#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Lou-Jean, a blonde woman, tells her husband, who is imprisoned, to escape. They plan to kidnap their own child, who was placed with foster parents. The escape is partly successful, they take a hostage, who is a policeman and are pursued through to Texas…
Plot: Married small-time crooks Lou-Jean and Clovis Poplin lose their baby to the state of Texas and resolve to do whatever it takes to get him back. Lou-Jean gets Clovis out of jail, and the two steal their son from his foster home, in addition to taking a highway patrolman hostage. As a massive dragnet starts to pursue them across Texas, the couple become unlikely folk heroes and even start to bond with the captive policeman.
Smart Tags: #texas #hostage #pursuit #highway #police_car #kidnapping #manhunt #car_chase #prison_break #convicted_felon #prison_escape #stolen_car #fugitive #jail_break #texas_ranger #chase #child_custody #based_on_true_story #u.s._mexico_border #year_1969 #lens_flare
|6.8/10 Votes: 15,610|
|6.5 Votes: 220 Popularity: 10.057|
Early Spielberg is just as fun as any Spielberg
There’s something so incredibly fascinating about watching the humble beginnings of a director as renowned as Stephen Spielberg. The Sugarland Express is one of his earliest films and it is not of the calibre of films like Jaws, Close Encounters of the Third Kind, and the Indiana Jones franchise, but it still remarkably entertaining. It tells the story of two lovers who go on a mad run from the law in order to kidnap their son from his foster parents. Lou-Jean, played by Goldie Hawn, breaks her husband, Clovis, out of jail in order to do so and this sparks mad paranoia in the two. The run from the law doesn’t occur until the two kidnap a policeman and his vehicle, forcing him to drive them to Sugarland, Texas in order to find their baby boy. This is a wild, exciting, often hilarious film, and to top it all off it’s based on a true story.
I think what defines this film more than anything is the distinct new Spielberg smell. It has all of the things we recognize from the bigger Spielberg films, just on a much smaller scale. The dialogue flows so naturally and fits right in with the action and camera work of the film. There are lots of familiar camera techniques in the film, especially the fluid camera movement that goes on within the confines of the police vehicle, where a lot of the film takes place. Nothing is as grand and widespread as Spielberg’s classics, but anyone who respects the genius can respect this film for what it is because, like it or not, this is where it all began.
But not only is The Sugarland Express a fascinating look into how Spielberg got his start, it is also just an incredibly fun film. Goldie Hawn plays the border line psychopath mother perfectly. She wants nothing more than to see her baby boy again, and she won’t let anything stop her. The film hits both ends of the spectrum very nicely. A lot of it is very comedic, ranging from cleverly hilarious to downright goofy at times. Yet there are also moments of sincere dramatic tension. Through all of the offbeat wackiness, the film never forgets the situation it is dealing with. Despite everything, it is still two convicts running from the law, a subject that the characters must handle with care. And the film brings this to light very well, as it is very gripping at moments, and almost touching at others.
The Sugarland Express isn’t much more than a very exciting adventure story with some enticing moments of drama thrown in, but you have to love it for that. It doesn’t try to be much more and it pulls off everything it wants to deliver with a lot of talented finesse and grace. This is not a film to miss. It’s only mistake was coming right before Jaws, a masterpiece that overshadowed it greatly, hence why we know that name, but few of us have heard of the pleasant little gem that is The Sugarland Express.
Man, I forgot how much fun this movie actually was. In my mind it was a heavy drama but on my recent viewing (finally it’s on DVD!) I rediscovered this movie and found out how fun it was. It kind of has the same fun feeling the other ‘based on a true story’ Spielberg movies: “Catch Me If You Can” and “The Terminal” have.
The movie is made with lot’s of profession and very little money. The small budget does not stop Spielberg of making a good movie. This movie was also the first Vilmos Zsigmond/Steven Spielberg collaboration. They later worked together on “Close Encounters of the Third Kind”. But more importantly; it also was the first collaboration of John Williams and Steven Spielberg, one of the most successful collaborations in movie history, as later turned out.
the movie features a young Goldie Hawn and William Atherton who I really like as an actor. Atherton is probably best known for his role in “Die Hard 1 & 2”, “Ghostbusters” and the more recent movie “The Last Samurai” in which he has a small part early in the movie.
It might be a bit too slow and probably boring for some people but I still recommend this movie. It has both action and substance. In a way also a must see because it was Spielberg his first real big hit and can be regarded as his breakthrough.
Original Language en
Runtime 1 hr 50 min (110 min)
Genre Crime, Drama
Director Steven Spielberg
Writer Hal Barwood (screenplay), Matthew Robbins (screenplay), Steven Spielberg (story), Hal Barwood (story), Matthew Robbins (story)
Actors Goldie Hawn, Ben Johnson, Michael Sacks, William Atherton
Awards 1 win & 3 nominations.
Production Company Universal Pictures, Zanuck/Brown Productions
Sound Mix Mono (Westrex Recording System)
Aspect Ratio 2.39 : 1
Camera Arriflex 35 IIC, Panavision C-Series Lenses, Panavision PSR R-200, Panavision C-Series Lenses, Panavision Panaflex, Panavision C-Series Lenses
Laboratory Technicolor, Hollywood (CA), USA
Film Length 3,045 m (Sweden)
Negative Format 35 mm (Eastman 100T 5254)
Cinematographic Process Panavision (anamorphic)
Printed Film Format 35 mm