#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – In early afternoon, four armed men hijack a subway train in Manhattan. They stop on a slight incline, decoupling the first car to let the rest of the train coast back. Their leader is Ryder; he connects by phone with Walter Garber, the dispatcher watching that line. Garber is a supervisor temporarily demoted while being investigated for bribery. Ryder demands $10 million within an hour, or he’ll start shooting hostages. He’ll deal only with Garber. The mayor okays the payoff, the news of the hostage situation sends the stock market tumbling, and it’s unclear what Ryder really wants or if Garber is part of the deal. Will hostages, kidnappers, and negotiators live through this?
Plot: Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day’s work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
Smart Tags: #man_wears_eyeglasses #woman_wears_eyeglasses #train #hostage #subway #hijack #ransom #mayor #hostage_situation #tunnel #stock_market #new_york_city #bribery #threat_to_kill #hijacking #hijacker #die_hard_scenario #african_american_protagonist #scene_after_end_credits #violence #police
|6.4/10 Votes: 187,189|
|6.3 Votes: 2280 Popularity: 12.711|
Pelham Offers Quite a Ride!
The new Tony Scott movie gives one helluva ride, but don’t sit and analyze the plot for credibility during the closing credits, this is not that kind of movie. Four sleazy thugs, who could be spotted as bad guys by a blind man, hijack a Lexington Avenue subway and take passengers as hostages. A ransom-for-hostages negotiation begins via radio between the driver’s compartment on the train and the central control center for the New York City subway system. The premise is hardly new territory, and, for those who have seen the Walter-Matthau-Robert-Shaw version of the John Godey novel, the film is even less original.
However, for audiences that want a night out at the movies with a rousing action flick, “The Taking of Pelham 123” will fill the bill nicely. The editing is often frenetic, and the camera moves even during dialog-heavy scenes. The chases are fast paced, the car crashes are over the top, and the bloody scenes are properly bloody. While all of this is enough for some mindless entertainment, four excellent performances enhance the proceedings and make the film seem better than it is. John Travolta pulls out the stops as Ryder, the head hijacker, and, in his full wacko persona, steals his every scene. As the man on the other end of the phone, bespectacled Denzel Washington, dressed down in everyman frumpy, is quiet and assured, although nothing quite suggests that the character of Walter Garber will or could rise to his climactic actions. James Gandolfini plays the mayor with a sly sense of fun, and John Turturro is a hard-to-gauge hostage negotiator. “Pelham” is a man’s movie, and the women are relegated to small, peripheral roles as wives, conductors, and hostages. How refreshing the film might have been if Scott had cast a female in one of the four main roles.
However, whatever the movie’s flaws, and there are many, “The Taking of Pelham 123” does what it sets out to do: entertain and engage the audience for two hours. Don’t expect more, and you won’t be disappointed, and, in a summer movie, “Pelham’s” assets are exactly what most of us are looking for anyway.
Skip this and see the remarkable original Pelham instead.
When placed side-by-side to the original 1974 classic slow-burning thriller, Tony Scott’s remake looks like Danny Devito did in Twins: inferior in every way. Where Joseph Sargent’s direction was subtle, Scott opts to shove everything down your throat; where Peter Stone’s screenplay from 25 years ago was clever, Brian Helgeland tries too hard to make it hip and cool; and where Walter Matthau and Robert Shaw proved an unlikely but memorable pairing as good guy / bad guy, Washington and Travolta share next to no chemistry. So rather than sentencing this film to death by comparison (which it does deserve mind you) how does it go as a stand-alone picture? Tony Scott is essentially a glorified Michael Bay. Everything is done fast and loud, regardless if the film calls for it or not. Where this has worked for Top Gun or Crimson Tide it fails here. Scott has infused so much needless action with rapid edits and whiplashing camera movements that it proves to be distracting. Even an innocuous conversation between the Mayor and an adviser has a circling camera catching the scene, such is the constant motion Scott feels compelled to instil. It doesn’t stop at the eyes though. Every chance possible our ears are assaulted with unnecessary sounds which are poorly matched to what we see on screen (at one point a helicopter sounds like an F1 car.) Occasionally a film calls for coarse language – some movies can even use excessive language to great effect (Reservoir Dogs or Boondock Saints for example) – however almost every time the F-bomb is dropped in Brian Helgeland’s script, and it happens a hell of a lot, it is simply not required. 99% of the colourful language comes from Travolta’s crim, but instead of emphasising emotion it purely makes him look stupid. Couple this with plot holes galore and this screenplay from the Oscar winner who wrote L.A. Confidential and Mystic River leaves a lot to be desired.
Thank goodness for Denzel. Incapable of delivering a bad performance, Scott’s go-to man (this is their fourth collaboration) salvages this run-of-the-mill action / thriller with his nuanced performance and sheer charisma. As Garber (first name Walter as a nod to Matthau who played his 1974 counterpart), Washington finds a nice balance between your every day worker and someone able to step up in this extreme situation. Travolta doesn’t succeed as the foul-mouthed psycho Ryder at all, his go-for-broke portrayal is laughable and ensures we can never take him seriously. Supporting players Gandolfini and Turturro are solid but don’t have much to do.
Don’t waste your money seeing this on the big screen, wait the six months and rent it on DVD. Better yet, skip this and see the remarkable original Pelham instead.
Original Language en
Runtime 1 hr 46 min (106 min)
Genre Action, Crime, Thriller
Director Tony Scott
Writer Brian Helgeland (screenplay), John Godey (novel)
Actors Denzel Washington, John Travolta, Luis Guzmán, Victor Gojcaj
Country USA, UK
Awards 1 win & 7 nominations.
Production Company Escape Artists, Scott Free Productions
Sound Mix SDDS, DTS, Dolby Digital
Aspect Ratio 2.35 : 1
Camera Arriflex 235, Panavision Primo Lenses, Arriflex 435, Panavision Primo Lenses, Panavision Panaflex Millennium XL2, Panavision Primo Lenses, Panavision Panaflex Platinum, Panavision Primo Lenses
Laboratory Company 3, Los Angeles (CA), USA (dailies) (digital intermediate), Company 3, New York (NY), USA (dailies), DeLuxe, Hollywood (CA), USA (prints)
Film Length 2,772 m (Portugal, 35 mm), 2,891 m (Sweden)
Negative Format 35 mm (Kodak Vision2 250D 5205, Vision3 500T 5219)
Cinematographic Process Digital Intermediate (2K) (master format), Super 35 (source format)
Printed Film Format 35 mm (anamorphic) (Kodak Vision 2383), D-Cinema