#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Sixty-one year old widower Will Varner, in ill health, owns many businesses and property in Frenchman’s Bend, Mississippi, including a plantation. To him, his children are a disappointment, they who he sees as not being able to carry on the Varner name in the style to which he has built around it. Son Jody Varner has no ambition and does not work, spending much of his time fooling around with his seductive wife, Eula. Twenty-three year old daughter Clara Varner he finds clever, but he feels she also wastes her time on more contemplative pursuits. While most of her contemporaries are married, Clara has been dating Alan Stewart, a genteel mama’s boy, for six years. Will would not mind Alan so much if he too thought Alan had a bit of a forceful man in him, which he could demonstrate by actually asking Clara to marry him. Conversely, Jody laments that nothing he does is ever good enough for his father, while Clara plain does not like the way he treats them. Into their lives comes Ben Quick, who Jody hired while Will was hospitalized, Ben to do some sharecropping on currently vacant land. Despite Will believing the unsubstantiated stories that Ben burned down someone’s barn as an act of vengeance, Will becomes to view Ben as the son he never had as he is much the same mold. As such, Will does whatever he can to get Ben to be part of the family to carry on the Varner name the way Will wants it be, which means marrying Clara. Through the process, Clara may come to a realization about what she really wants in life, while Jody does whatever he can to retain his position in the family.
Plot: Ben Quick arrives in Frenchman’s Bend, MS after being kicked out of another town for allegedly burning a barn for revenge. Will Varner owns just about everything in Frenchman’s Bend and he hires Ben to work in his store. Will thinks his own son, Jody, who manages the store, lacks ambition and despairs of him getting his wife, Eula, pregnant. Will thinks his daughter, Clara, a schoolteacher, will never get married. He decides that Ben Quick might make a good husband for Clara to bring some new blood into the family
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I saw this film again last night at an old-time movie palace, in an audience of about 2,000 people. The film, which I had seen before, was even more enjoyable then the previous times I had seen it on TV. For one thing, it has some very lovely and well executed uses of the CinemaScope frame. It shows both the dry openness of the landscape, as well as the lush extravagance of the plantation estate which belongs to Orson Welles’ character. I’m not too familiar with Faulkner’s stories, but the plot elements of this film flow together rather nicely, and there isn’t really a dull moment in the whole picture. The only part which is still difficult for me to take, is the resolution of the conflict between Welles’ and Franciosa’s characters. That scene builds up to something in a matter of minutes, and then suddenly it’s over. I could hear disappointment in some audience members in the theater as well, including one person who shouted “What the heck was that about?”. This aside, it’s still a worthwhile film to see, and the acting of Newman, Woodward, and Welles are standouts. There are also plenty of (probably unintentional) laughs to be had as well. One of the better soap opera-type films to come out of the late 1950s.
Debut for legendary screen team
The Long Hot Summer is chiefly noted for the fact that Paul Newman and Joanne Woodward made their joint cinematic debut in this film. One of Hollywood’s best personal and professional partnerships, Joanne had won a Best Actress Oscar for The Three Faces of Eve the year before and it took Paul thirty more years to match it for their mantelpiece in The Color of Money.
Based on some William Faulkner short stories, The Long Hot Summer commences when Joanne Woodward and Lee Remick, daughter and daughter-in-law of local patriarch Orson Welles give drifter Paul Newman a lift into town. Woodward’s a repressed school teacher and Welles despairs of her finding a suitable match.
Because he started dirt poor and worked his way up to the top, Welles takes a liking to Newman and pushes, a little too hard for Newman and Woodward to team up. That’s not sitting real well with Anthony Franciosa who is Welles’s son and sees Newman displacing him in the family pecking order.
In fact my favorite in the film is Franciosa, he usually is in any film he’s in. When he’s on the screen, you don’t pay attention to anyone else, not even Orson Welles.
Welles borrows a bit from Tennessee Williams’s Big Daddy Pollitt from the Paul Newman film the year before, Cat On a Hot Tin Roof. His Will Varner though is a bit softer around the edges, also lends itself more easily to caricature. I think the creators of The Dukes of Hazzard used Welles in The Long Hot Summer as their model for Boss Hogg.
In fact it’s interesting to see the contrast in The Long Hot Summer and Cat On a Hot Tin Roof. It’s obvious to me that William Faulkner liked the people of Mississippi a whole lot more than the southerners that are in Tennessee Williams’s work.
Almost fifty years later, The Long Hot Summer is still enjoyable viewing and still may be the best of Paul and Joanne’s joint ventures.
Original Language en
Runtime 1 hr 55 min (115 min)
Rated Not Rated
Director Martin Ritt
Writer William Faulkner (novel), Irving Ravetch (screenplay), Harriet Frank Jr. (screenplay)
Actors Paul Newman, Joanne Woodward, Anthony Franciosa, Orson Welles
Awards 2 wins & 4 nominations.
Production Company Jerry Wald Productions
Sound Mix 4-Track Stereo (35 mm magnetic prints), Mono (35 mm optical prints) (Westrex Recording System)
Aspect Ratio 2.35 : 1
Camera Bausch & Lomb Lenses
Laboratory DeLuxe, Hollywood (CA), USA (color)
Film Length N/A
Negative Format 35 mm
Cinematographic Process CinemaScope (anamorphic)
Printed Film Format 35 mm