Public Enemies 2009 123movies

Watch: Public Enemies 2009 123movies, Full Movie Online – The difficult 1930s is a time of robbers who knock over banks and other rich targets with alarming frequency. Of them, none is more notorious than John Dillinger, whose gang plies its trade with cunning efficiency against big businesses while leaving ordinary citizens alone. As Dillinger becomes a folk hero, FBI head J. Edger Hoover is determined to stop his ilk by assigning ace agent Melvin Purvis to hunt down Dillinger. As Purvis struggles with the manhunt’s realities, Dillinger himself faces an ominous future with the loss of friends, dwindling options and a changing world of organized crime with no room for him..
Plot: Depression-era bank robber John Dillinger’s charm and audacity endear him to much of America’s downtrodden public, but he’s also a thorn in the side of J. Edgar Hoover and the fledgling FBI. Desperate to capture the elusive outlaw, Hoover makes Dillinger his first Public Enemy Number One and assigns his top agent, Melvin Purvis, the task of bringing him in dead or alive.
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Ratings:

	7.0/10 Votes: 304,373
	68% | RottenTomatoes
	70/100 | MetaCritic
	N/A Votes: 3880 Popularity: 38.078 | TMDB

Reviews:

Good, but not without flaws
Public Enemies, this film has been built up for quite a while, why not? It stars Johnny Depp as one of history’s most famous bank robbers. Also the city of Chicago has been excited to see this, in some strange way we considered Dillinger to be a Robin Hood as he never took money from the common man, just from the banks. He also was clever enough to escape jail by making a fake gun out of a soap bar, I lived in Indiana for a year and people are incredibly proud that Crown Point was where Dillinger had fooled everyone, lol. So naturally I was really looking forward to seeing this movie, especially with Johnny Depp as John Dillinger, it’s a can’t miss. Unfortunately for me, the film fell short of our expectations as the way it was made and how there is lack of material for Depp and Bale to work with to give these characters any depth. Mann makes a film that is using a digital camera for a film set in the 1930’s and doesn’t really bring his A game to the film as it’s more like “Here’s Dillinger’s story… enjoy”.

Set in 1933 John Dillinger is brought to a penitentiary, but is there to break out the rest of his gang. After loosing a few of his friends, he’s headed to Chicago to make his mark on the banks. Melvin Purvis is upgraded by J. Edgar Hoover, who is protecting the FBI from scrutiny by politicians, to lead the hunt for John. John later meets Billie Frechette, whom he takes to dinner. He states plainly what he will do for her and how he will treat her if they are to have a relationship. After a shoot out gone horribly wrong and making the police look more incompetent, Purvis demands that Hoover bring in professional lawmen who know how to catch criminals dead or alive. Though Hoover had hoped for more pristine agents, he agrees. While John and Billie are enjoying the luxuries across the States, the police finally find Dillinger and arrest him and his gang in Miami. However, Dillinger and a few inmates escape from prison using a fake gun. He is goaded into a bank robbery job by an acquaintance, Dillinger agrees. The robbery goes fine until Nelson impulsively kills a nearby police officer, alerting more of the robbery, making Dillinger Public Enemy Number 1.

Now Public Enemies is by no means a bad film, some of the actors were terrific and the sets were perfect as well as the whole feel of the film. But it just won’t stop with the “Run! Chase! Run! Chase! Shoot! Shoot!” scenes that seem to dull down after a while. The love story between Dillinger and his gal, Billie didn’t seem too necessary, it added to the story but for me felt a little out of place at times. I have to tell you that I’m feeling so incredibly bad for Christian Bale this year as it seems like he’s been given characters who are not well written, but I’m starting to wonder if the Batman voice is his new trademark because he was starting to use that voice again in a few sentences. Depp does the best he can, but once again with the lack of material; he’s made out completely as the hero of the film, instead of maybe having more of a documentary feel to it and being biased on how cool Dillinger was. Maybe he’s Mann’s personal hero, who knows. But over all the film is decent enough for the watch, I’d just say if you want to see it, go for a matinée or a rental, it wasn’t worth the full price.

