#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – In the 1850s, Ellen Ternan is a minimally talented actress who catches the eye of the hailed British author, Charles Dickens. Bored with his intellectually unstimulating wife, Dickens takes the educated Ellen as his mistress with the cooperation of her mother. What follows is a stormy relationship with this literary giant who provides her with a life few women of her time can enjoy. Yet, Ellen is equally revolted by Charles’ emotional cruelty and determination to keep her secret. In that conflict, Ellen must judge her own role in her life and decide if the price she pays is bearable.
Plot: In 1857, at the height of his fame and fortune, novelist and social critic Charles Dickens meets and falls in love with teenage stage actress Nelly Ternan. As she becomes the focus of his heart and mind, as well as his muse, painful secrecy is the price both must pay.
Smart Tags: #older_man_younger_woman_relationship #based_on_true_story #charles_dickens_character #period_drama #secret #actress #crying #cemetery #tragedy #older_man_young_girl_relationship #tombstone #pregnancy #loss_of_child #train_accident #train #father_son_relationship #cottage #18_year_old_girl #affair #year_1850 #celebrity
|6.1/10 Votes: 9,423|
|6 Votes: 142 Popularity: 10.691|
Fiennes impresses more as an actor than as a director
There was a film called “The Invisible Woman”, a sequel to “The Invisible Man”, from 1940, but there is no connection between that film and the 2013 version. This film is not science fiction but the story of the love affair between Charles Dickens and his mistress Nelly Ternan. Nelly is “invisible” in the sense that Dickens, worried about the possible effect on sales of his books, is forced to keep her existence a secret, even though it is common knowledge that he and his wife Catherine have separated. Intercut with the main action are scenes showing Nelly’s later life in the 1880s, more than a decade after Dickens’s death, as the wife of a man named George Wharton Robinson.
I had previously always thought of Nelly as a gold-digging bimbo, a talentless actress who used her good looks to snare a famous, wealthy older man and lure him away from his wife. That is not, however, how she is portrayed in this film. It is, in fact, Dickens who comes off badly. As played by Ralph Fiennes (who also directed) he comes across as a jovial, fun-loving party animal, revelling in his fame and celebrity, but also deeply selfish, not only in the way he treats Catherine but also in the way he treats Nelly. Nelly herself, by contrast is portrayed as a rather serious young woman, who in many ways shares conventional Victorian attitudes towards sex. She is, for example, shocked to discover that Wilkie Collins, Dickens’s friend and fellow novelist, lives quite openly with a woman to whom he is not married. She is in love with Dickens, but is distressed by her ambiguous status and by the fact that their relationship cannot be acknowledged. She is shown giving birth to a stillborn son in France, a detail which clearly betrays the film’s origins in Claire Tomalin’s controversial biography. I should perhaps point out that not all Dickens scholars are convinced by Ms Tomalin’s thesis that Nelly bore his child. (Indeed, some even insist that their relationship was platonic). The fact that the issue is still so shrouded in mystery and controversy, however, does indicate just what lengths he went to in order to protect his privacy.
The Nelly of this film is therefore a complex character, far more than a mere Victorian bimbo, and it is a tribute to the talents of the lovely Felicity Jones, an actress I was not previously familiar with, that she emerges as someone both likable and entirely credible. Fiennes is also good as Dickens, a man uneasily aware that in leaving his wife for another woman he is betraying the family values he once so assiduously championed. (He even called the magazine he edited “Household Words”). Other good contributions come from Kristin Scott Thomas as Nelly’s mother and Joanna Scanlan as Mrs Dickens. Although Catherine was the “innocent party” in the breakdown of her marriage, it is all too clear from Scanlan’s interpretation just why Dickens felt unable to live with this dull, frumpy woman.
Fiennes the actor is fine, but I was less taken with Fiennes the director. The pace of the film can be excessively slow and the switches between the chronologically earlier scenes, taking place in the late 1850s or 1860s, and the later ones, taking place in the 1880s, were too abrupt and made the story difficult at times to follow. It didn’t help that Felicity Jones (aged about 30) looks much the same age in the later scenes (when Nelly would have been in her forties) as she does in the early ones (when she would have been in her teens or twenties). Felicity does have a different hairstyle in the later scenes, but the purpose of this seems to have been to mark the changes in fashion between the 1860s and the 1880s, not to make her look older.
Another thing that surprised me was that the film did not deal directly with Dickens’s death or with the immediate impact this had on Nelly’s life. It struck me that this was one time when Nelly’s status as the “invisible woman” worked in her favour; had she been openly acknowledged as Dickens’s mistress she would, given the often hypocritical attitudes of the Victorians towards extra-marital sex, have found it very difficult to make a respectable marriage after the sudden, unexpected death of her protector while he was still in his fifties. (She might have found this difficult even if Dickens had obtained a divorce and made her his second wife). Possibly, however, the scriptwriters avoided any speculation of this nature because it would not have fitted in well with their view of Nelly as the innocent victim of her lover’s selfishness.
The film is made in the best British “heritage cinema” style and will doubtless find favour with many fans of that style of film-making. I was, however, in some ways disappointed with it, feeling that its structure could have been clearer and that it could have dealt with this aspect of Charles Dickens’s life in greater depth. 7/10
Boring and Slow!
We went to see this full of expectation and hope, and came away bored to tears by the slow plot (or lack of) and uninspired or poor acting. Early in the film Ellen (Nellie) is shown as a very poor actress in a play. What I didn’t realise was that this is as good as she gets! Full of lengthy close ups of a face that expressed nothing and never changed throughout the film whatever was going on in the thin plot. The audience we shared this experience with had been lively and talkative before it began but all looked numbed into silence when the lights went up at the end. The worst film we have seen for many years. Don’t waste your time!!
Original Language en
Runtime 1 hr 51 min (111 min)
Genre Biography, Drama, History, Romance
Director Ralph Fiennes
Writer Abi Morgan, Claire Tomalin (book)
Actors Felicity Jones, John Kavanagh, Tom Attwood, Susanna Hislop
Awards Nominated for 1 Oscar. Another 1 win & 6 nominations.
Production Company Headline Pictures, Magnolia Mae
Sound Mix Dolby Digital
Aspect Ratio 2.35 : 1
Camera Arriflex 35-IIIC, Panavision G-Series Lenses, Panavision Panaflex Millennium XL2, Panavision C-, E- and G-Series Lenses
Laboratory Technicolor, Pinewood, UK
Film Length N/A
Negative Format 35 mm (Kodak Vision3 200T 5213, Vision3 500T 5219, Fuji Super F-64D 8522)
Cinematographic Process Digital Intermediate (2K) (master format), Panavision (anamorphic) (source format)
Printed Film Format 35 mm, D-Cinema