RocknRolla 2008 123movies

Watch: RocknRolla 2008 123movies, Full Movie Online – Lenny Cole, a London mob boss, puts the bite on all local real estate transactions. For substantial fees, he’s helping Uri Omovich, a Russian developer. As a sign of good faith, Omovich loans Cole a valuable painting, promptly stolen off Cole’s wall. While Cole’s men, led by the dependable Archie, look for the canvas, three local petty criminals, the Wild Bunch, steal money from the Russian using inside information from his accountant, the lovely Stella. Meanwhile, a local drug-addled rocker, Johnny Quid, is reported drowned, and his connection to Cole is the key to unraveling the deceits and double crosses of life in the underworld..
Plot: When a Russian mobster sets up a real estate scam that generates millions of pounds, various members of London’s criminal underworld pursue their share of the fortune. Various shady characters, including Mr One-Two, Stella the accountant, and Johnny Quid, a druggie rock-star, try to claim their slice.
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Ratings:

	7.2/10 Votes: 252,951
	60% | RottenTomatoes
	53/100 | MetaCritic
	N/A Votes: 2499 Popularity: 19.569 | TMDB

Reviews:

Someone is trying to make easy money, but gets screwed. However, there is always a bigger fish in the pond looking to eat the smaller fish. In this movie, lowly criminals meets councillors, junkies, dead musicians, dirty accountants, nasty crime bosses and filthy rich russians. Sounds like another movie by Guy Ritchie, more or less, and it does indeed follow the same rhythm (and theme) as Lock, Stock and Two Smoking Barrels.

The movie opens with the narrator, Archy, who breaks down the plot for us in tiny, easy-to-digest bits, and thats definitely my least favorite bit in the movie, but sadly, needed. This plot is a twisted labyrinth, that constantly shifts from one person to the next. There are no real heroes here, just fish eaten by sharks, hunted by humans, killed by… you get the point.

RocknRolla has a huge cast, and some big names too. In smaller roles, you’ll see names such as Tom Hardy (Handsome Bob), Jeremy Piven (Roman), Thandie Newton (Stella) and Idris Elba (Mumbles), and in the bigger, you find names like Gerard Butler (One Two), Mark Strong (Archy) and Tom Wilkinson (Lenny Cole). Most of them delivers quirky and fun characters, and some of them even gives us a bit to think about, like Tom Hardy’s role, Handsome Bob, who is coming to terms with being gay.

The movie is fast-paced to begin with, but slows down a bit later on. It has the obligatory violent Guy Ritchie scenes that reminds us of the early movies of Quentin Tarantino, but in the end, it is all a bit hollow. This is a movie about greed, about screwing over those with money, or even, those without.

_Last words… looking for a bit of solid entertainment, a good plot (not too easy to get your head around, but not too hard to loose you either) and some nice solid actors (and actresses), this is definitely the movie you are looking for._

I really enjoyed this. A great ensemble cast delivering a gangster thriller that pokes it’s tongue out at just about everything/body whilst still retaining enough menace to keep it engaging. As ever with Ritchie films, it does run a bit to dialogue – and this one has an, at times, irritating narrative. Tom Wilkinson (“Lenny”) is quite good as the mob boss who facilitates – and takes a cut from – most big property transactions in London; and he makes a good living from it. A Russian oligarch arrives on the scene and engages Lenny, and his slimy but ruthless sidekick “Archy” (Mark Strong) to help his with a fairly mammoth development. At this stage it all starts to go a bit pear shaped and we slowly become aware that there is much more afoot. There are several fun subplots with Gerard Butler, Idris Elba, Tom Hardy and Thandie Newton all having some skin in at least part of the game; and Toby Kebbell is cracking as his dead-loss, rockstar, coke-head son “Johnny Quid”. The writing is taut and humorous, and the violence much more “fantasy” and implied – even kinky, on occasion, than gory. The whole thing is a thoroughly entertaining piece of cinema – complete with killer lobsters and the smallest of cameos from Hugh Grant!

