#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Shane rides into a conflict between cattleman Ryker and a bunch of settlers, like Joe Starrett and his family, whose land Ryker wants. When Shane beats up Ryker’s man Chris, Ryker tries to buy him. Then Shane and Joe take on the whole Ryker crew. Ryker sends to Cheyenne for truly evil gunslinger Wilson. Shane must clear out all the guns from the valley.
Plot: A weary gunfighter attempts to settle down with a homestead family, but a smouldering settler and rancher conflict forces him to act.
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A touching western with awesome cinematography.
I first saw this in the early 90s. Revisited it recently on a DVD which i own. When you love a western, it’s a film like Shane that you go back to time and time again. Everything has already been said about this great film n there seems to be little left to say but as a fan of western films, lemme contribute by praising how good this film is. The single greatest asset is the wonderful cinematography. The mountains, the lakes, the hills, farms n houses all looked straight outta poetry n painting. Loyal Griggs did an amazing work with the film’s cinematography. The story is about a mysterious gunfighter (Alan Ladd) who helps a farming family against cattle barons wanting the farmers land. Jack Palance in a role of pure malevolence with his evil smirk n few dialogues. George Stevens’ direction is truly stunning. He made a very touching film. This film has contributed a lot towards the western genre.
Irony, irony, and more irony
After watching the massively depressing LOGAN (2017) and noticing that the closing scene pays homage to Shane (same dialog used to mark Logan’s grave) I felt the need to do an update review on Shane.
According to traditional Hollywood history, Shane is one of the 100 greatest films of all time, iconic, and even the dialog is multi-layered.
There is a scene in the short-lived TV series THE OTHERS (done by the same two men who created X-Files) where one of the lead characters, who is blind, regularly goes to the movies to watch SHANE, over and over. In many ways, that has to be one of the grandest back-handed compliments you can pay to a film.
I wish however to also suggest there is a great deal of hidden irony in what otherwise appears to be a straightforward western.
For example, Ladd hated guns and, according to film legend (Wikipedia) had to do over 100 takes in the iconic scene where he teaches the boy to draw. Similarly, Jack Palance hated horses and was only able to do one successful “mount” after many takes. Director Stevens had to use this same piece of film over and over, even to the point of running the strip backwards to make it look like Jack was dismounting.
Wait, it gets better. Director Stevens hated violence and wanted SHANE to be be an anti-violence film. However, the trope he invented for the gunfight, where the actors were violently pulled backwards by ropes as bullets struck, is considered by film historians to have “forever changed the face of film action” and led to an entirely new generation of gunfighting in films where the violence increased by a factor of 100X. Even the infamous Hong Kong action film directors consider they owe a debt to Stevens.
The final irony is that, in the opinion of this reviewer, the film does not stand for what the screenwriter intended. To this reviewer, Shane is a metaphor for the evolution of the United States itself, an arc more visible when this review is penned (in 2017) than in 1953. Although even in 1953, at the end of WW2, the US as a nation was having to face introspection, as a nation which had hitherto prided itself on isolationism suddenly felt compelled to become policeman to the entire world.
Still a great film. But also an ironic one.
Original Language en
Runtime 1 hr 58 min (118 min), 1 hr 30 min (90 min) (cut) (West Germany)
Rated Not Rated
Genre Drama, Western
Director George Stevens
Writer A.B. Guthrie Jr. (screenplay), Jack Sher (additional dialogue), Jack Schaefer (based on the novel by)
Actors Alan Ladd, Jean Arthur, Van Heflin, Brandon De Wilde
Awards Won 1 Oscar. Another 4 wins & 10 nominations.
Production Company Paramount Pictures
Sound Mix Mono (Western Electric Recording), 3 Channel Stereo (Western Electric Recording)
Aspect Ratio 1.37 : 1 (original aspect ratio), 1.66 : 1 (cropped wide screen ratio)
Camera Technicolor 3 Strip (uncredited)
Laboratory Technicolor (color by)
Film Length (12 reels)
Negative Format 35 mm
Cinematographic Process Technicolor 3-strip Process, Spherical
Printed Film Format 35mm Technicolor Dye Transfer Prints., 35 mm