#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Turk and Rooster, two aging NYPD detectives and longtime partners, are hunting a serial killer who is murdering sociopathic criminals. They both have personal issues, and when they start working with a younger investigative team, Perez and Riley, tensions between the two teams is inevitable, especially since Turk is now living with Perez’s ex-girlfriend, also a homicide detective.
Plot: Two veteran New York City detectives work to identify the possible connection between a recent murder and a case they believe they solved years ago; is there a serial killer on the loose, and did they perhaps put the wrong person behind bars?
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|6.0/10 Votes: 85,020|
|5.9 Votes: 839 Popularity: 16.78|
Like Lennon and McCartney… sure, if not with the best director
Righteous Kill is a kind of prototypical modern cop thriller that has the intonations of a neo-noir mixed in with some iconic figures. The script, in a way, is much better than I might have thought, and the actors- stars Robert De Niro and Al Pacino, in a film technically for the third time and for the first time technically in the frame for more than a few seconds (a pressure obviously from those who whined about their bit at the diner in Heat) as well as the likes of Brian Denehey and Carla Gugino- do their best to make it an entertaining ride. And for all of its recycled elements and plot turns and tough-guy take-no-s*** dialog, it’s a fun ride for what it’s worth as far as substance goes. You want to see what will happen with these two veteran cop characters as they delve deeper into this killer case (somewhat ripped off from Magnum Force, or something like that in terms of the victims), and what the “twist” will ultimately be.
For those who might think it tired or stiff, I wouldn’t put any real blame on the stars, or even Gerwitz’s (flawed) screenplay, which does occasionally pull off dark and funny banter and some coarse dialog and action and thrills to the degree that one saw in his Inside Man script. The problem mostly was the direction; Jon Avnet is not a visionary, nor is he a really well-suited neo-noir director. He’s just a competent technician (if not veerying close to outright hack) enough to dig up a few potent bits or visual touches, and mostly tries to make the film “hip” and “fresh” and “inventive” with the approach to style in the flashbacks, and he doesn’t possibly bypass the pitgalls in Gerwitz’s script. What is pleasing, ultimately, about the picture is that it’s not bad at all, and is actually a good movie. But with characters played by near generational icons dubbed in the film as “like Lennon and McCartney”, this isn’t quite up to their previous snuff together. They deserve just a little better with the likes of Godfather 2 and Heat to their previous collaborations.
Mediocre film with great acting
It is what you would expect from Al Pacino and Robert De Niro. They’ve been doing these kind of roles for the past 30 years of their acting life. Applause, but no surprise there.
The film itself was not a blast. Totally predictable plot, stereotype good cop bad cop, drug dealers, bad neighborhood were huge minus to this movie. Lack of character development made the film implausible and some parts inconvicible no matter how great the acting was. Finally, the director’s abuse of dramatic music without much happening throughout the film slowly eats away your patience.
Six out of ten is what I will give, 3 from Al Pacino and 3 from Robert De Niro.
Original Language en
Runtime 1 hr 41 min (101 min)
Genre Crime, Drama, Mystery, Thriller
Director Jon Avnet
Writer Russell Gewirtz
Actors Robert De Niro, Al Pacino, 50 Cent, Carla Gugino
Awards 1 win & 2 nominations.
Production Company Emmett/Furla Films, Millennium Films
Sound Mix DTS, Dolby Digital, SDDS
Aspect Ratio 2.35 : 1
Camera Arricam LT, Cooke S4 and Angenieux Optimo Lenses
Laboratory DuArt Film Laboratories Inc., New York, USA (dailies), Pacific Title & Art Studio, Hollywood (CA), USA (digital intermediate), Technicolor, Hollywood (CA), USA (prints)
Film Length 2,757 m (Sweden), 2,781 m (Portugal, 35 mm)
Negative Format 35 mm (Kodak Vision2 500T 5218)
Cinematographic Process Digital Intermediate (2K) (master format), Super 35 (3-perf) (source format)
Printed Film Format 35 mm (anamorphic) (Fuji Eterna-CP 3513DI), D-Cinema