#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – In 1975, San Fernando Valley teen Joan Larkin reinvents herself as Joan Jett, a guitarist who wants to form an all-girl punk band. She pitches the idea to a sleazy manager, Kim Fowley, who pairs her with a drummer and then searches for a face: he finds Cherie Currie, at age 15, the perfect jailbait image for his purpose; by luck, she can sing. Two others round out the band, The Runaways. Fowley books a tour, signs them to Mercury Records, and packs them off to crowds in Japan. Seeds of conflict sprout early: Fowley puts Cherie front and center in the publicity, she’s soon strung out on drugs and vodka, and jealousies arise. Without adult supervision, where can Joan and Cherie end up?
Plot: Joan Jett and Cherie Currie, two rebellious teenagers from Southern California, become the frontwomen for the Runaways — the now-legendary group that paved the way for future generations of female rockers. Under the Svengali-like influence of impresario Kim Fowley, the band becomes a huge success.
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|6.5/10 Votes: 46,552|
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Inappropriate and in your face. The way any movie about The Runaways should be.
“You hear that? That’s the sound of hormones raging.”
The Runaways is at the opposite end of the spectrum from most recent music biopics. Where movies like Ray and Walk the Line aim for emotional resonance and creating a connection between an iconic figure and the audience, The Runaways is about style, dramatics, and looking good. Which is pretty in line with what the band was about. The sobriety of those movies I previously mentioned wouldn’t have worked for such a hyper- kinetic story as this one. Sure, the movie slows down a bit when the crash and burn sets in, but the focus on style, sound and imagery is never really replaced by anything else. And I mean that as a compliment.
Michael Shannon didn’t really work for me as Kim Fowley, but the movie wasn’t really about him, anyway. The five girls playing the group seemed to have an inappropriate amount of fun with their roles, and who wouldn’t? You can’t help but be impressed by their performances, they play and act like a real band. But no doubt about it, this is Kristin Stewart’s (Joan Jett) and and Dakota Fanning’s (Cherie Currie) show. They don’t let you forget it. Not many actresses their age would have the talent and the balls to take something like this on. They do it, and do it right. I left the movie with a healthy amount of respect for both of them.
The entire movie plays out like a music video about all the things you would be mortified of seeing your teenage daughter doing, but of course, would make her cool to do. Which makes sense, as the director (Floria Sigismondi) is best known for directing music videos. The cinematography gleefully sells the same excess, ego, and intoxication that the Runaways’ image did. All the band’s songs that are woven throughout the movie keep it moving at a super-charged pace.
You have to tailor the tone of a film to its subject matter, in order for it to be successful. The Runaways is the true(ish), female version of sex, drugs, and rock & roll, and I couldn’t help but really enjoy every bawdy and inappropriate minute of it. Get in a Runaways frame of mind, or don’t even bother with this one.
Engrossing tale of innocence lost … with great music!
Just caught a special screening of The Runaways last night at the Laemmle on Sunset, and it more than exceeded expectations. The leads (Kristen Stewart, Michael Shannon and Dakota Fanning) do an admirable job playing the sullen budding rock star, whacked-out manager and reluctant front girl. At first, it looked as though Stewart was going to fall back on her woe-is-me (woe-is-us who have to suffer through it) Bella character in Twilight, but her performance as Joan Jett soon showed a shyness and vulnerability that made the role three dimensional and overall enjoyable. Shannon gives a wonderful turn as Kim Fowley, The Runaways’ too-brilliant-for-his-own-good manager and has some of the best lines in the movie (my friend and I were giddy every time he opened his mouth). But the real star here is Fanning as the innocent Cherie Curie, who didn’t ask to be a star but was thrust into the spotlight nevertheless. Watching her downward spiral from innocent young woman (the film opens with her getting her first period) to trying to buy a jug of vodka for breakfast is where this movie soars above others of its ilk. With her big baby blues (wow, those eyes), Fanning portrays innocence lost more effectively than any other actress I can remember. She should be considered for many awards for her performance. Did I mention those eyes?
All in all, The Runaways is a fantastic movie. The direction, though “arty” at times, fits in well with the rock ‘n’ roll themes. The script is nearly pitch perfect without being preachy or excessive. The performances great. The soundtrack genius (from Bowie to The Stooges to The Sex Pistols – and even a few Runaways songs). But what really adds to the authenticity of the 70’s period piece are the costumes and set design, which transport the audience back into a time when women rockers were practically unheard of. Some of the fashion (where did they find all those platform heels?) even takes on a life of its own. Looking forward to watching this little gem again.
Original Language en
Runtime 1 hr 46 min (106 min)
Genre Biography, Drama, Music
Director Floria Sigismondi
Writer Floria Sigismondi (screenplay), Cherie Currie (book)
Actors Kristen Stewart, Dakota Fanning, Michael Shannon, Stella Maeve
Awards 6 nominations.
Production Company River Road, Linson Entertainment
Sound Mix Dolby Digital
Aspect Ratio 2.35 : 1
Camera Arriflex 416, Zeiss Master Prime Lenses
Laboratory EFilm (digital intermediate), FotoKem Laboratory, Burbank (CA), USA
Film Length N/A
Negative Format 16 mm (Kodak Vision3 500T 7219)
Cinematographic Process Digital Intermediate (2K) (master format), Super 16 (source format)
Printed Film Format 35 mm (anamorphic) (blow-up)