#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – In 1930, in Belgium, Gabrielle van der Mal is the stubborn daughter of the prominent surgeon Dr. Pascin Van Der Mal that decides to leave her the upper-class family to enter to a convent, expecting to work as nun in Congo with tropical diseases. She says good-bye to her sisters Louise and Marie; to her brother Pierre; and to her beloved father, and subjects herself to the stringent rules of the retrograde institution, including interior silent and excessive humbleness and humiliation. After a long period working in a mental institution, Gaby is finally assigned to go to Congo, where she works with the Atheist and cynical, but brilliant, Dr. Fortunati. Sister Luke proves to be very efficient nurse and assistant, and Dr. Fortunati miraculous heals her tuberculosis. Years later, she is ordered to return to Belgium and when her motherland is invaded by the Germans, she learns that her beloved father was murdered by the enemy while he was helping wounded members of the resistance. Sister Luke finally decides to leave the religious life since she is not able to feel neutral against the invaders of her country.
Plot: After leaving a wealthy Belgian family to become a nun, Sister Luke struggles with her devotion to her vows during crisis, disappointment, and World War II.
Smart Tags: #nun #nurse #belgian_congo #world_war_two #leper_colony #catholic #religion #africa #based_on_book #f_rated #congo #belgium #convent #hospital #tuberculosis #sanitarium #missionary #obedience #brainwashing #cult #psychiatric_nurse
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the art of subtlety
Perched high atop the list of the finest American movies of the 1950’s, Fred Zinnemann’s “The Nun’s Story” is an intensely beautiful and powerful film about a woman who undergoes a crisis of faith and, through her struggle, learns the importance of finding one’s true path in life. Based on the novel by Kathryn Hulme, the film tells the story of Gabrielle van der Mal, a Belgian woman who enters the convent in the 1930’s, spends a brief period working as a nurse in the Congo, then leaves the order after years of intense personal struggle with herself and with God. Among American films of its time, “The Nun’s Story” stands virtually alone in its ability and willingness to dramatize a conflict taking place in the deepest recesses of a character’s mind and soul.
Audrey Hepburn – sans makeup and the kind of fashion-plate wardrobe that had already become the hallmark of her movie career – delivers one of her richest performances as the strong-willed and fiercely independent Sister Luke, whose very psyche is torn asunder by the battle between her own innate, personal pride and a sincere desire to live a life of obedience to the Church and its rules. With everything but her countenance hidden beneath a nun’s habit, Ms. Hepburn is forced to draw on her resources as an actress, having to convey the titanic internal conflict taking place within her character almost entirely through facial expressions, vocal intonations and body language. And she proves herself more than equal to the challenge. She is brilliantly complemented by Peter Finch, playing the cynical but humane Dr. Fortunati, a dedicated surgeon who is as concerned about Sister Luke’s spiritual health as her physical health. The relationship between the two is handled with a great deal of subtlety and tact, never allowing the obvious romantic attraction between the two attractive people to come too much to the fore. Rounding out the excellent cast are Dean Jagger as Gabrielle’s loving and concerned father, Peggy Ashcroft and Mildred Dunnock as two older nuns who help guide Sister Luke along the way, and the incomparable Edith Evans, simply astounding as the Reverend Mother who sees unwavering devotion to God and the Church as the one and only goal of a serious nun.
Among other things, “The Nun’s Story” is that rare film dealing with religion and spirituality that doesn’t contain a single hokey or sentimental moment, that knows the difference between religion and religiosity, that is respectful without being unduly reverential, and that acknowledges the complexity of the human heart in matters of devotion and faith. It also is not afraid to take its time to set the scene and tell its story, never feeling the need to rush headlong into the next dramatic moment just to keep the movie going. In a perfect blending of form and content, the film is every bit as thoughtful, subtle and contemplative as its subject matter, its mood greatly enhanced by the rich and beautiful Franz Waxman score that underlines the seriousness of the work.
In addition to all its other fine virtues, “The Nun’s Story” features one of the greatest final scenes and closing shots in motion picture history, a masterpiece of precision and understatement that demonstrates the kind of taste Zinnemman always displayed as a director. The movie is made up of small, beautifully observed moments that, when put together, provide a powerful glimpse into the heart and life of a fascinating, caring individual who wants to do great things in the world but who realizes that the path she has chosen is not the one that will ultimately lead her to her rightful destiny.
On every level of film-making, this is truly one of the greats.
You can cheat your sisters, but you cannot cheat yourself or God.
Eight Oscar nomination, five Golden Globe nominations, and five BAFTA nominations, with a win for Audrey Hepburn for Best British Actress indicates that this was one of the best films of 1959. Unfortunately, it had to go up against Ben Hur for most awards. That doesn’t take a bit from it’s excellence and entertainment value.
This is an utterly fascinating story of a young nun (Audrey Hepburn), and a non-believing doctor (Peter Finch). Sister Luke (Hepburn) is constantly challenged in sticking to her vows, especially the one of obedience.
She chaffed at the rules that did not leave room for common sense. Is it better to strictly obey or to do more good in disobedience? It is a question asked over and over.
Things become more difficult as WWII starts. Now, the rules must be set aside to help the war effort. Eventually, the conflict between the rules and her need for independence is resolved.
Hepburn was fantastic, as was Finch. Well worth seeing.
Original Language en
Runtime 2 hr 29 min (149 min)
Rated Not Rated
Director Fred Zinnemann
Writer Robert Anderson (screenplay), Kathryn Hulme (book)
Actors Audrey Hepburn, Peter Finch, Edith Evans, Peggy Ashcroft
Awards Nominated for 8 Oscars. Another 11 wins & 16 nominations.
Production Company Warner Bros.
Sound Mix Mono (RCA Sound Recording)
Aspect Ratio 1.78 : 1
Film Length N/A
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm