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Rear Window 1954 123movies

Rear Window 1954 123movies

It only takes one witness to spoil the perfect crime.112 Min.
Your rating: 0
6 1 vote

Summary:

#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Professional photographer L.B. “Jeff” Jeffries breaks his leg while getting an action shot at an auto race. Confined to his New York apartment, he spends his time looking out of the rear window observing the neighbors. He begins to suspect that a man across the courtyard may have murdered his wife. Jeff enlists the help of his high society fashion-consultant girlfriend Lisa Freemont and his visiting nurse Stella to investigate.
Plot: A wheelchair-bound photographer spies on his neighbors from his apartment window and becomes convinced one of them has committed murder.
Smart Tags: #wheelchair #voyeur #apartment #amateur_detective #urban_setting #based_on_short_story #hanging_up_without_saying_goodbye #marriage #manhattan_new_york_city #new_york_city #window #window_shade #photography #hanging_from_a_window_ledge #meta_film #photograph #director_cameo #window_blinds #1950s #suspense #photographer


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Ratings:

Rear Window 1954 123movies 1 Rear Window 1954 123movies 28.4/10 Votes: 445,910
Rear Window 1954 123movies 3 Rear Window 1954 123movies 297%
Rear Window 1954 123movies 5 Rear Window 1954 123movies 2100/100
Rear Window 1954 123movies 7 Rear Window 1954 123movies 28.4 Votes: 4345 Popularity: 18.107

Reviews:

Probably have seen this a half dozen times over the years and still is my favorite Hitchcock movie, favorite mind you not best. Simple story and taking place in one location, but good performances from James Stewart and Grace Kelly. **4.5/5**
Review By: JPV852 Rating: 9 Date: 2020-09-06
It Had To Be Murder.

L.B. Jefferies is a wheelchair bound photographer who by way of relieving his boredom, starts observing the lives of all his neighbours from his apartment window. As he gets deeper into the lives of all around him, he becomes convinced that one of hem has committed the act of murder, thus putting himself and those close to him in mortal danger.

Much like most of Alfred Hitchcock’s other lauded pictures, Rear Window has been dissected, examined, appraised and written about by far more versed people than myself, a mere film fanatic. So how do I even start to write a review of a film that I view as one of Hitchcock’s best? Well maybe I should just write what I like about it without delving into psycho babble and a deconstruction of the human psyche and all its little offshoots! So I will!.

Rear Window is adapted by Alfred Hitchcock and his writer John Michael Hayes, from the Cornell Woolrich story called It Had To Be Murder/Murder From A Fixed Viewpoint. The film of course forces us the viewers to become voyeurs, watching a newly hooked voyeur go about his business. Quite a neat trick from Hitchcock, and one can reasonably assume that the maestro director was chuckling with glee within his genius girth.

Working from the confines of a single set, Hitchcock has molded a suspenseful, intriguing, cheeky and sexy picture, with a top line cast giving the smart screenplay the performances it deserved. What is often forgot by those more concerned with the psychological aspects of Rear Window is the blatant irony of L.B. Jefferies situation, his obsession with the neighbours is not confined to a probable case of murder, his interest first and foremost is with the love lives of those he observes, thus forcing (excusing) him to acknowledge the love from the woman who so wants to be in his life!

It’s also important to note the merits of each character of the piece, those that visit Jefferies and the conversations that take place, even the suspected murderer has a bemused interest pouring from his very frame. Rarely has a film been produced that has every single character having a critical element to the story. Then there is the ending where Hitchcock and his team weave all strands together to leave us wryly smiling away whilst simultaneously feeling that we have been had by the big director, and be under no illusions here, we have been at the mercy of a genius and party to a film of unquestionable quality. 10/10

