#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – A Major with an attitude problem and a history of getting things done is told to interview military prisoners with death sentences or long terms for a dangerous mission; To parachute behind enemy lines and cause havoc for the German Generals at a rest house on the eve of D-Day.
Plot: 12 American military prisoners in World War II are ordered to infiltrate a well-guarded enemy château and kill the Nazi officers vacationing there. The soldiers, most of whom are facing death sentences for a variety of violent crimes, agree to the mission and the possible commuting of their sentences.
Smart Tags: #commando_mission #redemption #criminal #fight_in_a_restroom #secret_mission #suicide_mission #behind_enemy_lines #commando_unit #commando #world_war_two #psychopath #killed_in_an_explosion #ethnic_slur #title_same_as_book #1940s #racial_slur #african_american #african_american_man #african_american_soldier #shot_to_death #colonel
|7.7/10 Votes: 67,395|
|7.6 Votes: 769 Popularity: 11.441|
I loved this. Right up there with my favourite Aldrich films (though maybe ‘Kiss Me Deadly’ is still my number one), and of the greatest performances of both Lee Marvin and John Cassavetes (who was nominated for Best Supporting Actor at both the Golden Globes and Oscars for his work here).
This hearkened back to the heady times when if you got a great cast and director together, you were virtually guaranteed you’d come out of it, because of comparatively little studio interference, with a bonafide classic piece of cinema. People thought the studio system was broken and needed fixing, by films such as ‘Easy Rider’? THIS, along with other fine Aldrich works from this period, age a lot better and hold up much finer today than Dennis Hopper’s so-called ‘masterpiece’ and its ilk.
One of the most quintessential macho movies of all time.
The Dirty Dozen is directed by Robert Aldrich and adapted for the screen by Nunnally Johnson & Lukas Heller from the novel by E. M. Nathanson. It stars Lee Marvin, Ernest Borgnine, Telly Savalas, Charles Bronson, John Cassavetes, Donald Sutherland, Richard Jaeckel, Robert Ryan and Jim Brown.
1944, just prior to D-Day .
Major Reisman (Marvin) is a none conformist kind of guy and he riles the higher brass no end, so it comes as no surprise to him that he is the man assigned the unenviable task of assembling a suicide squad of army criminals for a mission to destroy a château in France. This particular château has no military value as such, but as it is used by many of the Nazi big chiefs, destroying it whilst they relax inside will upset the German plans immensely. But can this rag tag band of murderers, rapists and thieves shape up into something resembling a fighting force? Their reward, should they survive the mission, is amnesty, but Reisman for sure has his hands full on both sides of the war.
“One: down to the road block, we’ve just begun.. Two: the guards are through.. Three: the Major’s men are on a spree.. Four: Major and Wladislaw go through the door.. Five: Pinkley stays out in the drive.. Six: the Major gives the rope a fix.. Seven: Wladislaw throws the hook to heaven.. Eight: Jiménez has got a date.. Nine: the other guys go up the line.. Ten: Sawyer and Gilpin are in the pen.. Eleven: Posey guards points five and seven.. Twelve: Wladislaw and the Major go down to delve.. Thirteen: Franko goes up without being seen.. Fourteen: Zero-hour, Jiménez cuts the cable, Franko cuts the phone.. Fifteen: Franko goes in where the others have been.. Sixteen: We all come out like it’s Halloween…”
The Dirty Dozen has become one of those films that is a perennial holiday favourite like The Great Escape, Zulu and The Magnificent Seven. Which while it most definitely deserves such big exposure, it’s a little surprising it’s part of the holiday viewing schedules given its cynicism and amoral core, something which is one of the many great & intriguing things about Aldrich’s testosterone laced movie. Met with mixed reviews on release, with the negative side of the fence bemoaning its nasty violence and preposterous plot, The Dirty Dozen none the less performed great at the box office where it was the fifth highest grosser of the year and the number one money maker in terms of profit to budget. Coming as it did during the middle of the Vietnam War, it was evident that the paying public quite easily bought into the thematics of it all. Over 50 years since it first lured people into the picture houses, Aldrich’s movie shows no sign of aged frayed edges, or better still, and more remarkable, the enjoyability factors it holds has not diminished.
What makes it a great film, then? First off is the all-star macho cast assembled by Aldrich and his team, big hitters like Marvin (stepping in when John Wayne balked at the script), Borgnine, Kennedy, Ryan and Bronson were already names to the public, but these are also supplemented by soon to be “stars” like Cassavetes, Sutherland and Savalas (also stepping into a role vacated by another, this time Jack Palance who didn’t like the racial aggression of the character) & stoic performers like Jaeckel & Robert Webber. Into the mix is curio value with the casting of singer Trini Lopez and Gridiron star Jim Brown. Throw Clint Walker into the pot as well and you have got a considerable amount of beef in the stew! Secondly the film led the way for a slew of movies that featured bad guys as heroes, so with that Aldrich’s film holds up well as being a hugely influential piece. Then thirdly is that not only is it intermittently funny as the violence explodes on the screen, but that it’s also chocked full of action and adventure. All that and for those so inclined you can find questionable morals under scrutiny and see the “war is hell” banner firmly flown during the nastiness of the missions’ culmination.
