#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Sweet Country is set in 1929 in the outback of the Northern Territory. It is the story of a young boy called Philomac, who witnesses Sam, an Aboriginal stockman kill station owner Harry Marsh in self defense. Sam and his pregnant wife Lizzie go on the run and a posse pursues them across the outback.
Plot: It’s 1929 on the vast, desert-like, Eastern Arrernte Nation lands that are now known as the Central Australian outback. Sam Kelly, a middle-aged Aboriginal man, works the land of a kind preacher, Fred Smith. After an ill-tempered bully arrives in town and Kelly kills him in self-defence, he and his wife go on the run as a posse gathers to hunt him down.
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|6.9/10 Votes: 8,115|
|6.6 Votes: 129 Popularity: 8.338|
a visually stunning outback tale with a message that resonates today
Using the Hollywood label ‘western’ for an Australian outback drama casts an odd cultural shadow over the achievements of Sweet Country (2017). At a Q & A preview in Sydney, director Warwick Thornton told the audience “people think in boxes so we need to call it something”. However, ‘western’ is an awkward box for an Australian tale of such contemporary relevance and cinematic beauty.
Set in 1920s outback Northern Territory, the narrative is deceptively simple. Indigenous farm hand Sam Kelly (Hamilton Morris) and his wife are lucky to work for god-fearing landowner Fred Smith (Sam Neill) who believes that all are created equal. Fred allows Sam to help his unstable war-veteran neighbour Harry March (Ewan Leslie) for a few days but it sours quickly and Sam kills Harry in self-defence. The rest of the story tracks the hunt led by Sergeant Fletcher (Bryan Brown) through treacherous country that is home for Sam. Eventually white man’s justice must be faced.
This is an outstanding film for many reasons. In terms of visual impact, it is stunning. The cinematography shows a deep love of country with majestic panoramas that dwarf humans. Rich red colour palettes evoke the hot, dry, heartland of an ancient land. The camera tracks seamlessly from wide-screen images to small details like a balletic sand scorpion or a cold hard bullet being loaded into a chamber. Scene after scene, we find symbols of the conflicted relationship between white man and nature; there are no words more jarring than to hear Indigenous people being referred to as “black stock”.
In terms of aural impact, silence has never been so beautiful. It takes some time into the film before we notice there is no musical score, and none is needed. As Thornton put it, when you stand in the desert there are no orchestral violins to tell you what to feel. Silence conveys the outback. You hear the rustle of leaves in the wind, the sound of a flowing river, horses’ hooves pounding the ground, and most confronting: the sound of a heavy chain being dragged across desert sand, manacled to the black hand of a fleeing Indigenous youth.
The casting is excellent. Bryan Brown and Sam Neill are almost cameo performers in their roles as hard-core outback characters. The emotional centre of the film, however, is Hamilton Morris. He speaks little and emotes even less. His face is a wide, impassive, deeply etched, and painful canvas that speaks of Indigenous people’s dispossession and barbaric mistreatment by armed invaders. Views will differ over whether the Johnny Cash cowboy ballad during the credits makes this more or less of an Australian story. This powerful but disturbing film reminds Australians of our history and need to reconcile with the past.
A great movie about the Australian sins of the past
I’ve read here two reviews by Australians, one hated the film, the other loved it. I’ve seen the film in the company of two other Australians, they both loved it. Yes, I agree to the point made, by the hating reviewer: the movie does judge the past according to modern morals and sensibilities. But this would be a valid point if we were discussing an academic paper or a movie that was made back then. This is neither it’s a movie about Australian past that was made at the present and it feels so true it hurts. It hurts because the only way we can see it is with our modern eyes. Saying people thought differently back then, is true but it’s beside the point. We, the viewers are here and now and that’s the only time and place we can watch it.
So lets speak about other aspects of the film: cinematography, acting and story telling are superb. But I liked most of all the editing, with these tiny flashes forward and backward throughout the movie, flashes we can fully understand only when we’ve seen the movie all the way through. Please do, I think you won’t regret it.
Original Language en
Runtime 1 hr 53 min (113 min), 1 hr 50 min (110 min) (Australia)
Genre Adventure, Crime, Drama
Director Warwick Thornton
Writer David Tranter, Steven McGregor
Actors Hamilton Morris, Shanika Cole, Ewen Leslie
Awards 22 wins & 29 nominations
Production Company N/A
Sound Mix D-Cinema 48kHz 5.1
Aspect Ratio 2.35 : 1
Film Length N/A
Negative Format N/A
Cinematographic Process N/A
Printed Film Format N/A