#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Marv is unconscious on a highway surrounded by corpses. When he awakes, he has amnesia and tries to recall his last steps from the Kadie’s saloon on the Saturday night. He recalls that he found four playboys burning a homeless man alive and defended the poor man. Marv hunts them down and kills the group. The cocky gambler Johnny hits jackpot in slot machines in the Kadie’s saloon and invites the waitress Marcie to go with him to play poker game against the powerful Senator Roark. He wins the game and suffers the consequence of his arrogance. The private detective Dwight McCarthy is contacted by his former lover Ava Lord that asks to meet him at the Kadie’s saloon. Ava asks him for forgiveness for leaving him to marry the wealthy Damian Lord. However her strong chauffeur Manute takes her home. Dwight snoops around Ava’s house but is found and beaten by Manute and the bodyguards. When he returns home, Ava is waiting for him naked in the bed and seduces him again. Then she tells that Damian and Manute torture her and soon she will be killed. Once again Manute takes Ava with him and hits Dwight that invites Marv to help him to rescue Ava. Damian denies the accusation but Dwight beats him to death while Marv tear Manute’s eye out. But soon Dwight finds that he was lured by Ava that shoots him. Marv rescues Dwight and takes him to the Old Town where Dwight finds his former lover Gail that helps him to recover while Dwight plots revenge against Ava.
Plot: Some of Sin City’s most hard-boiled citizens cross paths with a few of its more reviled inhabitants.
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|6.5/10 Votes: 153,170|
|6.3 Votes: 2891 Popularity: 32.925|
Good and entertaining… but lacks the novelty of the first.
A Dame to Kill for is by no means a boring or bad film. It succeeds as a satisfying sequel to the far more novel and perhaps stronger Sin City… it is bloody, violent, beautifully made, with cool deep voices, nudity and clearly fitting into the film noir genre. Where it falls short is in the charactersationssliding a bit, the strength of two original stories, the change in actors and the gap between the first and second film. There is also a desperate need for more iconic moments which the Sin City comics and the film has plenty of, but they never really come in A Dame to Kill for.
The characters seems less edgy, less strong charactered and some despite being far more stereotypical carries less of a punch. Especially Marv and Dwight who are the central characters fall a bit short. With Dwight almost feeling detached from the story he is the centre character of. I never thought I would find myself ever thinking that Owen over Brolin. Rourke however seems to have lost some of his edge again, but still causes plenty of mayhem. The new original story lines is probably as good as the rest, but it feels like we never get a very satisfying end out the first one of it especially because it plays as probably the most straightforward story with less of the iconic art work or stunning scenes put in it, it relies on Gordon-Hevitt’s abilities more than anything else. The second original story however fairs better mostly due to Alba’s dancing and Rourke’s brute. If one has not recently seen Sin City and goes to see this it can be a bit hard putting things into place in it’s sequel… most people benefit from having seen Sin City recently in order to truly enjoy the film’s anachronistic narrative.
It is an awesome film, I will not argue against that, and it does give people more of what they want from Sin City. And there is maybe couple of camels to swallow. But I think in time when seen in union with it’s predecessor and sequel(s) it will come out stronger than it might appear now.
I saw the 3D version and surprisingly it actually works well for the film, although I am sure the film would be just as good in 2D alone. It is worth seeing in the cinema, it has the scale/action/importance and beauty to justify that. It will not be remembered for it’s visuals as much as Sin City, but it will be recognised for how it fits into the Sin City style.
For all the wrong reasons…
OK, maybe this movie isn’t aimed at “mature” audiences, but for adults looking for a trashy good time at the movies then you won’t get a movie any better than this. If you want to see unrelenting brutality & most of Eva Green you will get your money’s worth & then some.
Green totally owns the “Dame” role that she was perfectly cast for. When her story ends the movie does drop off (fortunately her story is most of the movie).
The “Sin City look” is enhanced by 3D (I normally avoid 3D) & rates as one of the best uses of 3D I’ve ever seen. Fans (like me) of Miller’s “A Dame To Kill For” comic book will be thrilled at it’s obsessive loyalty to word & frame screen treatment. It looks fantastic! (Maybe, I mean to say that Green looks fantastic. It’s both.) I don’t get all the criticism of how this “look” has grown tiresome –not for me in 3D.
All the actors in big roles to small look like they are having a sinful amount of fun, but Joseph Gordon-Levitt is almost as strong as Green in a new role in one the new stories written for the movie. If you saw “Looper” (or “Inception”) you already know that JGL can play a tough guy despite his physical size.
Make no mistake this movie is a feature length Roadrunner cartoon for adults –emphasis on “adults”–with all of the ridiculous action & over- the-top violence that only a cartoon can get away with because of the way it’s rendered.(No kids, please: there is just enough gore that isn’t so cartoonish to make it unfit for children.)
Like the first Sin City 9 years ago, this new Sin City is B-movie bliss. (I still don’t like Jessica Alba as “Nancy”.)
Original Language en
Runtime 1 hr 42 min (102 min)
Genre Action, Crime, Thriller
Director Frank Miller, Robert Rodriguez
Writer Frank Miller, Frank Miller (graphic novels)
Actors Mickey Rourke, Jessica Alba, Josh Brolin, Joseph Gordon-Levitt
Awards 4 wins & 6 nominations.
Production Company Troublemaker Studios, AR Films
Sound Mix Dolby Digital, SDDS, DTS, Dolby SR
Aspect Ratio 1.85 : 1
Camera Arri Alexa M, Fujinon Premier Cabrio Lenses
Laboratory DeLuxe, Hollywood (CA), USA, DuArt Film Laboratories Inc., New York, USA, Technicolor, Hollywood (CA), USA
Film Length N/A
Negative Format Codex
Cinematographic Process ARRIRAW (2.8K) (dual-strip 3-D) (source format), Digital Intermediate (2K) (master format)
Printed Film Format 35 mm (Fuji), D-Cinema (also 3-D version)