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Sense and Sensibility 1995 123movies

Sense and Sensibility 1995 123movies

Lose your heart and come to your senses.Dec. 13, 1995136 Min.
Your rating: 0
6 1 vote

Synopsis

Watch: Sense and Sensibility 1995 123movies, Full Movie Online – When Mr. Dashwood (Tom Wilkinson) dies, he must leave the bulk of his estate to the son by his first marriage, which leaves his second wife and their three daughters Elinor (Dame Emma Thompson), Marianne (Kate Winslet), and Margaret (Emilie François), in straitened circumstances. They are taken in by a kindly cousin, but their lack of fortune affects the marriageability of practical Elinor and romantic Marianne. When Elinor forms an attachment for the wealthy Edward Ferrars (Hugh Grant), his family disapproves and separates them. And though Mrs. Jennings (Elizabeth Spriggs) tries to match the worthy (and rich) Colonel Brandon (Alan Rickman) to her, Marianne finds the dashing and fiery John Willoughby (Greg Wise) more to her taste. Both relationships are sorely tried..
Plot: Based on Jane Austen’s classic novel of the Dashwood sisters, sensible Elinor and passionate Marianne, whose chances at marriage seem doomed by their family’s sudden loss of fortune. When Henry Dashwood dies unexpectedly, his estate must pass on by law to his son from his first marriage, John and wife Fanny. But these circumstances leave Mr. Dashwood’s current wife, and daughters Elinor, Marianne and Margaret, without a home and with barely enough money to live on. As Elinor and Marianne struggle to find romantic fulfillment in a society obsessed with financial and social status, they must learn to mix sense with sensibility in their dealings with both money and men.
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Ratings:

7.7/10 Votes: 117,006
97% | RottenTomatoes
84/100 | MetaCritic
N/A Votes: 1400 Popularity: 17.561 | TMDB

Reviews:

one word: wow.
This is a truly great movie. It is one that I can watch over and over, yet can never seem to get enough of! Kate Winslet is gorgeous, Emma Thomson is inspiring, and Hugh Grant shines in this unforgettable film. I have always loved a good movie; one i can sink into and fall in love with the characters. I feel that Sense and Sensibility presents all these things to the audience. There is love, heartbreak, humour and great music. (my applause to Kate Winslet for her unforgettable versions of “Weep You No More Sad Fountains” and “The Dream” …so beautiful.) If you have not seen this movie, please go RIGHT now to rent it…or even ADD it to your video library! I must say it is well worth it! And if you have seen it. ….you know what i mean.

Brava! Brava! Bravo!

Here are some other movies of this sort that i think this type of audience may enjoy:

Pride and Prejudice. starring Colin Firth and Jennifer Ehle.

Emma. starring Gwyneth Paltrow and Jeremy Northam.

Ever After. starring Drew Barrymore and Dougray Scott.

Review By: clarific
In the Name of Love, Marriage and Conveniences…
If it wasn’t for Jane Austen’s novels and their screen-adaptation, we wouldn’t be much familiar with the English gallantry and the bourgeois manners of the early 19th century. Her oeuvre encapsulated a time where women didn’t have a way to go through life without landing on the “marriage” square, hardly an issue to please feminists but who would call Austen traditional or submissive for all that? She respected the conventions but made powerful social commentaries in the indirect sense that her female protagonists never married someone they didn’t love. Marriage was the end, but love was the means to achieve it, while marriage of convenience was the privilege of the mediocre ones.

Now, there is an interesting point of comparison between her two most celebrated novels: “Sense and Sensibility” and “Pride and Prejudice”. “Sense” was Austen’s first success, written at a very young age, yet it deals with characters evolving in the realm of adulthood, while in “Pride”, written by an older Austen, the heroines are the Bennett Sisters who aren’t older than twenty. It is just like Austen was a painter who had to go to the top of the mountain to have a clear view on a plain after having painted the mountain from the plain. With enough experience and wisdom, she was able to make a brighter portrait of a young generation who get the man through their actions. In “Sense”, the Dashwood sisters are fully-dimensional characters, Elinor (Emma Thompson) is reserved and introverted while Marianne (Kate Winslet) is romantic and flamboyant, they’re more mature than the Bennetts sisters, but at the expense of their reactivity.

