#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Jonathan Hemlock is an art history professor and collector who finances his hobby by performing the odd sanction (assassination) for an obscure government bureau. He is forced to take a case where he must find out which of the members of a mountain climbing team is the Russian killer he has been given as a target by joining an expedition to climb the treacherous Eiger.
Plot: A classical art professor and collector, who doubles as a professional assassin, is coerced out of retirement to avenge the murder of an old friend.
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|6.4/10 Votes: 17,747|
|6.2 Votes: 219 Popularity: 12.252|
entertaining, near-mindless fun with some cool climbing scenes and plenty of wisecracks
Let’s face it, folks, either you go for Clint Eastwood’s kind of almost pure machismo (or whatever comes closest to him as a living, walking bad-ass), or you feel unnerved or turned off or just tune in for a few minutes here and there. I go for it, as it’s one of those things that makes Clint what he is; he’s intelligent about being a star, as his figure and persona are rarely changed much, so there’s a consistency (Jack Nicholson may be a more versatile actor, maybe even better overall in his craft, but he’d have to go in a steel cage with Eastwood to see who’d be the best 70s star). The Eiger Sanction isn’t any great shakes as compared to Clint at his best in the 70s- it’s no High Plains Drifter or Dirty Harry or even Play Misty for Me- but it’s a helluva lot of fun, and probably one of the better pictures done on the danger of mountain climbing.
Is the plot generic? Yes and no. Yes because we have seen this many times, with the ex-assassin pulled in for one more job and then finding a way to secure his retirement package with the deal and with not-surprisingly exciting (or sometimes not exciting) results. And yes, we’ve seen stuff like the guy’s “girl” who comes in and plays a role, more or less, as the voice of reason, in this case Jemimma Black (yes, the name is basically blaxsploitation in mainstream clothing). Hell, there’s even the doggone twist (yes, there’s a doggone here) about who the killer actually is, and it’s the sort that is handled this time with some degree of interest not so much in how it’s revealed but what’s done with it by the actors and the outcome of the climb.
But there’s a lot more wit and fun in the script than one might give Eastwood and his writers credit for. It’s tailor-made for someone like Clint, who plays this ‘Doctor’ of assassin time turned art history like it’s nothing. He probably doesn’t have much difference here in term of delivery of lines or sarcasm or the knack for beating the crap of the bad dude at the nick of time than Dirty Harry. Which is just as well; we need an anchor with the plot’s likely pit-falls, with co-star Kennedy the only normal one among the possibly shifty characters (save for whoever plays Dragon, which is also filmed appropriately creepy and near originally). And it’s the combo of humor (“Screw Marlon Brando!”) and the suspense that arrives in that final act on the Eiger that makes the picture work. It’s not entirely superbly directed- you can tell Eastwood is still working his way through doing certain techniques and frankly can’t film a love scene at all- but for what it’s worth, it’s good, under-looked stuff in the cannon, perfect for a ‘sick day’ viewing. 7.5/10
Overlooked Eastwood gem!
This movie is highly unusual and possibly even unique in Clint Eastwood’s career, either as actor or director.
In “The Eiger Sanction” he plays Dr. Jonathan Hemlock, a character completely unlike any other he has played. Dr. Hemlock is, in fact, the very antithesis of the typical Eastwood character.
Although he hides a secret past, Hemlock displays a highly cultured knowledge of fine art and jazz in both his professional and personal life. He possesses as highly refined a taste for beautiful women as he does for the most beautiful works of art.
Eastwood is both a philosopher and a lover in this film. He is also a humorist. But there are no glib one-liners here. In fact, this one film probably contains more dialogue for Eastwood than he has done for any other character he has played in his career.
Eastwood is the quintessential strong, silent type. As anyone knows who has seen him as a gunfighter hero, whether in the Old West or in the big city. In “The Eiger Sanction,” he is a different kind of gun- fighter. His character is not drawn on the swift, total retribution exacted by the Man with No Name. Instead, it is drawn on the suave, debonair charm of James Bond. Jonathan Hemlock possesses the same cultural refinement and cosmopolitanism that the Bond character does. In fact, Hemlock and Bond are at work and at home in the same element: international espionage.
I suspect this is why the casual fan of Clint Eastwood typically detests this movie. Clint Eastwood appears to be miscast. But I’d say he pulls it off admirably, showing the viewer a side of himself which is rarely seen and exhibiting his versatility as an actor.
The story itself is better than average and the movie rates two and one half stars.
Original Language en
Runtime 2 hr 9 min (129 min)
Genre Action, Crime, Thriller
Director Clint Eastwood
Writer Hal Dresner (screenplay), Warren Murphy (screenplay), Rod Whitaker (screenplay), Rod Whitaker (novel)
Actors Clint Eastwood, George Kennedy, Vonetta McGee, Jack Cassidy
Production Company Malpaso Company
Sound Mix Mono (Westrex Recording System)
Aspect Ratio 2.39 : 1
Camera Panavision Cameras and Lenses
Laboratory Technicolor, Hollywood (CA), USA (color)
Film Length 3,262 m (Norway)
Negative Format 35 mm (Eastman 100T 5254)
Cinematographic Process Panavision (anamorphic)
Printed Film Format 35 mm