#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Twenty-eight-year-old Tom leads a life that might be termed as criminal. In doing so, he follows in the footsteps of his father, who made his money from dirty, and sometimes brutal, real estate deals. Tom is a pretty hard-boiled guy but also strangely considerate as far as his father is concerned. Somehow he appears to have arrived at a critical juncture in his life when a chance encounter prompts him to take up the piano and become a concert pianist, like his mother. He senses that this might be his final opportunity to take back his life. His piano teacher is a Chinese piano virtuoso who has recently come to live in France. She doesn’t speak a lick of French so music becomes the only language they have in common. Before long, Jacques’ bid to be a better person means that he begins to yearn for true love. But, when he finally has the chance of winning his best friend’s wife, his passion only succeeds in scaring her. And then, one day, his dubious past comes to light…
Plot: Like his father, Tom is a real estate agent who makes his money from dirty, and sometimes brutal, deals. But a chance encounter prompts him to take up the piano and become a concert pianist. He auditions with the help of a beautiful, young virtuoso pianist who cannot speak French – music is their only exchange. But pressures from the ugly world of his day job soon become more than he can handle…
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|7.3/10 Votes: 18,964|
|7 Votes: 287 Popularity: 8.659|
This movie doesn’t skip a beat
The premise is far-fetched but simple. Approaching thirty, Tom Seyre (Romain Duris) is working hard as an enforcer and violent rent collector for his dad, a scumbag real estate tycoon (Niels Arestrup). But a chance encounter starts him thinking he might be the talented concert pianist he once dreamed of, in the image of his late mother. Without stopping his usual work he tries to prepare an audition.
Based on a flop more admired in France than the US, James Toback’s 70’s Harvey Keitel vehicle about a violent would-be pianist, “Fingers,” this compulsively watchable, thrillingly accomplished new movie by Jacques Audiard (“De Battre mon cur s’est arrêté”, still showing in Paris as it opens here) echoes his previous compellingly offbeat “Read My Lips” in grafting together two separate moral universes. Read My Lips depicted the odd alliance of a firecracker ex-con (Vincent Cassel) and a mild-mannered but angry hearing-impaired office worker (Emmanuelle Devos). It was an intriguing piece — but seems low energy in retrospect compared to this. Audiard has made a powerful actors’ movie in which Duris blooms, a powerful actor now, playing in effect both the Cassel and the Devos parts and acting out the resulting implosion of violence and frustrated artistic passion with astonishing zest. It’s hard to believe he was the tame college student narrator of Klapich’s “L’Auberge espagnole” three years ago.
Duris as Tom is good-looking but vaguely burnt-out, his eyes a bit crazy, his hair neatly coifed, his jaw firm, has mouth a smiling snarl. The camera is on that square jaw every minute. Uniformed in boots, smart pants, tie and trim leather jacket, he’s an elegant young hoodlum who can switch to a dark suit for a real estate hearing or audition, or wipe the blood off his cuff to enter a café or concert hall. He’s angry all the time but brings vibrant energy to both of his conflicting lives. Tom finds a beautiful long-haired young master pianist called Miao Lin (Linh Dan Pham) to coach him in piano. These encounters with the keyboard he approaches like a prize fighter going at a punching bag. If he’s an artist it’s the hairy-chested, coiled, macho kind. How can you teach anybody pianistic excellence? The impossibility of the process is signaled by the teacher’s speaking no French. She harangues Tom in Vietnamese, or just says in English over and over, “again” Or “no.” Or “no smoking allowed.” A cup of tea in the kitchen at end of session. Tom goes at the same piece over and over, a Bach Toccata. This relationship is an “oasis of calm” in Tom’s otherwise ‘loca’ ‘vida’ — the contrasts in such a piece as this are telegraphed without much subtlety — but the unconventionality of the pair helps the scenes to avoid cliché. And the intensity is just as focused in these quiet moments.
There are other strong relationships. Tom isn’t isolated; he works with partners, one of whom uses him to hide his two-timing from his wife. Arestrup, who looks like a French version of late Brando, is superb as the blowsy, burnt out father, a big sensualist, an irresistible presence, always smoking drinking and eating, soft but nasty, irritating but impossible for Tom not to love and protect. Tom pursues Minskov (Anton Yakovlev), a Russian Mafioso his dad has tangled with, and winds up sleeping with Minskov’s French girlfriend as well as somebody else’s wife. Every encounter he has is reckless and intense. Duris doesn’t fail us in any of this. Emmanuelle Devos is his dad’s new girlfriend, whom Tom first calls a whore and rejects and then wants to hire on to calm things on the home front. Where’s it all going to end? Despite all that’s going on, as one French critic said, “there’s no fat” in this picture. The pushes and pulls of the hero’s dilemma make for fabulously kinetic editing and the action never goes soft. A final sequel resolves things. Some say it’s milder than the American version, but that’s overlooking the visceral punch of the action throughout. The dialogue underlines that just as in Read My Lips, people aren’t communicating too well. It may be music is all that links them.
The shortcomings of such a movie are its simplifications. The crooked real estate life like the classical pianist life can be no more than impressionistically dabbed in. And there’s an occasional danger that Romain Duris — who studied piano for months with his pianist sister for the keyboard sequences — may be trying too hard sometimes. Since Tom also loves electro which he listens to with big headphones in his car — as the word is Duris himself does — classical music maybe doesn’t grab the film as wholeheartedly as it ought to. You can’t expect profundity but from the sound of “Fingers,” this is more accomplished film-making. It may not have as much conviction, but this is wildly entertaining. And more than that, it’s a movie where everything comes together, scenario, actors, editing. Audiard, who showed us dark secret places last time, now reveals himself a virtuoso of violence and passion.
This is an excellent film, and highly recommended. Its script is absolutely wonderful, showing the protagonist having a dark and ugly side, yet possessing the ability to express his sensitivity, as a classical pianist, through music, as he prepares for an audition with an agent. The juxtaposition of the two opposing sides of the protagonist lends the film an unexpected power and impact. It is a violent film, yet a humorous one at the same time, with great acting. De battre mon coeur is a remake of Fingers, which unfortunately I have not seen (yet). I can only hope that the French film will be released in The Netherlands as well, so I can see it again.
Original Language fr
Runtime 1 hr 48 min (108 min), 1 hr 47 min (107 min) (Germany), 1 hr 48 min (108 min) (Japan), 1 hr 48 min (108 min) (USA)
Rated Not Rated
Genre Crime, Drama, Music
Director Jacques Audiard
Writer Jacques Audiard (scenario), Tonino Benacquista (scenario), James Toback (earlier screenplay: d’après le film “Fingers” écrit et réalisé par)
Actors Romain Duris, Niels Arestrup, Jonathan Zaccaï, Gilles Cohen
Awards Won 1 BAFTA Film Award. Another 20 wins & 14 nominations.
Production Company Why Not Productions
Sound Mix DTS, Dolby Digital
Aspect Ratio 1.85 : 1
Camera Aaton 35-III, Cooke S4 Lenses
Laboratory Laboratoires Éclair, Paris, France
Film Length N/A
Negative Format 35 mm (Kodak Vision2 500T 5218, Vision 500T 5279)
Cinematographic Process Spherical
Printed Film Format 35 mm (Kodak Vision 2383)