#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Dalton is the Cooler in bars; He backs up and directs the bouncers. He takes a job in a Road House that has gotten far too rough. His attempts to clean things up put him in conflict with Brad Wesley, the town bully and rich person. Things heat up.
Plot: The Double Deuce is the meanest, loudest and rowdiest bar south of the Mason-Dixon Line, and Dalton has been hired to clean it up. He might not look like much, but the Ph.D.-educated bouncer proves he’s more than capable — busting the heads of troublemakers and turning the roadhouse into a jumping hot-spot. But Dalton’s romance with the gorgeous Dr. Clay puts him on the bad side of cutthroat local big shot Brad Wesley.
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I Love Feminist Films
I wish Hollywood would make feminist films again.
The physician at the hospital is a woman.
The woman wants to bed a man and does so as soon as they meet.
The woman’s uncle tells her not to and she ignores him and flaunts and shows all the men an eyeful of her glorious self and in the process determines that the female anatomy is not something to be ashamed of.
Complex and evocative.
A complex film, evocative of an American Society of yesteryear.
A neo-nostalgic America where men settled their pent up emotional issues the proper way… drunkenly with their fists and sometimes broken bottles, and the only guy who seems to have a gun in literally the whole town for some reason is the unmistakable baddy.
Road House was also challenging social gender constructs back before tumblr was even invented… A lady doctor? I too dream of a time when such a ridiculous thing is possible.
There is even a subtle tongue in cheek head nod to the USA’s skyrocketing healthcare disaster, whereby Dalton while undergoing treatment forgoes the use of local anesthetic, presumably due to its astronomical cost.
“Pain don’t hurt.” he nonsensically quips, obviously delirious and suffering from chronic traumatic encephalopathy due to his extensive history of brain trauma.
Oh Swayze you magnificence fool, pain does hurt. It hurts alot… What have they done to you?
Also there’s that one scene where Daltons like bam and completely just rips that guys throat out with his bare hands, like in Rambo. So killer.
Road House, is still as relevant and politically compelling as it was the day it was made. It’s gritty, it’s in your face and it’s uncomfortable. (I lied about the lady doctor thing, the mere thought of it makes me uncomfortable.)
Sure, its can be a little too intellectual for some; a little bit pretentious and some could argue, conceptually grandiose.
But so what?
Road house in essence is an artistic masterpiece, and as with all good art, it stakes you down and rakes your psyche over the hot coals of morality and dares you to ask the hard questions.
Questions like: Whats the deal with society, am I right? Where are all the black people in this movie? Why havent I spent more time on a lake practising shirtless oiled up Tai Chi to enhance my street fighting abilities? Damn, why Swayze smoke so much?
Road House is cinema at its finest, raw, edgy and technically magnificent, all factors which culminate in it’s unarguable pride of place in the zeitgeist, and in the hearts of people who still have fake fights with imaginary baddies in the shower with super realistic noise effects and oscar worthy dialogue.
12/5 80’s boobs
Original Language en
Runtime 1 hr 54 min (114 min)
Genre Action, Thriller
Director Rowdy Herrington
Writer R. Lance Hill (story), R. Lance Hill (screenplay), Hilary Henkin (screenplay)
Actors Patrick Swayze, Kelly Lynch, Sam Elliott, Ben Gazzara
Awards 5 nominations.
Production Company Silver Pictures
Sound Mix Dolby SR
Aspect Ratio 2.35 : 1
Camera Panavision Panaflex Gold II, Panavision C- and E-Series Lenses
Laboratory DeLuxe, Hollywood (CA), USA (color)
Film Length N/A
Negative Format 35 mm (Eastman 400T 5295, 250D 5297)
Cinematographic Process Panavision (anamorphic)
Printed Film Format 35 mm