#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – A 14th century Crusader returns to a homeland devastated by the Black Plague. A beleaguered church, deeming sorcery the culprit of the plague, commands the two knights to transport an accused witch to a remote abbey, where monks will perform a ritual in hopes of ending the pestilence. A priest, a grieving knight, a disgraced itinerant and a headstrong youth who can only dream of becoming a knight join a mission troubled by mythically hostile wilderness and fierce contention over the fate of the girl. When the embattled party arrives at the abbey, a horrific discovery jeopardises the knight’s pledge to ensure the girl fair treatment, and pits them against an inexplicably powerful and destructive force.
Plot: A 14th century Crusader returns with his comrade to a homeland devastated by the Black Plague. The Church commands the two knights to transport a witch to a remote abbey, where monks will perform a ritual in hopes of ending the pestilence.
Smart Tags: #middle_ages #knight #monk #witch #14th_century #priest #crusade #1300s #possessed_girl #swordsman #fighting #warrior #sword_fight #horse #catholic_church #templar #templar_knight #plague #ritual #church #monastery
|5.4/10 Votes: 90,692|
|5.4 Votes: 1805 Popularity: 18.356|
***Knights, crusades, black plague, witches, castles, foreboding forests and demons***
RELEASED IN EARLY 2011 and directed by Dominic Sena, “Season of the Witch” chronicles events when two ex-Teutonic Knight crusaders (Nicolas Cage & Ron Pearlman) traveling through Styria in modern-day Austria are enlisted to escort an alleged witch suspected of causing the black death (Claire Foy) to a remote monastery in the mountains for trial and to hopefully stop the devastating plague. Stephen Campbell Moore (Debelzaq), Stephen Graham (Hagamar) and Robert Sheehan (Kay) accompany the Knights.
This is basically the American version of “Black Death,” a European film released around the same time. Both movies are dark, gritty and brutal in their depictions of Medieval Europe, but “Season of the Witch” is more of a stereotypical blockbuster with modish protagonists, amusing one-liners and CGI-laden climax. “Black Death” is deeper, more thought-provoking and realistic, which is why I give it the edge in overall value (see my review).
“Season” is the more conventionally entertaining movie and anyone who appreciates Dark Ages-based flicks are highly encouraged to check it out. Films which come to mind include “In the Name of the Rose” (1986), “Kingdom of Heaven” (2005), “Robin Hood” (2010), “Ironclad” (2011), “King Arthur” (2004), “Dragonslayer” (1981), “Red Riding Hood” (2011), “Tristan + Isolde” (2006) and “Robin Hood, Prince of Thieves” (1991). It’s as good, or better, than any of these.
The colorful Medieval cinematography (castles, dungeons, villages, dark forests and breathtaking mountains) is mind-blowing and the two protagonists are great with their amusing rapport. Furthermore, Foy is easy-on-the-eyes. Look out for a thrilling rope-bridge crossing à la “Sorcerer” (1977). Although the climax is over-the-top cartoony, the tone up to that point is quasi-realistic, similar to “Robin Hood, Prince of Thieves.”
THE MOVIE RUNS 1 hour 35 minutes and was shot in Austria, Hungary and Croatia with reshoots done in Louisiana. WRITERS: Bragi F. Schut. ADDITIONAL CAST: Christopher Lee is almost unrecognizable as the plague-ridden Cardinal D’Ambroise.
It never received very god critics and I have to say it wasn’t the best film that I have seen, even though Nicolas Cage is one of my favorite actors. Then again, I never really like it when my favorite actors die at the end of the movie. Also the CGI, especially at the end of the film, was of rather mediocre quality.
Anyway, on the whole it was a fairly nice medieval sword swinging fantasy/supernatural action flick and not at all as bad as the critics tried to make it but then I’m not really surprised that the critics are off-whack as usual.
A Nutshell Review: Season of the Witch
Season of the Witch is getting ravaged by reviews as I write this. Is it that bad? I don’t think so. Is it fantastic then? Well no. This is one of those sword and sandal fantasy films that tread the middle ground, having an interesting premise set up in a fantasy fellowship quest, only for the execution to be hovering around mediocre standards following a rote formula of introducing the problem, gathering the players, and have them encounter sequence after sequence of battle obstacles on the way to their objective.