Split into three parts – meet the guys – see them train – and then the mission, pic has been criticised for its lack of realism, but is that really needed in what is essentially a male fantasy piece setting out to entertain? Besides which, lets applaud it for acknowledging that brutality and atrocities were committed on both sides of the fence, rest assured, The Dirty Dozen still had enough edginess about it back in the 60s! It’s also true enough to say that the characters, are in the main, stereotypes, and that the unravelling story is a touch clichéd, but these are men that men want to be (okay maybe not Savalas’ religious maniac rapist!) and men that women can cast a flirtatious eye over – there’s plenty of character here to hang your hats and undergarments on as they appeal to the inner rebel hidden away in many a viewer. The messages in here are not sledge hammered into the story (Aldrich always said he wasn’t making a message movie, just a film about camaraderie and unlikely heroes), and the construction of the action is top notch from one of America’s most under appreciated directors. It’s nicely shot in 70mm MetroColor/MetroScope by Edward Scaife (Night of the Demon/Khartoum) and features a suitably boisterous music score from Frank De Vol (Cat Ballou/The Flight of the Phoenix).
It’s a far from flawless picture, of that there is no doubt, but it’s loved by millions and continues to gain an audience yearly by those who are willing to view it on its own entertaining terms. As a boy I wanted to be Lee Marvin because of this film, as a middle aged man now, I still want to be Lee Marvin in this film. That’s yet another reason why The Dirty Dozen is so great. 10/10
“Feed the French, Kill the Germans”
John Wayne who apparently was offered the part of Major Reisman probably wisely turned it down. Wayne would never have done in the part of the maverick major in charge of training the way Lee Marvin was so perfect in the role. In fact Marvin’s and the performance of others in the cast helped The Dirty Dozen get over two very big improbable situations I have always found in this film.
The first one being the way the conflict between Robert Ryan and Lee Marvin is handled. I can certainly see why a spit and polish West Point graduate like Ryan would not like Marvin, why Marvin would rub him the wrong way. But I cannot understand why when the Dozen are transferred to his command for parachute training they don’t tell him what’s going on. I would think he would have a need to know. Then again a whole big part of the film wouldn’t have occurred if Ryan had been let in on Marvin’s mission.
The second thing is that granted these guys might be considered expendable to say the least with several of the dozen scheduled for a firing squad, but the army would want to make sure the mission had some chance of succeeding. There’s no way, absolutely no bloody way, that a psychotic like Telly Savalas would have been allowed on the mission. And why Lee Marvin didn’t scrub him when psychiatrist Ralph Meeker offered to is beyond me as well.
Those glaring holes in the story have always prevented me from giving The Dirty Dozen the top rating that most have given it. But it hasn’t prevented me from enjoying the film.
The basic idea of the film appeals to me. An unorthodox major taking a group of nonconformists to say the least and making them a crack fighting outfit. Regular army training did not do it for this crew the first time around.
Charles Bronson is one of the dozen and this film certainly put him well on the way to top billing. A dozen years later in fact he’d have it over Lee Marvin in Death Hunt. Jim Brown also having just finished his football career began his movie career with a winning performance as another of the dozen. John Cassavetes was singled out for a Best Supporting Actor nomination. Also Donald Sutherland got his first real notice as yet another of the dozen.
A year later William Holden and Cliff Robertson did The Devil’s Brigade which bore a lot of resemblance to The Dirty Dozen. It got slammed by critics for ripping off from The Dirty Dozen. The only problem was that Holden’s film was based on a real outfit and The Dirty Dozen is pure fiction. Only in movieland.
Marvin’s mission is to infiltrate and kill a lot of the German high command as they gather at a French château in the weeks before D-Day. How he does is something you have to watch The Dirty Dozen before. But I think you’ll like seeing what happens.
Reality intrudes on entertainment.
It’s hard to figure what director Robert Aldrich and his writers meant to say about war with this famous 60’s box office hit. Working from a script by veteran screenwriters Nunnally Johnson and Lukas Heller, (based on a novel by E.M Nathanson), Aldrich wastes no time on extraneous detail or historical context; he’s clearly interested in keeping this 2-and-a-half hour epic moving along, as it contains a lot of characters, tough dialogue, and well-staged action.
At the same time, little effort is expended in disguising the story’s schizoid nature. Its first half is a fairly standard, though rousing, WWII adventure with a skilled cast expertly portraying the typical band of misfits — in this case, American military prisoners — who bond under fierce training and are molded into an efficient fighting force.
Then in the second half, the results of this training are unblinkingly depicted with the assault on an R&R stronghold for the German high command in which the mission is simply to kill as many of the enemy as possible. That this happens to include a large number of civilian noncombatants, many of them women, seems of scant concern. The slaughter is mainly accomplished with gasoline dumped down ventilator shafts on those trapped in the cellars below, then ignited.
It makes for exciting spectacle, but might also leave something of a bad taste in your mouth.
Original Language en
Runtime 2 hr 30 min (150 min)
Rated Not Rated
Genre Action, Adventure, War
Director Robert Aldrich
Writer Nunnally Johnson (screenplay), Lukas Heller (screenplay), E.M. Nathanson (novel)
Actors Lee Marvin, Ernest Borgnine, Charles Bronson, Jim Brown
Country UK, USA
Awards Won 1 Oscar. Another 3 wins & 9 nominations.
Production Company Metro Goldwyn Mayer, MKH, Seven Arts Pictures
Sound Mix Mono, 70 mm 6-Track (70 mm prints)
Aspect Ratio 1.85 : 1, 2.20 : 1 (70mm blowup)
Film Length 4,110 m (Sweden, 35 mm), 5,140 m (Sweden, 70 mm), 4,093.46 m (UK)
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm, 70 mm (blow-up)