The Bonfire of the Vanities 1990 123movies

Watch: The Bonfire of the Vanities 1990 123movies, Full Movie Online – Financial “Master of the Universe” Sherman McCoy sees his life unravel when his mistress Maria Ruskin hits a Black boy with his car. When journalist Peter Fallow enflames public opinion with a series of distorted tabloid articles on the accident, the case is seized upon by opportunists like Reverend Bacon and mayoral candidate D.A. Abe Weiss..
Plot: After his mistress runs over a black teen, a Wall Street hotshot sees his life unravel in the spotlight; A down-and-out reporter breaks the story and opportunists clamber to use it to their advantage.
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Ratings:

	5.6/10 Votes: 25,294
	16% | RottenTomatoes
	27/100 | MetaCritic
	N/A Votes: 388 Popularity: 11.61 | TMDB

Reviews:

Fails to grasp the subtle satire of Tom Wolfe’s novel
Tom Wolfe’s sprawling novel about the aftershocks of a hit-and-run in 1980’s New York set out to capture the corruption and self- promotion that seemed to dominate the decade, with every power player in the city, and every hanger-on trying to achieve personal triumph, latching on to the media and cultural frenzy to benefit their own personal agenda. It’s a remarkable novel; bleakly hilarious but meticulously detailed. A movie adaptation was always going to be dangerous territory, and Brian De Palma’s resulting film, that flopped both critically and commercially, is a confused mess. The complete failure of the film may be somewhat cruel and not wholly deserved, but De Palma goes for all-out comedy, failing to grasp Wolfe’s subtle satire completely.

Tom Hanks plays self-styled ‘master of the universe’ Sherman McCoy, a Wall Street broker who enjoys every material comfort that life can offer, living in his huge apartment with his ditsy wife Judy (Kim Cattrall). During an eventful night with his mistress Maria Ruskin (Melanie Griffith), they take a wrong turn while heading back to her apartment and end up in South Bronx. Sherman gets out of the car to clear the road when he is approach by two black youths, and a misunderstanding leads to Ruskin accidentally running one of them over. They flee the scene, but once the story of a rich white man almost killing a poor black kid breaks, the likes of Reverend Bacon (John Hancock), a Harlem religious and political leader, Jewish district attorney Abe Weiss (F. Murray Abraham) and hard-drinking journalist Peter Fallow (Bruce Willis) rear their heads to twist the ongoing s**t-storm to their own benefit.

Despite some nice tracking shots and sets that really do capture the tacky glamour of the 80’s, the movie’s biggest downfall is the casting. The two leads, Hanks and Willis, are woefully miscast. McCoy is a loathsome character, a WASP-ish high-roller in an increasingly capitalist country, but Hanks is one of the most likable actors around. He looks visibly uncomfortable in a thinly- written role, and only takes control of his character in a scene in which he clears his apartment by unloading a shotgun played mainly for laughs, which at this stage of his career was Hanks’s shtick. Fallow in the novel is a manipulative con-man, twisting the unravelling story through his newspaper in order to keep his job and make a nice paycheck along the way. But De Palma only seems to have picked up on his heavy drinking, meaning that Willis swings a bottle around and narrates the story, playing the role of spoon-feeder without playing an active role in story or convincing as someone who could get to his position.

But then again, De Palma’s movie doesn’t exist in the real world. Arguably, the ensemble of characters in Wolfe’s novel were caricatures, but they were well-rounded characters, and being inside their heads meant that we could understand their motives, something the movie entirely ignores. So we get the likes of Bacon, Weiss, lawyer Tom Killian (Kevin Dunn) and Assistant District Attorney Kramer (Saul Rubinek), all key players in the novel, reduced to scowling or bumbling onlookers, while McCoy squirms for our amusement and Fallow tells us what we’re supposed to be thinking. Occasionally its an all-out pantomime, which would be forgivable it was funny or insightful. Yet when Wolfe calls for pantomime at the climax, the movie delivers a ridiculous speech spoken by Judge White (Morgan Freeman), informing us that decency is what your grandmother taught you.

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A perfect commentary of today’s culture
A very under-rated and under appreciated movie.

No other movie out there quite captures the phony and insincere hypocrisy of today’s media and advocacy groups better than this one.

The only people who don’t like this film are the ones who the film is satirizing. This movie, like Hollywood Shuffle, was way ahead of its time.

Like most accurate and truthful books and films, they are rarely appreciated in their day because the brutal honesty and truthfulness of what they have to say is too painful to openly accept and admit. It is a classic satire and incredibly well-written and well-acted.

I would recommend this film to anyone.

Other Information:

Original Language en
Runtime 2 hr 5 min (125 min)
Budget 47000000
Revenue 15691192
Status Released
Rated R
Genre Comedy, Drama, Romance
Director Brian De Palma
Writer Michael Cristofer, Tom Wolfe
Actors Tom Hanks, Bruce Willis, Melanie Griffith
Country United States
Awards 1 win & 5 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix 70 mm 6-Track (70 mm prints), Dolby Stereo (35 mm prints), Dolby (RCA Sound Recording)
Aspect Ratio 1.85 : 1
Camera Panavision Camera and Lenses
Laboratory Technicolor, Hollywood (CA), USA (color)
Film Length N/A
Negative Format 35 mm (Eastman EXR 50D 5245, EXR 500T 5296)
Cinematographic Process Super 35
Printed Film Format 35 mm (spherical), 70 mm (blow-up)