Nicolas Cage and Ron Perlman play buddies Behman and Felson respectively, knights of the Crusade who make a reputation of being fearsome warriors fighting for a higher cause, only to desert their army and turning their backs from continuing onto Jerusalem after realizing that they are nothing but fighting pawns for the whims of man. Their services get called for by a town inflicted by a plague because of a curse by a girl (Claire Foy) whom they deem a witch, and the agreement forged was for them to escort her to a monastery for a group of monks to decide on the authenticity of the claim, and if so, decide and inflict punishment.
Gathering Priest Debelzag (Stephen Campbell Moore), guide Hegamar (Stephen Graham), one of the remaining fighting fit soldiers of the town with Eckhart (Ulrich Thomsen) and a priest in training Kay (Robert Sheehan) whom the party picked up early in their journey, the group has to band together if they are to get to their destination in one piece, with the accused girl being locked up in a cage but always seem to be drawing undue attention to herself, raising questions about her innocence as we get to see her demonstrate abilities and superhuman strength even, while putting on a saccharine sweet face. Now while all these may point to certain plot loopholes and irrational human behaviour, I’m willing to overlook these flaws since they do get addressed in the final reveal, so all’s not totally lost in Bragi F. Schut’s story.
Battle sequence design was a little sleepy, and although the introductory big battle scenes involving soldiers of the Crusade were plentiful, it didn’t go beyond the usual slash-parry- stab-wash-rinse-repeat cycle coupled with cheesy dialogue exchange between Behman and Felson that try to pass off as comedy. There’s an awfully long and painfully executed crossing of a creaky bridge that doesn’t seem to want to end, but otherwise passable CG was employed in an attack of wolves, and the money shot in the final battle where all hell breaks loose in the monastery with grotesque looking winged beasts and the expected big boss to fight in an all out melee done arcade style.
Some will probably find the themes here quite objectionable, especially since it sets its sights squarely on how religion gets manipulated by the few, and made suggestive queries what if the Crusade wasn’t a calling made by god as claimed by the messengers, but of more negative forces since it involves the killing of innocents. What more, this was played out in quite direct fashion when the final act made that cross-reference in point blank fashion. It’s bold in its statement and association, which otherwise the story here lacks any selling points to make an audience sit up and take notice
I’m not sure what Ron Perlman is doing here – the billing on the poster doesn’t seem to give him much respect, preferring to marquee Cage alone instead, so while there are inside nods to Hell and the devil and demons here, I’m hoping that we’ll get to see another installment of Hellboy instead. Under Dominic Sena’s vision, you’d know what to expect when you scan through his resume, being responsible for flicks like Whiteout, Swordfish, and yet another Nicolas Cage starrer in Gone in Sixty Seconds. They’re no more than Guilt Trips with potential not lived up to, so don’t expect a classic or a masterpiece, but at best entertainment that will struggle to satisfy jaded audiences.
Original Language en
Runtime 1 hr 35 min (95 min)
Genre Action, Adventure, Fantasy
Director Dominic Sena
Writer Bragi F. Schut
Actors Nicolas Cage, Ron Perlman, Stephen Campbell Moore, Stephen Graham
Awards 2 nominations.
Production Company Atlas Entertainment, Relativity
Sound Mix Dolby Digital, DTS, SDDS
Aspect Ratio 1.85 : 1
Camera Arricam LT, Arricam ST, Arriflex 235, Arriflex 435 Advanced
Laboratory Cineworks, New Orleans (LA), USA, Company 3, Los Angeles (CA), USA (digital intermediate), Kodak Cinelabs, Budapest, Hungary (dailies), Technicolor, Hollywood (CA), USA (prints)
Film Length 2.6 m (Portugal)
Negative Format 35 mm (Fuji Eterna 500T 8573)
Cinematographic Process Digital Intermediate (2K) (master format), Super 35 (source format)
Printed Film Format 35 mm (spherical) (Fuji Eterna-CP 3514DI), D-Cinema