Watch: The Shadow 1994 123movies, Full Movie Online – Based on the 1930s pulp fiction and radio drama series, this movie pits the hero against his arch enemy, Shiwan Khan (John Lone), who plans to take over the world by holding a city ransom using an atomic bomb. Using his powers of invisibility and “The power to cloud men’s minds”, The Shadow (Alec Baldwin) comes blazing to the city’s rescue with explosive results..
Plot: Based on the 1930’s comic strip, puts the hero up against his arch enemy, Shiwan Khan, who plans to take over the world by holding a city to ransom using an atom bomb. Using his powers of invisibility and “The power to cloud men’s minds”, the Shadow comes blazing to the city’s rescue with explosive results.
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|6.0/10 Votes: 25,729|
|34% | RottenTomatoes|
|50/100 | MetaCritic|
|N/A Votes: 426 Popularity: 9.332 | TMDB|
What’s that in the shadow?
The Shadow is directed by Russell Mulcahy and is based on the character of the same name created by Walter B. Gibson. It stars Alec Baldwin in the title role and support comes from John Lone, Penelope Ann Miller, Peter Boyle, Ian McKellen & Tim Curry. It’s written by David Koepp who was a fan of the radio show that was re-run when he was a child. The plot basically sees Lamont Cranston (Baldwin) gain an alter ego (The Shadow) in mystical Tibet and with his new powers sets about fighting crime back in the states. All is going well until Shiwan Khan (Lone) shows up. He’s the last descendant of Gengis Khan, and in keeping with that particular family tree, he’s intent on global domination.
There’s a lower tier of super hero movies that have either been poorly received in comparison to the big hitters like Bats, Supes and Spidey, or simply forgotten on account of how bad they are. The likes of “Daredevil”, “The Phantom”, maybe even “Darkman” and this here 94 piece, “The Shadow”, are rarely mentioned by the super hero fan. Perhaps rightly it could be argued? But in spite of the tepid and unimaginative plot, “The Shadow” is an above average time filler that’s at the least visually impressive. The 1930s Manhattan setting is excellently brought to life by the makers, and a pat on the back is due to them for not over doing the special effects. It looks and feels pulpy, and really there’s nothing wrong with that at all. The cast in truth are just about OK, either under written or merely swamped by the production design, they turn up and play the movie as best they can.
Hardly ground shaking and not really pumping the blood as an action movie should. “The Shadow” does however have a dreamy quality that makes it worth a watch. Perhaps a sequel or a remake with a better story may just arrive one day? 6/10
_**Genghis Khan’s descendant intrudes upon The Shadow’s urban world in 1930**_
After some kind of epiphany and receiving training in Tibet in the 20s, Lamont Cranston (Alec Baldwin) fights corruption in New York City in 1930-31 as the mysterious Shadow. When the last descendant of Genghis Khan comes to town (John Lone) Cranston sets out to stop his diabolic plans. Penelope Ann Miller plays a socialite, Ian McKellen her father, Tim Curry a mad scientist, Peter Boyle the Shadow’s cab-driving partner and Jonathan Winters the police commissioner.
“The Shadow” (1994) is a worthy enough cinematic version of the radio/pulp/comic character that debuted in 1930. The movie obviously borrowed from “Batman” (1989), which is ironic since The Shadow partially inspired the character of Batman, who debuted almost nine years later in 1939. Anyone who likes the Batman tetralogy, “Dick Tracy” (1990) and “The Rocketeer” (1991) should appreciate this.
The best parts beyond the superb recreation of New York City circa 1930 are Alec Baldwin as the shadowy crime-fighter and the authentic look of the Shadow. Baldwin was still lean & mean at the time and has that dark side to his personality to pull off Lamont Cranston. Meanwhile the look of the Shadow is perfect (with a prosthetic nose).
While I liked the movie, it would’ve been better if they removed the campy elements (e.g. Tim Curry) and shot for the more serious, darker air of the future “Batman Begins” (2005), which was obviously influenced by this movie. Don’t get me wrong, the flick is serious and dark to a point, but there’s some eye-rolling comic book camp that plagues the proceedings.
Since Cranston/the Shadow is easily the most interesting character, more focus needed spent on him. Instead we get this jarring supervillain when the story would’ve worked better with a more mundane rogue akin to Marvel’s Kingpin.
The film runs 1 hour, 47 minutes, and was shot at the Universal backlot in Hollywood on five sound-stages with a five-day mini-unit tour of location shooting at Ambassador Hotel & Pantages Theatre in Los Angeles, Mayfield Senior School in Pasadena and Alabama Hills in Lone Pine, California.
Fun Film, Beautiful Looking, Great Performances
Before BATMAN, there was THE SHADOW. In the history of troubled billionaires donning disguises at night, THE SHADOW told the story of Lamont Cranston before Bruce Wayne’s story filled DC Comics’ pages. Finally, in 1994, the long-running radio drama came to life on the big screen in one of the best adaptations since Tim Burton brought The Dark Knight to the silver screen in 1989. For some reason, the movie never caught on with the public; maybe not as many people remembered the radio version as I did. I loved it, though; I could watch this film again and again.
Alec Baldwin (BEETLEJUICE, HUNT FOR RED OCTOBER) plays Lamont Cranston, a former drug lord who is captured by a Tibetan monk and retrained to fight evil as his penance for doing it. Cranston’s power is a kind of hypnotic telepathy; he has the power to “cloud men’s minds”, which he uses to make himself invisible to evildoers except for his shadow (because light itself can never be fooled).
