#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Detroit – in the future – is crime-ridden and run by a massive company. The company has developed a huge crime-fighting robot, which unfortunately develops a rather dangerous glitch. The company sees a way to get back in favor with the public when policeman Alex Murphy is killed by a street gang. Murphy’s body is reconstructed within a steel shell and called RoboCop. RoboCop is very successful against criminals and becomes a target of supervillian Boddicker.
Plot: In a violent, near-apocalyptic Detroit, evil corporation Omni Consumer Products wins a contract from the city government to privatize the police force. To test their crime-eradicating cyborgs, the company leads street cop Alex Murphy into an armed confrontation with crime lord Boddicker so they can use his body to support their untested RoboCop prototype. But when RoboCop learns of the company’s nefarious plans, he turns on his masters.
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|7.6/10 Votes: 234,676|
|7.2 Votes: 3401 Popularity: 21.186|
They’ll fix you. They fix everything.
On his first day out on the streets of Detroit, Officer Murphy is brutally killed by known thug leader, Clarence Boddicker. Scientists at OCP are able to use what remains of Murphy’s body and build a new heavily armed cyborg police officer, one that could rid the streets of crime forever.
Paul Verhoeven has been called many things in his career, bonkers, challenging and visionary, here with his first perceived block buster American feature, he showcases all of those things. Robocop on the page (and with its title) looked like your average run of the mill sci-fi shoot them up, with its basic premise not exactly oozing originality either. But Verhoeven had screenwriter’s Edward Neumeier & Michael Miner in his corner, and they came up with a superior script to fully realise his vision. That Robocop is a satirical critique of totalitarianism and corporate corruption is now a given. Yet it wasn’t at first evident to the summer block buster crowd, but Robocop has stood up well to critical re-examinations and the depth digging that so many have afforded it.
So with the script he wanted in place, Verhoeven utilised his memories from childhood, where his Netherlands home was taken over by a stomping German army, and added in the destruction factor, with no amount of technical expertise as well. Verhoeven paints an unhinged portrait of this Detroit (actual location shoot was parts of Texas), with skew whiff angles and bizarre twists lining the picture, the special effects even today looking tremendous. Robocop is extremely violent, especially in the directors cut that’s now widely available, but even during the most wincing scenes, it stays brisk and sparky, and on his side is that his characters are as inhuman as the title protagonist is!. Thus the fusion of berserker sci-fi and human realism sits easy with the viewer, with the result serving notice to what a fine director Verhoeven can be.
Peter Weller dons the Robo suit (enduring agony for weeks on end apparently) and does what is required, and Nancy Allen kicks buttocks as Murphy’s partner, Anne Lewis. But it’s with the unsavoury characters that Robocop gains its acting kudos. Ronny Cox, Miguel Ferrer and a wickedly vile Kurtwood Smith dominate proceedings, helped immeasurably by the nature of the script. Verhoeven is thought to be a hard character on set, demanding much from all involved, even driving the normally amiable Weller to thoughts of violence against his director. But few, if any of those involved in Robocop can now say the final result wasn’t worth it, because between them they made a genre classic. 9/10
Seen this several times over the years and still holds up well, story and satire wise, though certainly some of the effects were dated (in particular the death of one character falling out a window). Other than that, an entertaining and bloody 1980s action-thriller, where the sequels and a remake, and certainly the third entry, could not touch. Would like to think the proposed RoboCop Returns will succeed where other failed, but don’t hold out much hope. **4.25/5**
80s Classic That Didn’t Need Remaking
In a crime ridden Detroit of the near future a corporate company OCP has the answer to fighting crime – invent a new type of policeman who won’t go on strike . After the death of a policeman called Murphy they stick his body in to a metal shell . Murphy however can still remember a time when he was human
I once did an evening film course called Talking Pictures which would involve watching a film then having a two hour group discussion on the film . I saw the filmography before the class started and the vast majority would be art house foreign cinema . The one exception was ROBOCOP and I knew instantly this was the one that was going to split the group right down the middle in to love it or hate it with no in between . True to form this how things worked out . Most the class despised it wondering why the class had to watch such a cartoonish commercial film . I however did state I loved it and considered it to be the third best SF movie of the 1980s behind THE TERMINATOR and ALIENS
What makes ROBOCOP such a cerebral enjoyable film is the uncommon mix of social satire and no holds barred Verhoeven excess . While ” greed is good ” to a certain extent the idea of corporate capitalism is something to be rejected . A small self elected clique ruling over the Universe in order to maximise profits is a bad mix of capitalism meets self serving communism . Not so much a mixed economic system but more a combination of greedy speculators from one system being merged with the unthinking party loyalty of the other system . It’s greed for money plus greed for power which is a marriage made in hell and being dead isn’t enough to make you escape the clutches of OCP and the film revolves around the human element of Murphy remembering who he once was and it’s this that is at the core of the movie
Of course Verhoeven isn’t a director who does sentimental mawkish stuff and I doubt if the audience was wanting to see a Walt Disney film . What they were wanting to see was bad things happen to very bad people and you can’t help cheering as criminals get killed , maimed , mutilated and in one case melted . It’s a violent film but one that is so cartoonish that the violence is not to be taken seriously , a fact reflected in the loud slightly unrealistic acting style . This attitude wasn’t enough to stop its British network premiere on ITV becoming farcical with a TV version being broadcast with notorious lines like ” you gonna be a bad mother crusher ” along with key scenes like the ones with mister melty conspicuous by their absence
There is of course a new version of ROBOCOP hitting the cinema this week but is a film I have no interest in watching judging by the clips I’ve seen of it . It’s strange to think that another Verhoeven classic TOTAL RECALL was also recently remade . As it stands the original ROBOCOP remains one of the greatest genre films from the 1980s containing wit , satire and enjoyably mean carnage
Cracking Futuristic Action
Robocop, born of technology is a cyborg, half man/half machine. The future of Law enforcement is here, and he’s kicking ass.
Alex Murphy was the unfortunate candidate chosen to be robocop after he was brutally massacred by a gang of scumbag criminals. And the robocop program was brought in, after the E.D. 209 (An all robot killing machine) proto-type failed so disastrously.
Alex Murphy, now Robocop is effectively dead, but he still has a memory, and sets out on a quest to avenge his own Death, by finding the scumbags responsible.
With some quite horrific violence (E.D. 209 and Murphy scenes mainly) and some brilliant action, Robocop is character that you will warm to, as he fights crime on a personal level.
Solid entertainment 8/10
Original Language en
Runtime 1 hr 42 min (102 min), 1 hr 18 min (78 min) (cut) (Germany), 1 hr 38 min (98 min) (cut) (Norway), 1 hr 43 min (103 min) (unrated director’s cut) (USA), 1 hr 31 min (91 min) (cut) (Finland)
Genre Action, Crime, Sci-Fi, Thriller
Director Paul Verhoeven
Writer Edward Neumeier, Michael Miner
Actors Peter Weller, Nancy Allen, Dan O’Herlihy, Ronny Cox
Awards Nominated for 2 Oscars. Another 11 wins & 10 nominations.
Production Company Orion Pictures
Sound Mix Dolby SR (35 mm prints), 70 mm 6-Track (70 mm prints), DTS (special edition)
Aspect Ratio 1.66 : 1 (Criterion Collection DVD), 1.85 : 1
Camera Arriflex 35 BL, Zeiss Super Speed Lenses
Laboratory DeLuxe, Hollywood (CA), USA (prints), DuArt Film Laboratories, New York (NY), USA (processing)
Film Length 2,795 m (Sweden, cut version)
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm (Eastman 5384), 70 mm (blow-up) (Eastman 5384)