Review By: John Chard Rating: 10 Date: 2020-02-11
A Deep & Entertaining Classic
One of Hitchcock’s greatest masterpieces, “Rear Window” is a deep and entertaining classic with many strengths, and a little bit of everything. A fine suspense story is combined with romantic tension in the main plot, and there are numerous sub-plots, some humorous and some moving, all with many psychological overtones. The main characters are wonderfully portrayed and full of life. The apparently simple setting in an apartment complex is developed into a world filled with intriguing and sometimes unsettling possibilities, and this apparently average neighborhood comes to life with a wealth of lavish visual detail and interesting minor characters. It is the kind of film-making that (like many of Hitchcock’s greatest movies) is very flattering to the viewer. The director assumes that his audience will pay close enough attention to appreciate the many subtleties with which he has filled the movie. It rewards both careful attention and repeated viewings, since there is much more here than merely a suspense plot, as good as that story is in itself.

For the first 30 minutes or so, we simply get to know the characters. Jimmy Stewart gives one of his best performances as a photographer recuperating from an injury, forced to spend several weeks staring out his apartment window at the minor dramas in the lives of his neighbors. Grace Kelly is ideal in the role of his perfect girlfriend, who can never find a way to break down Stewart’s reserve. The study of their relationship would have made a good movie by itself. Almost every action and every word between them is filled with meaning, and what they see in the lives of others is an interesting reflection of the tensions and possibilities in their own present and future. Thelma Ritter is wonderful as a colorful, no-nonsense nurse who constantly sheds some light – sometimes unwanted – on what is happening between them. The action and suspense that occur later serves in large part as a catalyst that resolves some of the important issues between the two.

After we get to know the characters and their world, things start to happen, as Stewart becomes engrossed in some of the things he has seen. The ethical and moral concerns of meddling in others’ affairs become intertwined with more urgent questions about what may have happened in those other apartments, and from then on the tension builds steadily. It leads up to a riveting climactic sequence filled with suspense, and made even more meaningful by our awareness of its deeper significance to the main characters.

There is much more that could be said, but you should see this for yourself. It is a classic that will be enjoyed not only by thriller fans, but by anyone who appreciates carefully crafted movies with a lot of depth.

Review By: Snow Leopard Rating: Date: 2001-06-20
The Best Movie Made
In my opinion, this is the best movie ever made. At least, this is the best movie I’ve seen.

I’ve never seen a movie with better dialogue, more engaging actors, better directing or more wit and charm.

Grace Kelly is probably the most beautiful woman in the world, too.

Review By: davidjkobb Rating: 10 Date: 2019-07-09

Other Information:

Original Title Rear Window
Release Date 1954-09-01
Release Year 1954

Original Language en
Runtime 1 hr 52 min (112 min)
Budget 1000000
Revenue 36764313
Status Released
Rated PG
Genre Mystery, Thriller
Director Alfred Hitchcock
Writer John Michael Hayes (screenplay), Cornell Woolrich (based on the short story by)
Actors James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter
Country USA
Awards Nominated for 4 Oscars. Another 6 wins & 9 nominations.
Production Company Paramount Pictures, Patron Inc.
Website N/A


Technical Information:

Sound Mix Mono (Western Electric Recording)
Aspect Ratio 1.37 : 1 (original ratio), 1.66 : 1 (intended ratio)
Camera Mitchell BNC (uncredited)
Laboratory Technicolor, Hollywood (CA), USA (color)
Film Length (12 reels)
Negative Format 35 mm (Eastman 25T 5248)
Cinematographic Process Digital Intermediate (4K) (2020 remaster), Spherical
Printed Film Format 35 mm

Rear Window 1954 123movies
Rear Window 1954 123movies
Rear Window 1954 123movies
Rear Window 1954 123movies
Rear Window 1954 123movies
Rear Window 1954 123movies
Rear Window 1954 123movies
Rear Window 1954 123movies
Rear Window 1954 123movies
Rear Window 1954 123movies
Original title Rear Window
TMDb Rating 8.4 4,345 votes

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