Cranston lives an exciting double life in what is apparently a glamorized version of the 30’s, playing the town as a billionaire playboy and building up a secret network of helpers from those he saves as The Shadow (each identified with a silver fire opal ring given them upon their rescue), until he meets his match in two ways: Cranston loses his heart to enchanting-but-scatterbrained Margo Lane (Penelope Ann Miller), and The Shadow must fight his evil counterpart, Shiwan Khan (John Lone), last descendant of Genghis Khan, who has a hypnotic telepathy of his own and is seeking to bring life as we know it to an end using elements that have never been combined before (Dr. Roy Tam to Cranston: “I guess you’d call it an implosive-explosive-submolecular destruction device.” Cranston: “Or an ‘atomic bomb’.” Tam: “Hey, that’s catchy.”).
Forget trying to follow the plot; like BATMAN, the plot isn’t the point. The point is the look and feel of the movie, and this movie has glamour and pizazz to spare. 1930’s New York City has NEVER looked better. The special effects are brilliant (at one point, as water rises in an enclosed room, the invisible Shadow’s legs make deep dents in the rising water) and very well used throughout, so that they are not intrusive but rather a part of the story. Like BATMAN, there’s also a large assortment of anachronistic gadgetry (pneumatic tubes delivering messages over a sophisticated network, video phones, elaborate neon billboards) that somehow work with the story as well. And the acting–Baldwin, Miller, Lone, Peter Boyle as Cranston’s driver, Tim Curry as an evil scientist in league with Lone, Ian McKellen as Margo’s father, another scientist whose discoveries are exploited by Khan–is also first-rate. THE SHADOW is the perfect Saturday Night movie: Fun to watch, attractive-looking, and not terribly taxing on the brain. Go see it.
Old-fashioned and fun adventure with an enthusiastic portrayal of a stalwart hero
Exciting version of the popular comic books and broadcasting tale about the immortal crusader called ¨The Shadow¨ with very watchable FX and lots of fun . Several visual designs provide the highlights for those in the mood for a journey back to the radio past or a quick superhero adventure . As our stalwart hero , a billionaire playboy named Lamont Cranston (Alec Baldwin) is a master of illusion and defender of justice thanks to his alter ego . Aided by companion Margo Lane (Penelope Anne Miller) and a Cabman (Peter Boyle) he battles super-criminal named Shiwan Khan (John Lone) . He discovers his destiny and a old legacy as a superhero called The Shadow , the invisible man who walks , a seemingly relentless crime fighter . A mask and raincoat he finds himself battling his nemesis , the deadliest descendant of Ghengis Khan . He’s helped by an attractive woman and both of whom travel to dangerous streets N.Y. to thwart a nasty criminal . Khan is a cold and megalomaniac killer who murders cruelty his victims, he wants to take a power to dominate the world , he is supported by a particular ally , a smarmy villain (Tim Curry) and his hoodlums . The hero and villain have equal powers , yet the heroine can be hypnotised by one and no other . The picture charges into a tale of a hero who turned from evil in Tibet and reemerged in New York City as a superhero holding extraordinary power to fight in that most wretched lair if iniquity . As in 30’s New York City, the Shadow battles his enemy who is building an atomic bomb. But the caped crusader is trapped inside a locked chamber being helped by his girlfriend .
The Shadow is shown in this highly stylized big screen adaptation of the 30’s radio show , the once starred by Orson Welles . Film gets exotic locations , derring-do adventures ,rip roaring , action-packed , tongue in check , it’s a cinematic roller coaster pretty entertaining and with well made set pieces action , including numerous and elaborate FX . This exciting picture provides splendid production design by Joseph Nemec , while done more dynamically elsewhere , are fun and outstanding . This is an ambitious fantasy adventure with breathtaking special effects ; it has some well-staged scenes whose effectiveness owes much to Russell Mulcahy’s strong pictorial sense . Older kids , teenagers may find the proceedings a bit hokey and paying little attention to logic , but everyone seems to be having a good time . The picture is a crossover among comic-strip hero , superhero feats , Saturday matinée serials and old-fashioned thirties movies . As this runs like an old Republic serial of the thirties or Forties on a multi-million dollar budget . Its arresting visuals , lavish realization and crude energy put filmmaker Russell Mulcahy on the map . Much of the dialogue springs as if balloons from the printed page and the interpretation is appropriately rudimentary . The picture has great loads of action , special effects abundant , glamorous cinematography by Stephen Burum and spectacular Jerry Goldsmith’s musical score , including an enjoyable leitmotif .
The motion picture includes an interesting script by prestigious David Koepp and was rightly directed by Russell Mulcahy . Russell for some time worked in Britain as a filmmaker of video clips , but returned to his native country , Australia , to make his first fictional movie , ¨Razorback¨ . He was able to get the backing for what proved to be his greatest success ¨Highlander¨ . It led to two sequels , the first of which was realized by himself titled ¨Quickening¨ . He subsequently directed ¨Resurrection¨with Charlie Sheen and ¨Talos the mummy¨ , among others . Despite major stars and big budgets with which to work have not fulfilled their potential and he seemed less commanding with players than with action . The flick will appeal to adventure fans and comic-books enthusiastic . Rating : Good and amusing. Well worth seeing.
Original Language en
Runtime 1 hr 48 min (108 min), 1 hr 33 min (93 min) (edited) (Canada)
Genre Action, Adventure, Crime
Director Russell Mulcahy
Writer Walter B. Gibson, David Koepp
Actors Alec Baldwin, John Lone, Penelope Ann Miller
Country United States
Awards 4 nominations
Production Company N/A
Sound Mix DTS-Stereo, DTS, Dolby SR
Aspect Ratio 1.85 : 1
Camera Panavision Cameras and Lenses
Laboratory DeLuxe, Hollywood (CA), USA
Film Length 2,935 m (Sweden)
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm