#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Bertrand Tavernier is in top form with this gripping, superbly mounted drama set against the savage Catholic/Protestant wars that ripped France apart in the 16th century. Based on a novella by the celebrated Madame de Lafayette, the action centers on the love of Marie de Mezières for her dashing cousin Henri de Guise, thwarted when her father’s political ambitions force her into marriage with the well-connected Philippe de Montpensier, who she has never met. When Philippe is called away to fight, she is left in the care of Count Chabannes, an aging nobleman with a disdain for warfare, and soon becomes exposed to the sexual and political intrigues of court.
Plot: Set in the high courts of 16th Century France, where the wars of religion between Catholics and Protestants are raging. Marie de Mézières, a beautiful young aristocrat, is in love with Henri de Guise, but her hand in marriage is promised to the Prince of Montpensier.
Smart Tags: #male_rear_nudity #horse_riding #castle #pubic_hair #male_pubic_hair #period_drama #16th_century #love #female_rear_nudity #male_full_frontal_nudity #female_frontal_nudity #based_on_novella #reference_to_princess_de_cleves #violence #learning_to_write #barbarism #mask #passion #unfaithful_wife #duel #wild_boar_hunting
|6.5/10 Votes: 3,696|
|6.4 Votes: 207 Popularity: 9.384|
Flavours of love
My love affair with cinema started as a teenager with a chance viewing of Patrice Chéreau’s La reine Margot (1994) late one night on TV. It’s a lavish costume drama set at the same time as The Princess of Montpensier including some of the same characters, both with key scenes set during the St Bartholomew’s Day Massacre in 1572. So this felt like a return to the beginning for me, a special occasion.
I feared it may have been a wasted ticket at the start as it opens with a rather bombastic action sequence that looked too staged and was drowned by Hollywood “big music”, ludicrous percussion-heavy seat-shaking stuff. Perhaps Tavernier caught a bug working in the States on In the Electric Mist. Of course such antics may be right up your street if you are a Gladiator fan. By the way I felt the first scene portrayed the Comte de Chabannes and cohorts as being too reckless with their lives, unrealistically so.
However the film improved, and Chabannes cut an iconic figure in his odd Spanish hat. The film was based on the short story of the same name by Madame de La Fayette, which I definitely intend to read now.
The drama concerns the Princess of Montpensier (Mélanie Thierry) who is loved by four very contrasting men. Will she choose the right one? Haha, that would not be very interesting now would it? I think it’s somewhat of a breakout role for the stunning Mélanie Thierry, who has been in some potboilers as well as having a very gamine role as the passive object of Danny Boodmann T.D. Lemon Nineteen Hundred’s affections in Giuseppe Tornatore’s The Legend of 1900 back in 1998. She is the very essence of the type of woman that a man develops amour fou for. The best casting decision I’ve seen all year for sure, though it would have helped if Tavernier had been a better director of actors.
I did feel there was a strange lack of pathos in the movie, I think generally a director requires actors to emote, to show what they are thinking on their faces. This is the great artifice of cinema. I’ve seen a few Tavernier films and I don’t think he likes to get them doing that. In a way I think that makes the movie quite abstract. The plot is so sheerly powerful by itself that I was enraptured.
I like the way the movie quotes the sentiments from Hebrews Chapter 11 Verse 1: “Now faith is the substance of things hoped for, the evidence of things not seen.” Faith is something that we’ve lost to a degree in western life, making life seem a pointless charade. Good watching. 10/10 as I’m a sentimental fool.
To Claire, impertinently.
I basically just loved it
I don’t think it’s exactly a ten star picture, it’s a modest film, despite the wide-screen, but I’m giving it ten because I think it is being undervalued here for failing to be what it’s not trying to be. For example, the opening sequence is pretty strange action, I guess. No blood. A bit unrealistic in a way. But then suddenly, there it is. Real blood, real pain, real horror, out of nowhere. My feeling is that the “unreal” prior action exists to make the contrast hit home hard, creating a spiritual (to call it that) turning point out of butchery as usual. It’s making a point.
But then I like Tavernier a lot, and I’ve learned to accept his way of coming at a story. Like his laid-back, almost lethargic version of Jim Thompson’s brutal Pop. 1280, Coup de Torchon. The first time I saw it was frustrating; I thought he’d missed the book. Seeing it again, I just watched what was on the screen, and had a real good time.
Queen Margot, this film’s more romantic twin, is one of my favourite movies because it pulses with so much colour and movement and life. The Princess of Montpensier is pulsing with something else. Pulsing with limitation? I don’t know. The characters are all so trapped — in the situation, in the era, in themselves. It’s more sad than full blown tragic, and in that respect perhaps truer to life as it’s lived and later understood, rather than dreamed. More like a Rossellini history film, say, than a contemporary, high production values epic.
Beautiful to look at and lovely to listen to though, no doubt about it. And yet, at the same time, dry (the way that wine can be) and philosophical, in the sense of resigned. A song of experience, and quietly sustained anger, that tugs at your mind rather than your heart strings. Which appealed to me. In the right mood, allowed to do it’s own thing at it’s own pace, it’s really good. I didn’t even want to return it to the library, I kept putting it off until I started getting emails.
Original Language fr
Runtime 2 hr 19 min (139 min)
Rated Not Rated
Genre Action, Drama, History, Romance, War
Director Bertrand Tavernier
Writer Jean Cosmos (dialogue), Jean Cosmos, Madame de La Fayette (short story), François-Olivier Rousseau, Bertrand Tavernier
Actors Mélanie Thierry, Lambert Wilson, Gaspard Ulliel, Grégoire Leprince-Ringuet
Country France, Germany
Awards 2 wins & 9 nominations.
Production Company Centre National de la Cinematographie, CinéCinéma, France 2 Cinéma, StudioCanal, Région Auvergne, Centre Images, Canal+, France 3 Cinéma, Cinémage 4, Filmförderungsanstalt, MEDIA Programme of the European Union, Paradis Films, France Télévision, Pandora Filmproduktion, Banque Postale Image 3, Outsider Productions
Sound Mix Dolby Digital, DTS
Aspect Ratio 2.35 : 1
Camera Panavision Panaflex Millennium XL, Panavision Primo, E- and G-Series Lenses, Panavision Panaflex Millennium, Panavision Primo, E- and G-Series Lenses
Film Length N/A
Negative Format 35 mm (Fuji Super F-64D 8522, Eterna 250D 8563, Reala 500D 8592)
Cinematographic Process Panavision (anamorphic)
Printed Film Format 35 mm, D-Cinema