#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – An out of work pulp fiction novelist, Holly Martins, arrives in a post war Vienna divided into sectors by the victorious allies, and where a shortage of supplies has led to a flourishing black market. He arrives at the invitation of an ex-school friend, Harry Lime, who has offered him a job, only to discover that Lime has recently died in a peculiar traffic accident. From talking to Lime’s friends and associates Martins soon notices that some of the stories are inconsistent, and determines to discover what really happened to Harry Lime.
Plot: In postwar Vienna, Austria, Holly Martins, a writer of pulp Westerns, arrives penniless as a guest of his childhood chum Harry Lime, only to learn he has died. Martins develops a conspiracy theory after learning of a “third man” present at the time of Harry’s death, running into interference from British officer Major Calloway, and falling head-over-heels for Harry’s grief-stricken lover, Anna.
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|8.1/10 Votes: 159,736|
|8 Votes: 1163 Popularity: 11.726|
Holly Martens (Joseph Cotten) receives a job offer from his friend Harry Lime (Orson Welles) in postwar occupied Vienna. He arrives there only to find that Lime is dead and every witness has a different story. Being a pulp writer, Holly thinks he can solve the mystery.
But this is a Graham Greene story, and the mystery is not just a whodunit but an exploration of evil. Tangling with a nihilistic band of black marketers exploiting the corruption and ruin of a great city after the war, Holly is told that he is in way over his head.
The movie has many unusual touches. Expressionist camerawork increases the feeling of dread. The traditional orchestral accompaniment is eliminated, replaced by a single folk musician playing an eerie tune on a zither. Several scenes of the movie are in un-subtitled Austrian-German, leaving the audience feeling as bewildered as Holly as he tries to communicate with the locals. Holly’s amateur sleuthing is frequently comic, in a story that is deadly serious.
One of the masterpieces of noir cinema.
Nobody thinks in terms of human beings. Governments don’t. Why should we?
The Third Man is directed by Carol Reed and written by Graham Greene. It stars Joseph Cotton, Alida Valli, Trevor Howard and Orson Welles. Music is by Anton Karas and cinematography by Robert Krasker.
When writer Holly Martins (Cotton) travels to Vienna to hook up with his childhood friend Harry Lime (Welles), he is distressed to find that Harry has been killed in a road accident. After attending the funeral, Holly comes to believe that Harry’s death was no accident and begins to try and clear his friend’s name. But nothing is as it first seems…..
It’s well over 60 years since it was released and Carol Reed’s film noir thriller continues to feel fresh and hold up under the closest of critical scrutiny. A haunting tale as it is anyway, the black market racketeers and penicillin tampering bastards leaving an unsavoury taste in the mouth, but the film is still further boosted by the director’s ability to craft unnerving atmosphere by way of style and clinically paced passages of play. Performances are superlative across the board, with the film producing equal amounts of iconography and mischievous myth-making. It stuns with the narrative structure unfolding amongst a post war ravaged Vienna that dovetails with the fractured nature of the human characters.
A maze of moist cobbled streets host chases involving man and long shadows, there’s a fairground scene that is now steeped in folklore, which in turn is a witness to the banality of evil, and of course those cavernous sewers, home to such sullen tones. Reed brings the canted angles, with moral decay the order of the day and a side order of confusion to finally fill your noir hungry bellies. Krasker deals in expressionistic chiaroscuro as Karas plucks away at his Zither to land in your ears for eternity. A murder mystery, a pained romance and a suspense laden film noir, The Third Man is enduring in its qualities. Cuckoo clock and cat, shadowed doorway and the lone sombre walk of a female, it’s still today entertaining the film purist masses and still being pored over by film makers home and abroad. The Third Man, it’s a masterpiece by jove. 10/10
Time for Lime
Who was Harry Lime (Orson Welles)? An evil man, devil in the flesh who was responsible for the unspeakable crimes, yet brilliant, cheerful and charismatic. His most famous words, a short speech written by Welles himself, say a lot about his character and motivations:
“In Italy for 30 years under the Borgies they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love – they had 500 years of democracy and peace, and what did that produce? The cuckoo clock.”
No wonder, we like him, even though we know what he’d done
It has been said thousands of times about the greatest movie entrance ever but what about his ‘exit’ the fingers on the street? I think it is one of the greatest, too
A beautiful mysterious girl with tragic past was in love with him and the unforgettable ending, so antiHollywood, so true to the film – was about her love that goes beyond the grave. I read that both Selznick (the producer) and author Graham Greene had initially argued for something more upbeat (Holly and Anna walking off arm-in-arm), but Reed disagreed. I am so happy that Reed won (I am sure millions of fans are, too). That was the way to finish the movie and make it much more than just typical noir. Makes the viewer think about love, friendship, betrayal, loyalty, the price one pays for them.
Amazing film – perfectly shot; almost flawless. It looks and feels like Welles himself could’ve made it. The influence of Citizen Kane is undeniable. The only problem I had the music. I like it but it was very strange to hear it in the film like The Third Man. Maybe that was a purpose instead of somber, moody, and ominous music that would be expected for the noir film, something completely different and out of place cheerful but melancholy in the same time
Criterion DVD is wonderful the restored version of the film shines. There are two openings of the film available British and American, and a lot of extras.
I love Orson Welles and Joseph Cotton, either together or singularly in movies. This one I saw for the first time a few years ago on TCM. They played it again this morning.
If there was a way to play a movie on “Mute,” and still get the gist of the acting, I would do it. What a horrific decision to make use of a Zither as the major music score. The repetitive pounding of the same score was maddening! In case you have any tympanic membrane left, be forewarned….A “Zither” is a musical instrument that sounds like a cross between a Mandolin and a Screeching Cat. The music goes loud, then low (during a funeral), fast then slow…. but rarely stops for more than 5 minutes at a time. It’s the same tune too. Forget waterboarding: just play this music score to your enemy and they’ll beg you to take their secret info.
The movie is often shown in angles, as though they tilted the camera. Tall shadows of unknown persons in the city at night were supposed to add to the thriller aspect. Oh yeah, it seems that this city is always empty except for the movie crew and actors. Odd.
I thought the movie was fine, but not worthy of most accolades. Just a modest post-war thriller of sorts. Orson Welles shows up in the last third of the movie. The thrill part comes mostly from his interaction with Joseph Cotton and others, and the plot point is finally revealed. Big Deal!! Geez….I don’t think I’ve ever spent so much room of a review on the music alone. BUT It’s the music that jangles every nerve in my body and ruins what otherwise would have been a good movie experience.
Original Language en
Runtime 1 hr 44 min (104 min), 1 hr 33 min (93 min) (USA)
Genre Film-Noir, Mystery, Thriller
Director Carol Reed
Writer Graham Greene (by), Graham Greene (screen play)
Actors Joseph Cotten, Alida Valli, Orson Welles, Trevor Howard
Awards Won 1 Oscar. Another 4 wins & 4 nominations.
Production Company British Lion Film Corporation, London Film Production
Sound Mix Mono (Western Electric Recording)
Aspect Ratio 1.37 : 1
Film Length 2,873.65 m (12 reels)
Negative Format 35 mm (Eastman Plus-X 1231, Super-XX 1232)
Cinematographic Process Spherical
Printed Film Format 35 mm (Eastman 1302)