#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – In Moscow, the FBI and their Russian counterpart, the MVD, are working on a joint mission to apprehend Russian mobster Ghazzi Murad specifically for the murder of Mayor Nikolai Semankho. During the arrest, they are forced to kill Ghazzi. Ghazzi’s brother, Terek Murad, also a mobster, begins his own form of deadly retribution against the MVD for Ghazzi’s death. But the FBI and MVD also get wind that Terek has hired an assassin by the code name Jackal to carry out a hit on a high profile but unknown American target for the Americans sticking their nose in Russian affairs. Intelligence points to that target being Donald Brown, the Director of the FBI. The Jackal is known only by name and reputation but no one in authority knows who he is, what he looks like or if he even really exists. They learn of only one person alive who they know has had ties to the Jackal: former Basque separatist Isabella Zanconia, whose whereabouts are unknown. As such, the FBI and MVD decide to turn to the one person they know who has had ties to Isabella: Declan Mulqueen, who is currently in an American prison serving twenty-five years for his deadly IRA activities. To their surprise, Declan purports to have met the Jackal. Although they are unable to meet all his demands including not being able to guarantee his release and return back to Ireland after all is said and done, Declan agrees to help them on the promise that they will do their best to meet that request. What happens is largely a function of Declan’s relationship with his two handlers, the MVD’s Major Valentina Koslova and FBI Deputy Director Carter Preston, the latter in particular who does not fully trust Declan. It is also affected by the nature of the history between Declan, Isabella and the Jackal. Through it all, Declan may, if given the opportunity, do what Carter believes he will do, which is run without keeping to his side of the bargain.
Plot: Hired by a powerful member of the Russian mafia to avenge an FBI sting that left his brother dead, a psychopathic hitman known only as The Jackal proves an elusive target for the people charged with the task of bringing him down: a deputy FBI director, a Russian MVK Major, and a jailed IRA terrorist who can recognize him.
Smart Tags: #mariachi_band #scantily_clad_female #bikini #man_with_no_name #gun_for_hire #moscow_russia #chicago_illinois #montreal_quebec_canada #larry_king_character #shot_in_the_abdomen #animal_as_title #character_name_as_title #the_jackal_character #female_major #strong_female_character #saving_a_life #metro_station #chase #jumping_from_an_airplane #suction #between_trains
|6.4/10 Votes: 106,817|
|6.3 Votes: 1279 Popularity: 17.272|
An underrated thriller undeserving of all the hate.
I’ve never understood why The Jackal has been cursed with poor reviews from pretty much everybody. From the day I saw it as a 17-year-old in January 1998 I always found it entertaining and exciting. This might be down to the fact that I have never seen the 1973 original.
Brucie plays a nameless assassin, cool as ice and utterly emotionless. Richard Gere is the only man to have seen him. He’s let out of prison to assist the FBI in catching the Jackal before he takes out an uncertain high-ranking official. Willis and Gere are, for the most part, leading their own movies as they never meet until the climax. It’s very interesting watching them both go about their business, Willis hatching a master plan and Gere methodically picking apart his trail and hunting him down. There is great support from Sidney Poitier and cutie-pie Diane Venora as a scarred Russian cop.
With a wide variety of brilliantly photographed locations across the US and Canada, and plot with a medium-level of complexity it’s not entirely brainless viewing but not too taxing as to alienate lazy viewers. I honestly do not get why so many people hate it. Willis has done far worse films (even seen Mercury Rising?) that get off scot-free somehow, but The Jackal doesn’t get off so lightly. Aside from Gere’s slightly dodgy Oirish accent I have no complaints about this film. Give it a chance and you might just be entertained.
Perversely fascinating…. could make a good drinking game.
This is an awful, awful movie — made even more so by being a remake of one of the finest thrillers ever made, _Day of the Jackal_. Where to begin? The whole thing is such a dead loss: the performances (by hollywood heavyweights versus the original’s international cast of skilled professional actors), the plot (silly sensationalistic pandering versus the very real political context of the alleged plot to kill deGaulle), the gimmickry (Willis’s Jackal relies on theatrical disguise instead of the more subtle and proven approaches taken by Fox’s), the gadgets (so, tell me again why he needs to use a Vulcan Cannon when a simple one-shot rifle was enough in the original?).
It’s really saying something that the high point is the low-key romantic involvement between Venora’s hard-bitten Russian cop and Poitier’s sly FBI man. It’s like something from a Nick Fury comic, but oddly enough it’s as close to anything like reality that this movie comes.
Don’t rent this unless you’re looking to fill the docket at a bad movie party. It’s probably pretty good for that, full of pretty posturing by Geer (ouch! where’d he get his accent coach?!) & Willis, and improbably plot elements a-plenty.
Original Language en
Runtime 2 hr 4 min (124 min)
Genre Action, Crime, Drama, Thriller
Director Michael Caton-Jones
Writer Kenneth Ross (earlier screenplay Day of the Jackal), Chuck Pfarrer (screen story), Chuck Pfarrer (screenplay)
Actors Bruce Willis, Richard Gere, Sidney Poitier, Diane Venora
Country USA, UK, France, Germany, Japan
Awards 1 win & 4 nominations.
Production Company Mutual Film Company, Alphaville Films
Sound Mix DTS, DTS-Stereo, Dolby SR
Aspect Ratio 2.39 : 1
Camera Panavision Panaflex
Laboratory DeLuxe, Hollywood (CA), USA, Rank Film Laboratories, Denham, UK (film processing)
Film Length 3,419 m (Sweden), 3,465 m
Negative Format 35 mm (Eastman)
Cinematographic Process Panavision (anamorphic)
Printed Film Format 35 mm