Yeah, we’ve seen it all before, but…
I have to admit that I have a soft spot for Guy Ritchie’s mockney gangster films. I don’t know what it is. I know that they’re not very profound and have nothing to say, I know that they’re a pure fantasy vision of British crime and I know that if you’ve seen Lock Stock, you’ve pretty much seen them all. And yet, as Ritchie returns for a third iteration of the only formula with which he’s tasted success , I still find myself walking out of the cinema massively entertained.

RocknRolla does absolutely nothing new. A quick list of things it shares with Lock Stock and Snatch would read thus: fast paced, witty dialogue; complex, interwoven plot threads; central McGuffin driving the mayhem (#1 antique shotguns, #2 huge diamond, #3 a lucky painting); smart, rapid editing; a mountain of Cockney crime stereotypes. Even things such as hard-as-nails Russian henchmen return. It completes the upward curve of scale in Ritchie’s crime films: from a rigged card game to a rigged boxing circuit to rigged property development. The crime lords get larger in stature, the sums of money owed have more zeros on the end and the capers required to resolve the situation more grand, but it’s still the same concept.

You’d think this was a list of criticisms, and if you found Snatch wearingly familiar you shouldn’t need it spelling out that this film won’t impress you. Looking for originality? Look elsewhere. RocknRolla may be pushing the formula a little bit, but if you accept that it’s still enormous fun. Ritchie’s directing is as proficient as ever, it moves at a merry old pace and the plot just about stays on the rails. The characters are endearing and there’s plenty of laughs to be had. Other than its dearth of invention, the only real flaw with the film lies in the opening fifteen minutes, where Ritchie sets up the plot strands which will then unravel. Whereas previous films did this in a smooth, unforced way, here Ritchie lathers it with a liberal helping of voice-over narration so there’s absolutely no confusion possible as to who is who and what they’re after, which on many occasions extends to pointing out the bleeding obvious. Show don’t tell- it’s the first rule in the book Ritchie! It may be getting to the point where RocknRolla must go down as a guilty pleasure, but guilty pleasures are often the most fulfilling kind. And so it is here.

A Small Movie That May Make Big Things Happen For the People Involved
RocknRolla seems to be the beginning of the resurrection of Guy Ritchie’s career. Not to anyone’s surprise he does this with what he has been so potent with throughout his career; a British gangster film. If you’ve had any experience with Ritchie movies you know exactly what you’re getting into here, a comedic thriller. This of course may seem problematic, in Ritchie’s case it is not.

The writing and dialog is fast paced and quite witty and entertaining to watch. The movie as a whole maybe be a bit of a head scratcher here and there but the pay off is good and the idea is a bit of a parody of itself which is what makes this film so fun.

What Ritchie accomplishes though, in the same way he has with his past successful productions is putting together an extremely diverse and yet correlating cast. This starts with the lead man in Gerard Butler whose notoriety has steadily risen largely through his performances of comical caricatures (not an insult). With RocknRolla Butler seems to have found a role perfect for his appeal and charm he brings to the screen. This is largely because of a witty script and great, fun performances all around.

Then of course there is Mark Strong who until this year was largely a total unknown, at least in the American mainstream. While Gerard Butler may have found a genre he is most strongly suited for, Mark Strong could certainly use this along with Body of Lies to launch to the very least a respectable acting career. His posture, range and ability to change tone and style subtly not only between films but within them is something that should be and surely will be recognized.

Other Information:

Original Language en
Runtime 1 hr 54 min (114 min)
Budget 18000000
Revenue 25739015
Status Released
Rated R
Genre Action, Crime, Thriller
Director Guy Ritchie
Writer Guy Ritchie
Actors Gerard Butler, Tom Wilkinson, Idris Elba
Country United Kingdom, United States, France
Awards 1 win & 5 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix DTS, Dolby Digital, SDDS
Aspect Ratio 2.35 : 1
Camera Arriflex D-20
Laboratory One Post, London, UK (digital intermediate), Soho Images, London, UK (processing), Technicolor, Hollywood (CA), USA (prints), Technicolor, London, UK (prints)
Film Length 3,000 m (Italy), 3,020 m (Portugal, 35 mm), 3,120 m (Sweden)
Negative Format Video (HDTV)
Cinematographic Process Digital Intermediate (master format), HDV (source format)
Printed Film Format 35 mm (anamorphic) (Kodak and Fuji)