically.
The sleaze turned informant: He doesn’t even give any information that the villain doesn’t already know or at least expect. He’s there simply to prove how evil the villain is.
The government blind to the situation: This could have worked just as well by having the Priest sent on the mission with full approval. But no. It had to be shown that he was willing to break the rules.
Arnold Chon: The new Al Leong. A great martial artist who’s there for one reason and one reason only. To do a cool 30 second routine and then get his ass killed.
For all of that, I enjoyed it for the cost of an early bird matinée ticket. This could have easily been better written with very little extra effort and become a truly great movie.
Original Language en
Runtime 1 hr 27 min (87 min)
Genre Action, Horror, Thriller
Director Scott Stewart
Writer Cory Goodman, Min-Woo Hyung (graphic novel series “Priest”)
Actors Paul Bettany, Karl Urban, Cam Gigandet, Maggie Q
Awards 3 nominations.
Production Company Michael De Luca, Stars Road Entertainment
Sound Mix SDDS, DTS, Dolby Digital
Aspect Ratio 2.35 : 1
Camera Panavision Panaflex Millennium XL2, Panavision C-, E-Series, ATZ and AWZ2 Lenses, Panavision Panaflex Platinum, Panavision C-, E-Series, ATZ and AWZ2 Lenses
Laboratory ColorWorks, Culver City (CA), USA (digital intermediate), DeLuxe, Hollywood (CA), USA (prints), Sony ColorWorks, Culver City (CA), USA (digital intermediate) (as ColorWorks)
Film Length 2,392 m (Portugal, 35 mm)
Negative Format 35 mm
Cinematographic Process Digital Intermediate (4K) (master format), Panavision (anamorphic) (source format)
Printed Film Format 35 mm, D-Cinema (also 3-D version)