#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – In 2005, the only thing hurting Los Angeles Times columnist Steve Lopez more than his face from a recent bike accident was his pressing need for story ideas. That is when he discovers Nathaniel Ayers, a mentally ill, homeless street musician who possesses extraordinary talent, even through his half-broken instruments. Inspired by his story, Lopez writes an acclaimed series of articles about Ayers and attempts to do more to help both him and the rest of the underclass of LA have a better life. However, Lopez’s good intentions run headlong in the hard realities of the strength of Ayers’ personal demons and the larger social injustices facing the homeless. Regardless, Lopez and Ayers must find a way to conquer their deepest anxieties and frustrations to hope for a brighter future for both of them.
Plot: A Los Angeles journalist befriends a homeless Juilliard-trained musician, while looking for a new article for the paper.
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I am a musician and live in France, where the release date of this movie is scheduled for Sept. 2 2009. I obviously cannot write a review at the present time but have nevertheless read the book.
What no one mentions in all of the above comments is that Nathaniel Ayers was originally a Double Bass student at Julliard and NOT a cellist. That instrument– along with the violin, trumpet, and piano, all came about later on. Put any instrument into his hands and he’ll do his best to master it.
Having attended Yale university, I did not know him personally, even though we studied with one of the greatest bass teachers in the New York area at that time: Homer Mensch. Recently our paths did finally cross thanks to one of our mutual acquaintances, bassist and composer Joe Russo. Nathan likes to write down the names of his long lost good friends on walls, or any writing surface, and Joe’s name is always there, scribbled amongst his favorites. This was where Steve noticed Joe’s name and Googled him to look up his website. A new and close friendship resulted between them, and the many anecdotes that Joe pulled out of Nathan’s past were worth their weight in gold to Steve, enough to devote the entire chapter 8 of the book to Joe!
To me, reading this book made me come to the conclusion that every man has his hour in life, and Nathan’s time had come now. The chances of 2 men, one homeless and one not, being pulled together through the sound of a violin in a rush hour tunnel, were undoubtedly written in the stars. Through articles, a book and now a film on Nathan, Steve helped uplift a poor and abandoned part of society to a rank that it never imagined nor asked for, but morally deserved. We all know that the Internet is indeed capable of connecting and reconnecting people in the present, but only music can magically, throughout time, open the doors that connect all of us to one another.
“The Soloist” Will Carry You Home
Robert Downey Jr. is amazing in Joe Wright’s “The Soloist”. Downey is powerful, and embodies such humanity and compassion. His performance is never self-conscious, all about the character and the story. There is a quiet scene where Downey’s Steve Lopez confesses to his ex-wife Mary (wonderful Catherine Keener) about Nathaniel Ayers (Jamie Foxx), “He’s got a gift ” But Steve is at the breaking point in his efforts in helping the disturbed former child protégée. Keener consoles, “You are not going to cure him All you can do is be his friend.” “The Soloist” is brilliant in its catharsis and simplicity. Director Joe Wright (“Atonement”) literally orchestrates powerful and touching performances from Downey and Foxx. Screenwriter Susannah Grant does a virtuoso translation of Los Angeles Times columnist Steve Lopez’s book. I loved “The Soloist”. “The Soloist” is so compelling in its humanity.
Based on a true story, “The Soloist” tells the story of Steve’s (Downey) friendship with Nathaniel (Foxx). By accident L.A. Times writer Steve Lopez meets Nathaniel Ayers on his lunch break in the park. The homeless Nathaniel is playing Beethoven on his two string violin. Nathaniel admits to Steve, “ I’ve had a few set backs.” Steve sees a potential story in this—for him. After initial research, Steve discovers that Nathaniel was a student at Julliard, who mysteriously dropped out in 1970. Through Grant’s narrative we learn that the musical genius Nathaniel may have battled schizophrenia since childhood.
“The Soloist” follows Steve’s journey to salvage Nathaniel’s life. Wright and Grant also make us aware of the plight of the homeless in Los Angeles, and the efforts of such noble causes as LAMP. They also provide insight into the pain and suffering of the mentally ill and challenged. To that end Jaime Foxx is defined authenticity. As Nathaniel, Foxx brilliantly stays the course, because his character will not change. That transformation is left to Downey’s Steve, who must deliver on their partnership. Downey astounds. He is so believable and compelling as the good and decent man doing his best, and at a loss as to what to do. At one story arc, Nathaniel tells Steve, “I love you.” That is not what Steve wanted to hear, because now he is responsible for another. He confesses to the LAMP director, “I don’t want to be his only thing!”
The most astounding thing about Downey’s compassionate performance is displayed when he is listening and in his silence. There is a breathtaking scene where Steve gives Nathaniel a cello, and eyes widen as he listens to Nathaniel play. He and Foxx have a touching screen partnership. I was in awe in a scene where Downey and Foxx sit together and listen to a Los Angeles Symphony rehearsal at the Disney Concert Hall.
“The Soloist” at times is off paced and is distracted by some narrative turns. However, it has great heart. Jaime Foxx is compelling and true. Robert Downey Jr. is electrifying. This is truly his movie—he is awesome. In the words of Downey’s Steve, “Being his friend will carry you home.” See “The Soloist”, and allow yourself to be moved.
Original Language en
Runtime 1 hr 57 min (117 min)
Genre Biography, Drama, Music
Director Joe Wright
Writer Susannah Grant (screenplay), Steve Lopez (book)
Actors Jamie Foxx, Robert Downey Jr., Catherine Keener, Tom Hollander
Country UK, France, USA
Awards 1 win & 3 nominations.
Production Company Working Title Films, Krasnoff/Foster Entertainment
Sound Mix Dolby Digital, SDDS, DTS
Aspect Ratio 2.35 : 1
Camera Panavision Panaflex Millennium XL2, Panavision C-, E-Series, ATZ and AWZ2 Lenses, Panavision Panaflex Platinum, Panavision C-, E-Series, ATZ and AWZ2 Lenses
Laboratory DeLuxe, Hollywood (CA), USA (prints), EFILM Digital Laboratories, Hollywood (CA), USA (digital intermediate)
Film Length 3,227 m (Portugal, 35 mm)
Negative Format 35 mm (Kodak Vision2 200T 5217, Vision3 500T 5219)
Cinematographic Process Digital Intermediate (4K) (master format), Panavision (anamorphic) (source format)
Printed Film Format 35 mm (Kodak Vision 2383), D-Cinema