7/10

My public record shows that “Public Enemies” is a cinematic hit!
John Dillinger was a gangster legend who was adored, loathed, chased, admired, and detested by many. There are mixed elements to how people judged John Dillinger, and that was one the most admirable & authentic qualities to Director Michael Mann’s John Dillinger gangster flick “Public Enemies”. Mann wisely does not evolve into the entire biography of the Dillinger tale; there is no childhood chronology and no catastrophic life scarring moment. It is basically about a man choosing a life of crime in order to live fast and play hard, subconsciously aware to the fact that is will be not be infinite. Mann starts the film with Dillinger already at his height of his gangster popularity orchestrating another one of his “great escape from prison” schemes. Then once again, Johnny D. and his bad boy entourage are robbing banks and living the retro thug life. Dillinger then checks out and romances the lovely checkout coat girl Billie Frechette. Apparently, Johnny’s fresh ways were successful in luring Ms. Freshette. During that era of the 1930’s crime hike, many Americans were rooting for these public enemies to rob banks in order to show their dislike of American banks for their mismanagement which eventually was the catastrophic factor which caused The Great Depression. Not to undermine the fact that many were against the dreadfulness that Dillinger and his men caused by their heinous crimes. J. Edgar Hoover was during that time trying to formalize his Bureau of Investigation into a national police force which later became known as the FBI. But Hoover had to find ways to vacuum the U.S. Government into this political formalization. Therefore, he exploited the capture of outlaws as a way to elevate his Bureau of Investigations. He then delegated the task of capturing Public Enemy Number 1, Dillinger himself, to top agent Melvin Purvis. The central plot line shootout of “Public Enemies” which Mann exhibits is the relentless pursuit of Purvis and Co. in capturing the charismatic Dillinger and his men. Johnny Depp was a real straight-shooter with his enigmatic but bulls-eye performance as Dillinger. Christian Bale’s acting pursuit as one of the elite in the biz took another leap higher with his driven work here as Purvis. Marion Cotillard proved that she suffered no acting letdown, after her Best Actress Oscar, with her strong supportive work here as the Dillinger gal Billie. Speaking of Billies, Billy Crudup crudely transformed himself into J. Edgar Hoover with authentic prowess. Maybe I was hit too hard with Ronan Bennett’s complex screenplay, but at times I was lost with “Public Enemies” verbose rounds. Nevertheless, it was Mann who captures his audience by Mannly displaying the Dillinger crime life and his ultimate demise in sheer entertainment fashion. “Public Enemies” might not be the #1 film in my “most wanted” 2009 film list at years end, but most probably will be gunned up as one of the best of the year. ***** Excellent

Other Information:

Original Language en
Runtime 2 hr 20 min (140 min)
Budget 100000000
Revenue 214104620
Status Released
Rated R
Genre Action, Biography, Crime
Director Michael Mann
Writer Ronan Bennett, Michael Mann, Ann Biderman
Actors Christian Bale, Johnny Depp, Christian Stolte
Country United States, Japan
Awards 1 win & 14 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix SDDS, Dolby Digital, DTS
Aspect Ratio 2.35 : 1
Camera Arriflex 235, Cooke S4 Lenses, Arriflex 435, Cooke S4 Lenses, Sony CineAlta F23, Zeiss DigiPrime and Fujinon E-Series Lenses, Sony CineAlta HDC-F950, Zeiss DigiPrime and Fujinon E-Series Lenses, Sony PMW-EX1
Laboratory Company 3, Los Angeles (CA), USA (digital intermediate), Laser Pacific Media Corporation, Los Angeles (CA), USA (dailies), Technicolor, Hollywood (CA), USA
Film Length 3,886 m (Portugal, 35 mm)
Negative Format 35 mm (Kodak Vision3 500T 5219), Video (HD)
Cinematographic Process Digital Intermediate (2K) (master format), HDCAM SR (1080p/24) (source format), Super 35 (source format) (visual effects)
Printed Film Format 35 mm (anamorphic) (Kodak Vision 2383), D-Cinema