
#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Nurturing a strange, almost morbid bond with his statuesque young wife, Silvia, the recently dumped literature professor, Eduardo, struggles to understand. Now, convinced that Silvia has left him for another man, Eduardo, Dodo to his friends, finds himself unable to resist the pure magnetism of his bedridden father’s scantily-clad live-in nurse, Fausta, and his seductive Congolese student, Pascasie. More and more, tormented by suspicion and obsessed with the thought of Silvia, Dodo ends up reconstructing the truth through his memories, assuming the role he’s been assigned by destiny: that of the man who loves watching.
Plot: At a college in Rome, a professor, nicknamed “Dodo” is in a deep depression. His stunningly beautiful wife has just left him for another man. Dodo wants her back very badly and has erotic daydreams about her. A beautiful young student in his class asks him for a ride home and seduces the lucky man, but still he wonders about his wife and her lover.
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Erotic and explicit
The story of erotic films in the 1990s is largely a very sad one. American main stream cinema seems to avoid the subject altogether, B movies are obsessed with coupling sex with violence and death, and the typical porno is as exciting as drying paint. But there are a few exceptions, most notably the films of Tinto Brass, and this film here is a prime example.What is so unique about Brass’ films of this decade (and to a slightly lesser degree his 1980s films as well) is how they manage to combine eroticism with an explicitness that is close to hardcore porn, and that without ever looking seedy or overly stylish. Greatly supporting this effect are the music of Riz Ortolani and the excellent cinematography by Massimo Di Venanzo. With L’Uomo che guarda Brass seems to be telling the porno makers: “this is how a sex film can and should look like”.
The UK certificated version of this is about 8 minutes shorter than the original, but even that version would have no chance of an R rating in the USA. The quality of the English dubbing is a bit better than usual, but still we have to endure the traditional incomprehensible fake American accent for the leading male as in so many Italian films.
The Voyeour
While it’s hard to take a Tinto Brass film as anything more than a guilty pleasure, L’uomo che guarda may be the closest he ever came to making a film with real depth and it succeeds in juggling campy erotica with character study and a statement about human nature. While the blatant sexuality and skimpy outfits often border on the absurd, and often make it difficult to take the story seriously – especially in the scenes with Dodo’s father and his assistant – this isn’t as extreme as in Brass’s recent work, especially the hilarious Cosi fan tutte. And in several other scenes – the one with the bisexual photographer stands out, as well as the nudist beach dream sequence – the nudity and sex are used in a more mature, and even disturbing fashion. Brass isn’t known for subtlety or minimalism in his sex scenes, and this film is no exception, but he uses it more smartly this time, constructing an interesting and complex character in Dodo and saying something more interesting than usual about voyeurism in human sexuality and, as an extension, in film. A smart erotic film that tries to make the viewer think rather than just turn them on, and definitely one worth checking out for anyone not offended by nudity and blatant sexuality.
Original Language it
Runtime 1 hr 38 min (98 min), 1 hr 37 min (97 min) (Argentina), 1 hr 30 min (90 min) (UK)
Budget 0
Revenue 0
Status Released
Rated Not Rated
Genre Drama, Romance
Director Tinto Brass
Writer Tinto Brass, Alberto Moravia
Actors Katarina Vasilissa, Francesco Casale, Cristina Garavaglia
Country Italy
Awards N/A
Production Company N/A
Website N/A
Sound Mix N/A
Aspect Ratio 1.85 : 1
Camera N/A
Laboratory N/A
Film Length 2,813 m (Italy)
Negative Format N/A
Cinematographic Process N/A
Printed Film Format N/A