In “Pride”, luck and men’s valiance were not elements to count on, and many round trips allowed the heroine to confront her suitor. It is possible that “Pride” was a bit too modern while “Sense” was more obedient to the perception of women’s role at the time (rather static), but the directing by Ang Lee and the screenplay worked in such a way that the quest for marriage isn’t actually the most interesting part of the film. And while I don’t think I give away the ending by saying that each one will find the true love, it’s obviously not the point of suspense; the real question is how these people interact. And just like your typical Austen’s stories, there’s a good deal of passions and deception, or romantic studs popping up at the right moment and forcing the women to all align in the house to promptly welcome their host. Some are dark and brooding (Alan Rickman) other shy and amiable (Hugh Grant) and a few too perfect to be true (Greg Wise) but they all have one thing in common, they’re conveniently called to office in London whenever marriage seems too close, a snobby bitch or karma playing the same game postponing the overdue rendezvous with destiny.

But as predictable as these films are, their quality is elsewhere, starting with the acting. Literary movies have this quality that the abundance of words and plots can sometimes distract from simpler moments that actually elevate them more than any monologue or speech. This moment occurs when Edward (Grant), is ready to confess something to Elinor. They have spent enough time together to grow a deep feeling. He’s about to say something about his… you expect the word “feeling”, he says “education”, and you can see something click in the blink of an eye in Thompson’s face, ‘devastation’ as it would really show in a woman who learned to hide her feelings. There’s no doubt that Emma Thompson is one of the greatest actress of her generation. On the other hand, Marianne will also face abandon and the reaction will fit her passionate personality. While, the plot in itself can be summed up by women waiting for the right men to come, so (God forbid), they don’t end up as bitter spinster, there is more to enjoy, the text and more importantly, the subtext.

And on that level, Jane Austen’s stories are exhilarating hymns for eloquence and literacy, whether when the characters write intimate correspondences, share their personal thoughts with their friends or relatives or try to convey a strong message by still respecting the conveniences, I just can’t resist by the way Shakespeare’s language is being honored. You finish the film and you just want to express your feelings with the same economy of obviousness or flamed passion when called for, and a similar urge generally invade me when I finish the Ivory and Merchant movies. There is something just irresistible in these British heritage films, they make you realize how close we still are to these times by the scale of history, but light-years ahead as far as mediocrity and plainness is concerned.And it’s a credit to Austen’s writing and Thompsons’s rewriting (earning her an Oscar) to have translated the story in a tone that wouldn’t make feminists’ neck hair stand up and wouldn’t portray men as misogynistic pigs.

The film says something important: the strength of your character doesn’t depend on what he or she accomplishes but how it can strongly affect your own feeling or how can they resist the cruelties of life without necessarily triumphing over them. All through the film, I was totally rooting for Marianne, Elinor, their mother (Gemma Jones) and the way they endorsed or rebelled against conventions at crucial times where simpler things were complicatedly expressed. Indeed, everything that happened is due to something said, a promise or a misunderstanding. It’s all in the way words are used, misused or distorted and that’s one of the many delights in this lavish movie.

Review By: ElMaruecan82

Other Information:

Original Title Sense and Sensibility
Release Date 1995-12-13
Release Year 1995

Original Language en
Runtime 2 hr 16 min (136 min)
Budget 16000000
Revenue 134582776
Status Released
Rated PG
Genre Drama, Romance
Director Ang Lee
Writer Jane Austen, Emma Thompson
Actors Emma Thompson, Kate Winslet, James Fleet
Country United States, United Kingdom
Awards Won 1 Oscar. 33 wins & 49 nominations total
Production Company N/A
Website N/A


Technical Information:

Sound Mix Dolby SR, SDDS (8 channels), Dolby Digital, Dolby Atmos
Aspect Ratio 1.85 : 1
Camera N/A
Laboratory Technicolor, Hollywood (CA), USA (color)
Film Length 3,805 m
Negative Format 35 mm
Cinematographic Process Digital Intermediate (4K) (2021 remaster), Spherical
Printed Film Format 35 mm

Sense and Sensibility 1995 123movies
Sense and Sensibility 1995 123movies
Sense and Sensibility 1995 123movies
Sense and Sensibility 1995 123movies
Sense and Sensibility 1995 123movies
Sense and Sensibility 1995 123movies
Sense and Sensibility 1995 123movies
Sense and Sensibility 1995 123movies
Sense and Sensibility 1995 123movies
Sense and Sensibility 1995 123movies
Original title Sense and Sensibility
TMDb Rating 7.5 1,400 votes

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